It is surely the simplest of operations — instructing the camera when to take a photo. Surprisingly, for such a straight forward task, there are a myriad of ways to actuate the shutter. What are they and what is the best?
If you’re just new to photography and just bought your first camera, here are some important things to know about taking care of it.
Do you know about the different sensor sizes you can get in cameras and how one sensor size might be better than another in certain situations, regardless of what some people might tell you?
If you haven't yet taken the mirrorless camera plunge, before you buy, ask yourself if you've given the Nikon Z 50 enough thought. If you haven't, this video offers some reasons to do so before you make a move.
There are amazing lenses available. It is tempting to buy a special lens, because it can open doors to a whole different kind of images. But there are lenses which you probably won’t need anytime soon. Here are six of them.
Today, I’ll share a few words of wisdom. Or, more accurately, I’ll let you learn from, and possibly laugh at, a few mistakes I’ve made along the way.
On the road today, but got a bit of news that should make fellow Capture One and Fuji users quite happy.
If you're looking for a lens that's super sharp, incredibly versatile, remarkably cheap, and able to cover almost every scenario you want from a walk-around lens, then this 35-150mm lens from Tamron is perfect. These images testify to that.
When pondering my move away from Canon almost 18 months ago, the two main contenders were Fujifilm and Sony. Despite the announcement of the incredible-looking X-T4, Fujifilm still hasn’t done enough to drag me on board, and it has nothing to do with sensor size.
Buying a beautiful f/2.8 lens zoom is tempting. Large apertures are always better. If you’re using primes, a f/1.8 or f/1.4 is even better. But is that expensive large aperture lens really necessary for your photography?
There is no doubt that digital has surpassed the quality of 35mm film, but medium format film still offers tremendous quality and is significantly cheaper than digital medium format. How does it compare to a modern medium format camera? This great video takes a look at the two and the results you can expect from them.
Remember when Pentax released the K-1 Mark II? In hindsight, that wasn't too bad.
If you think that there are too many options today when considering buying a digital camera, then spare a thought for those who are interested in buying a film camera. Thankfully, this video can give those who are new to the format a better idea of what's on offer.
Fujifilm has officially announced the X-T4 and to me it looks like a brilliant camera. Fuji has implemented most of the major requests made by many within the community. My initial reaction in London was extremely positive towards the camera. Unfortunately, there are still a few reasons that hold me back from upgrading.
As every photographer who’s suffering from GAS (Gear Acquisition Syndrome), I am currently searching for a new lens. While trawling through popular online shops, I couldn’t help myself, but laugh about some useless review images of the products.
Sigma's Art series of lenses is loved by many photographers for its combination of great optical quality and relatively affordable prices that often undercut first party manufacturers by around 50 percent. Their 35mm f/1.2 DG DN Art lens for Sony E and L mounts pushes boundaries a bit, as it is the first in the series with a maximum aperture of f/1.2. How does it hold up in practice? This great video takes a look to answer that question.
Any bokeh fanatic knows that to push the boundaries of background blur further and further, you need ultra-wide aperture lenses. But it is not just a wide aperture that can produce that buttery smooth bokeh. Lenses with an apodization filter can also make bokeh much nicer. This great video review takes a look at Fujifilm's version of such a lens and if it is worth the extra price.
I love longer focal lengths for portraiture, but how is the X-T4 and a 200mm f/2 for it?
Getting started in astrophotography doesn't have to be expensive or complicated, and there is no better time to give it a try.
One of the biggest misconceptions I have come across in the industry is that tilt-shift lenses are just for people who shoot architecture. Once you understand how these specialist lenses work, you'll realize how big of a deal they can be for almost any genre of photography.
A few days ago Sony announced the 20mm f/1.8 for full frame E-mount and I must admit, my ears pricked up.
The two heavyweights when it comes to flagship sports and wildlife cameras are the Sony a9 II and the recently released Canon 1D X Mark III. The ability of the autofocus to track a subject is critical, so how do the two compare when placed side by side?
Portable drives are getting better and faster all the time, while the cost of high-capacity drives has finally started to come down. Yet, new technologies always develop faster than the leading brands can get products to market. That's where DIY solutions shine.
You read that right: ARRI makes compromises in order to make good lenses. The logic behind those decisions is similar to the one behind making digital camera sensors carry more information in the green channel than the other two. It's about image perception, not about mathematical perfection.
The L-Mount Alliance marked the culmination of a remarkable period in the history of the (digital) camera. However in five years time, will we look back and see this as the beginning of the end? Was the L-Mount Alliance simply too little, too late?
Fujifilm recently announced the X-T4, and it contains a bevy of improvements and new features sure to excite photographers and videographers alike. This excellent video takes a first look at the new camera and what you can expect from it in usage.
Lenses are not cheap, and you can potentially save thousands of dollars by buying used, but of course, you assume certain risks in doing so. If you are thinking of buying a used lens, this helpful video will give you seven things to check to ensure that you get a high quality optic that will give you years of good performance.
I love seeing weird and quirky lenses and this one from Samyang certainly ticks those boxes. Is it any good though?
The launch of the new Olympus O-MD E-M1 Mark III has reminded the world that micro four-thirds is not dead, and right now, it’s almost exactly the same price as the Sony a7 III. If you were in the market, which would you buy?
Most macro lenses provide 1:1 magnification. However, if you want even more powerful capabilities, the Venus Optics Laowa 65mm f/2.8 2x Ultra Macro APO lens can offer double the magnification of standard macro lenses, and it comes in at quite an affordable price as well. How does it perform in practice? This great video review answers that question.
Elinchrom has always been known for its superb light modifiers. But the strobes designed by the Swiss flash manufacturer are just as good. Now marks a new direction for the brand with the introduction of the ELC 125 and ELC 500.
The number of things I have learned, unlearned, and relearned all over again along the road from hobbyist to professional photographer would require something of a short novella to recount in their entirety. So today, I want to share just one of them.
When it comes to buying a new camera, the big question is: "How much should I spend?"
Fujifilm's beloved line of X Series cameras just got its newest member: the X-T4. Check out what's new in this powerful body.
Focal plane shutters are by far the most common mechanism for controlling exposure times, but leaf shutters are still around and preferred by some photographers, particularly when it comes to working with flash. This excellent video will show you the advantages of a leaf shutter when working with a strobe.
