When teaching workshops and talking to other photographers, I’m constantly asked how I market myself to gain more exposure and business. While there are no surefire ways to insure your success when it comes to marketing, I have found four really unconventional ways to better market myself.
In this quick-and-easy tutorial, Howard Pinsky teaches you how to create the ring light effect in your subject's eyes using Adobe Photoshop. Applying a custom shape, layer styles and blending tweaks, Pinsky demonstrates an effective way to produce this reflection without using a physical ring light.
The premise for the Cutting Edge Tour headed up by Adam Epstein, five year veteran video editor and post production guru for Saturday Night Live, was a tricky one. I know because I spent a few days bouncing ideas around with him and looking at how to structure the thing. This review will set out specifically what you will (and won’t) find in the workshop.
In this Adobe Photoshop Playbook video, Bryan O'Neil Hughes suggests a variety of options to help you tackle noise when processing your photographs. Due to the improvement of pixel quality, noise isn't usually so much of an issue. However, it still can be a problem especially in your low light images.
I recently noticed that a handful of photographers were producing images that had a look as if they were stills captured from films.
I’ve always been enthralled with first person movie scenes, games and music videos. Clocking countless hours with Duke Nukem 3D in my parent’s basement on an old Packard Bell PC planted a seed that forever changed me. To this day I think The Prodigy's breakbeat electronic hit “Smack My Bitch Up” is one of the greatest first person videos of all time.
We all have our own motivation for the images we choose to make. Every photographer has that little voice, that driving force pushing you toward the goal, or that feeling in your gut when you really nailed it.
Maybe that works to your advantage now, but at some point, it’s likely to break loose and run wild…for better or for worse.
As your photography archive grows, so does the need to handle and protect that data. What happens if your computer doesn’t boot, or an image file won’t open? What if your home or studio gets robbed, or worse, catches fire? What if your backup drive fails, or your laptop gets stolen? These are all questions I ask myself when planning my backup strategy.
If you are into fantasy or photo-illustration style photographs, you are likely well aware of compositing, or shooting key elements separately and blending them in Photoshop. While compositing is made easier thanks to software solutions like Photoshop, have you ever considered how they are done without it?
I have only been shooting photography for a little over 3 years now. Things have progressed so quickly during that period of time that I haven't really had the chance to look back at the evolution of my photography. I had to think thing long and hard about the investments I have made over the 3 years and the things that really changed the game for me.
The guys from Film Riot catch ‘Guy Ritchie Disease’ and in the process teach you how to create the "Guy Ritchie" freeze frame effect. Whether you need an awesome intro title for your film or even a great effect for your own behind the scenes photography vlog, this Film riot video shows you how to create it in Adobe After Effects.
There is one thing we all share in common, regardless of what we shoot or what gear we use. When we raise the viewfinder to our eye, we take it for granted that we can actually see what we are photographing. Brenden Borrellini is completely blind, but that does not stop him making photographs and loving every moment of it. This is the fascinating story of the blind photographer.
LIVE NOW! One of my favorite things about Instagram has to be the community. Having followed Pei Ketron for years now and watching her work evolve has been an incredible learning experience for myself. Today, for FREE, she is working with PhotoShelter.com to offer a webinar on tips and tricks to building a following on Instagram. Why should you listen to Pei?
Jeff Rojas is challenging you to see just how much retouching you can finish in 6 minutes. Dubbed the Dirty Edit Challenge, Jeff explains that sometimes you don't need to go overboard for certain clients. Maybe you're not getting paid enough, or maybe you have a ton of images that need retouching.
If you are interested in creating the softest light with an amazing wrap around quality, look no further. The book light technique, coined by film maker Shane Hurlbut is so simple and basic, requires the most inexpensive light modifiers, yet gives you the maximum control over the quality of light.
Well renowned portrait photographer Gregory Heisler in his interview above with Maine Media Workshops + College, shares invaluable insight and advice for photographers. Heisler begins with a funny incedent that took place when he was starting off as a photographer.
What is Auto Exposure Bracketing? (AEB) is the setting on many DSLR cameras which allows you to take three different exposed images in quick succession. Often one image is under exposed, the second is mid range and the last is over exposed.
In this valuable tutorial Glyn Dewis takes a quick snapshot and shows you how to pull detail from highlights and shadows to make it a beautiful image. Dewis mentions some great workflow tips and tricks in Adobe Lightroom as well as how to bring your image over, non destructively, to Photoshop camera raw.
[via Glyn Dewis - Youtube]
When I was in High School, I took, among other things, an introduction drawing and painting class. At the beginning of the year, our teacher, Mrs. Yantz directed us to draw a landscape using either crayon, charcoal, pen or pencil.
In this brilliant tutorial from Phlearn, Aaron Nace shows you how to create an artistic, composite image to replicate the double exposure effect. Despite being a little complex, the instruction is easy to follow.
Most of us love natural light and feel comfortable shooting with it – but how well do you really know how to utilize it effectively and to control it with precision? I just spent the day with Erik Valind, a New York City-based lifestyle photographer in his 'Controling Natural Light' workshop.
Last year, photographer duo Dylan Howell and Sara Byrne (of Dylan and Sara Photography) posted an awesome video showing you how to create beautiful double-exposure photos in-camera, a technique popular in fine art, portrait, and wedding photography.
Inspiration spurs creativity and it is often you find a photograph or artist that influences your practice. In this Photoshop tutorial Ben Secret helps you recreate the look and feel of an image by matching contrast, tone and saturation. With these brilliant tips get a handle on colour and tone through imitation, but then have fun adding your own unique style.
Regret is the worst feeling in the world but as humans, we feel it.
Sometimes aperture and depth of field can be a little tricky to get your head around, especially when you’re a new photographer. Matt Granger gives a quick run down of appropriate aperture settings to get the shot you are looking for. Granger mentions the possible aperture settings that will help you with focus as well as where your lens might perform at its best
All this week at the PRO EDU studio in St. Louis, Michael Woloszynowicz has been hard at work showing off his techniques for an upcoming tutorial series on creating fashion and editorial photography.
Lighting is key. It has an influence on just about everything we do when making an image. Light will affect what time of day we shoot, where we place our subject, our shutter speed, our aperture, how we edit the images, blah blah blah. You get the idea, right? Understanding and controlling light is crucial to the success of your work.
In this great tutorial, Aaron Nace from Phlearn teaches you how to change hair color in Photoshop. He shows the trick to changing red hair to brown, black and blonde and this video also gives great insight into and cause for practicing your skills with blending modes as well as selective color and levels adjustment layers.
I recommend watching this very interesting (and brief) interview of Ramit Sethi on how to charge more for your work. Whether that work is photography, videography, graphic design or anything else, he has some interesting things to say including why charging what others in your territory are charging is a bad idea. Ramit is a motivational speaker/bus
Every photographer knows that the eyes are the soul of a portrait. Besides the emotional aspect, there is one important technical factor that, if done right, will light up the eye of the portrait and enhance the connection with the viewer: the catch light.
If you’re like me, you believe that within every photo there are a multitude of layers that exist.
Last month we shared a really impressive project of an underwater shoot in Bali done by my friend and conceptual photographer Benjamin Von Wong. He stated then that was only part one and that part two would be coming soon.
Whether you’re traveling around or venturing out beyond your own backyard, cities offer an endless supply of interesting locations and moments for photographers. To take advantage of their potential you’ll have to not only identify the best compositions but also execute them well.
Phoenix based model and photographer Shantia Veney took some time to make a quick three and a half minute video demonstrating how a constant, fluid, motion of dance-like movement looked in front of the camera.
From a retouching standpoint, there are few things more unpleasant or challenging than dealing with chunks of hair on the face, missing patches of skin texture and large folds of skin. Generally the existing tools in photoshop such as the healing brush or patch tool fail in these situations and we often end up with unnatural or unpolished results.
A few weeks ago, I was chatting with a new friend via Facebook and he asked me to describe my most creative period of time and, if I could talk about what led to those circumstances. “Easy,” I said. “That moment is now - it’s right this minute.” I went on to describe how I’ve never been happier nor more focused on what I’m doing, how my work is being well-received, etc.
Posing your subjects can be one of the most challenging tasks you have to face on shoot-day. If the person in front of your camera is not a supermodel who knows all the tricks, chances are you'll have to direct and pose that person (or people) in order to get pleasing images that make them look at their best.
Last month, Ryan McGinley gave the commencement speech at Parsons in New York. Ryan McGinley (NSFW), if you're not familiar, is one of the youngest photographers to ever be exhibited at the Whitney Museum, was named Photographer of the Year in 2003 by American Photo Magazine, is the former photo editor of Vice Magazine and has been featured in public collections at the Guggenheim Museum.
The music business is a brutal, cutthroat, dog-eat-dog world and I lived it for nearly 10 years. Since the age of 16, I struggled as a touring musician, surviving off nothing but cold Spaghettios and sleeping in a decade-old 8-passenger van. I was fortunate enough to explore the nation and see things that most will never see, but by the time I left the business I was completely burnt out.
A number of years ago, I read on a photography/marketing blog that there are reasons why we, as photographers, should think about working for free.
Frozen, The Hobbit, Toy Story, Wall-E, Jurassic Park... these are just a handful of the blockbuster movies over the years that have utilized Pixar's award-winning VFX software, RenderMan. In fact, RenderMan has been around since 1984 - used to render computer graphics in Star Trek: The Wrath of Khan.
It was something I’d been thinking about for a while. Casually admiring others and how they went about it so naturally. Watching from afar, admiring the differences between them and me and wondering if there every was going to be a day when I was comfortable enough to do it myself. The more I watched, the more interested I became.
This is the third part of The Ultimate Guide to the Dodge & Burn Technique. Check out Part 1 and Part 2 where we talked about the fundamentals and tools. Today we finally get to one of the actual setup variations for the Dodge & Burn technique in Photoshop. But before we begin, I'd like to share a few words of caution with you.
On Tuesday, May 27, 2014 from 1:00 PM - 3:00 PM eastern daylight time B&H is hosting a panel discussion with special guests Eduardo Angel, David Flores, and Mathew Frazer who will explore and discuss the new 4K Panasonic Lumix DMC-GH4. The GH4 has a lot of hype behind it, and for good reason- The camera is shaping up to be a video monster.
It all started with a conversation between filmmaker Justin Gustavision and I this past Friday. Justin works for Nadus Films who just released a brilliant award-winning documentary “BBoy For Life” which shows how break dancing has provided teenagers a way out of Guatemalan gang life.
One of the most trying experiences I've had since becoming a photographer has been coming to terms with the fact that there are places in our county where, quite simply, we are not allowed to take photos.
One of the biggest frustrations any new professional photographer has is obtaining clients. I’m going to assume that at this point you have sufficiently nailed down your technique, you’ve built up a decent portfolio, and you have a website that is easy to navigate and shows off your work. So why are you not getting replies from your prospective clients?
This is the second part of The Ultimate Guide to the Dodge & Burn Technique. Check out Part 1, where I covered the fundamentals of light and shadow rendering in painting.
I've been using Photoshop since 1998 and if there was one thing that I've learned, it's that their slogan should be, "There is more than one way to skin a cat." We've seen a lot of videos on how to change the color of things using PS, each with their own strengths and weaknesses. This one from Aaron Nace, of Phlearn, is quick, easy and you should add it to your arsenal.
Between the dawn of the digital age of photography and services like Instagram, more and more people are trying their hand at photography. Whether you’re looking to be the next Ansel Adams, or just looking to take a few nice photos of your kids and loved ones, there are a few things that you NEED to look out for when getting started in photography.