Gear

10 years ago shooting on a 4x5 camera was pretty common among professional photographers. Today, many young photographers not only haven't seen a 4x5 camera but they have probably have never even heard of one. In this video Simon Roberts takes us through the steps of using the camera, editing the images, and the printing the final file. How do you guys feel about shooting on film and then processing the images digitally? Does that defeat the whole purpose?

We are heading into the holiday season which usually means manufacturers and retailers are looking to hook up buyers with some pretty sweet deals. Right now through BHvideo.com you can get some great discounts on Sandisk high speed flash memory cards which are great as newer cameras offer more megapixels and greater video capability. Pocket Wizard is also offering a rebate on their flagship Flex and Mini radio triggers. Check out our Nikon Pocket Wizard Flex and Mini Review to see how far the new line of triggers have come over the industry standard Plus IIs. Act fast because these units rarely go on sale and hold their value really well if you ever need to sell them down the road.

I'm not sure I believe that 3D is the way of the future but the current technology behind it does fascinate me. Check out the video below in which Peter Jackson takes us behind the scenes of his much anticipated film The Hobbit. In this video Peter and his team explain how they use 2 Red Epics to produce the most realistic type of 3D footage available today. How many of you guys actually own a 3D TV? Maybe we all will one day but at this point, I don't know a single person with one.

Out of the blue Canon just jumped into the movie business. Hours ago Canon just announced the new C300 video camera and minutes ago Vincent Laforet released "Movius" his newest short, shot on this unreleased camera. Patrick and I have been trying to get in contact with Vincent over the last few weeks (for a reason you will soon know) and I now understand why he was so "busy". Check out the short below and the BTSV in the full post.

Well this is quite a surprise. Canon has just announced the new C300 video camera. This camera will shoot in 4K (still unsure of frame rates) and will use NEW "Top-End EF" Zoom Lenses made by Canon. $20,000 which should compete nicely with the Red Scarlet and it plans to actually be available in January. All of the specs are still coming but if you want to see the most up to date info, head over to the Canon Hollywood Event liveblog on Engadget now!

So I am going through some of the slow-mo HD camera options that are on the market right now for an adventure I will be taking soon, and I stumbled upon the new GoPro HD Hero2. On their site they have one of the illest trailers I have ever seen for a camera, and I had to watch it several times. This isn't an ad for the camera and I am not saying that this is the one I will buy, but man what else compares? With that said, watch this trailer, it really is rad to see what kind of punch that tiny package can deliver! (that's what she said)

A few months back we posted about the cheapest crane on the market and it was a huge hit with our readers. If you happen to have a little extra money (about $300) you may want to invest in the newest and smallest crane on the market. Check out the video review below. If this looks like something you can't live without, head over to eBay to buy one of these new jibs.

When someone turns us onto a product or service we really enjoy we like to spread the word. Our friends over at Novum Studios just recently launched the new site design for BorrowLenses.com and it looks great. The Novum team was responsible for the site design you see on Fstoppers.com, and since we are not web designers, they have been instrumental in helping us turn our ideas into working realities. I can't really say enough about Case Sandberg and his team so if you need any custom wordpress design work check them out. Also check out Borrow Lenses new site especially if you want to test or rent gear for an upcoming project.

This striking image (pun intended) was shot by Blair Bunting for a Deadliest Catch ad for Discovery Channel. Curious to know how he did it? Well, luckily for us, his assistant Paul Morton filmed the whole thing, and Mike Maez was kind enough to edit it down into a digestible and inspiring video. Do not worry, it did not take any knocked out teeth or injured sailors to get the job done, but rather a couple of Pro-7a units and 3 high powered leaf blowers. Have a look and see for yourself!

via the ProFoto Blog

In May 2012, Marvel will release the comic superhero movie The Avengers. Some apple fans are suggesting that footage actually in the movie was shot on an Apple Iphone. The Avengers cinematographer Seamus McGarvey was quoted saying, "The beauty of photography or cinema is that you make every choice based on the content at hand. On The Avengers, I did a couple of shots on the iPhone and they are in the movie. In fact, they are in the trailer! I understand that sometimes there is no choice and you have to go for the cheapest option, but if you are limited for choice, you can still make poignant decisions that will effect the look of the film." It's pretty crazy to think footage from the older iPhone 4 (which only shoots 720) could ever be good enough to mix in with real footage taken on pro cinema cameras. With the amount of preplanning and the huge budgets allowed on these films, would they not just reproduce the scene again and capture it from all angles? I just can't imagine something happened spontaneously where the cinematographer's footage from his phone was the best possible footage. What do you guys think? Can anyone identify the footage in the trailer below?

Lee's wedding video A Moving Moment created a lot of discussion about how to get high production shots with minimal gear. The truth of the matter is Lee handheld 90% of the footage and used our favorite slider, The Atlas 10 Slider, for the remaining 10% of the shots. Olivia Tech has recently demoed a knock off slider called the Konova Slider and explains some simple techniques that can really up your video production easily and on a budget. Olivia is also using the main lens Lee used in his video, the Tamron 17-50 2.8 VC, which has the best vibration compensation of any 2.8 lens in this range. If you want the quality of a true Cinevate Slider for a little less money, we have had awesome results using the Cinevate Atlas Pulley System as a fully functioning slider. Just make sure you put a solid ball head on it first!

Well the rumors were right. Canon just announced the 1DX, a rapid fireing sports shooter to compete with Nikon's D3s. Check out the full post to read the full press release and read about all the new features that Nikon will trump with the D800 in a few weeks. I'm kidding, I'm just a jealous Nikon shooter.

Awhile back we shared a few videos of photographers intentionally throwing their cameras in the air. Well now the Throwable Panoramic Ball Camera actually makes that feat much easier. The new camera allows photographers to create 360 degree images with 36 individual cameras arranged in a buckeyball shape (any organic chemists out there?). Using an accelerometer, the spherical camera takes a photo at the apogee when there is the least amount of movement for surprisingly sharp images. It's also made of soft collision material which just begs you to throw it at someone's face or fling it with a water balloon launcher. The whole project is pretty interesting, and you can read more about it on Jonas Pfeil's website.

I just wanted to give our readers a little heads and let you know that both Nikon and Canon plan to announce new cameras this month. Canon is rumored to announce a 1D series camera (their pro sports camera) on Tuesday October 18th. The camera will have around 16mp and will shoot around 12fps. Nikon is rumored to release the extremely anticipated (and late) D800 but is rumored to completely change the direction of this camera from a cheaper D3 to a D3X killer. The D800 is rumored to be announced on October 26 and have a shocking 36mp sensor. Have these camera companies completely switched direction? I thought Canon was all about MP and Nikon was all about ISO performance. We will just have to wait and see.

Using drone octocopters to take breathtaking aerial footage is nothing new. But what would the results look like if you could combine a stabilized drone with ultra high def 5K footage from the Red Epic? That's exactly what OMstudios did with their self proclaimed "OM-copter". By using the drone, directors can now produce stunning high def and slow mo aerial shots without the high cost of renting an actual helicopter. Of course you have to be able and willing to secure a $58,000 video camera to a remote controlled octocopter in the first place! Check out the OMstudio Vimeo Channel for some great commercials and other video projects.

The OM-Copter gives wings to the Red Epic from omstudios on Vimeo.

A new photoshop algorithm featured at the Adobe Max 2011 is almost too good to believe. Somehow engineers have figured out a way to take extremely blurry images (by photographers' standards at least) and render them sharp and usable with the click of a few buttons. The goal behind this software is not to fix improperly focused images but rather to fix motion blur caused by a shaky camera or a slower shutter. The crowd's reaction at 1:18 is worth watching this video alone but if this technology ever makes it to future copies of Photoshop then this will no doubt rock the digital world in a way we've not seen before.

Well the title pretty much says it all and you only have 3 day left to enter! Fstoppers is excited to announce a new twitter contest where you can win one of the brand new Apple Macbook Air 11.6" Notebooks. Click Here for details on how you can enter the Fstoppers twitter contest and win this macbook. Also make sure you enter before the end of October 12th since we are announcing the winner the following day.

Everyone was a little let down when Apple announced an iPhone "4S" rather than a brand new "5". Aside from being a little faster, the iPhone 4S also has a big jump in the camera/video department. This new camera is 8mp and shoots at 1080p with built in vibration reduction. Check out the video below to see what this little cellphone is really capable of. Update: The video was pulled a few minutes after I posted it. To see the video you can head over to Apples site and scroll down to the video section: http://www.apple.com/iphone/features/

Don't you hate it when your camera can't stand up to the weight of your pet elephant stepping on it? Ya me too, that's why I only buy Phase One (I mean I will after I win the lottery). Although this stupid test is fairly impressive, I would much rather see a drop test, as that will be the real issue for photographers and the durability of their gear.

Ryan Enn Hughes just submited his entry for our BTSV contest and it is quite impressive. Ryan teamed up with The Big Freeze and set up 48 D700 cameras in a circle and then fired them all at once as dancers did their thing. The photographs are pretty cool on their own but the real magic happened in post during the editing phase when Ryan teamed up with sound designers at Zelig Sound to create two incredible 30 seconds videos. Obviously this is an extremely high budget project but our contest will not be judge on that so don't be discouraged if you don't have 48 $3000 cameras to play with. As always, you can check out all of the submissions to our contest as they come in here on our forum.

Last year I released a video explaining how to wirelessly tether your camera to an iPad by jailbreaking the iPad. Since then Eye-Fi has released a firmware update that makes wireless tethering possible without the need for jailbreaking. Now, not only is the whole process much easier to set up, it is also much cheaper because you no longer have to pay for the more expensive Pro Eye-Fi card, you can make this work with the cheaper Connect X2 card.

In Jay P. Morgan's newest video he shows us how he uses a crane to bump up production value by using a crane. Now I know you might be thinking there's no way you can afford a crane but you would be wrong. Last month we posted this video review of a $125 crane that anyone can afford. I purchased one and I am really excited to try it out in the near future.

Now this video may be over many of your heads (it is definitely over mine) because most of us are still photographers who may only dabble in video but this is still worth posting. In the video below Video Copilot shows us how they filmed a car chase scene in the studio with a green screen. I've never shot anything on a green screen before but after seeing how easy this is, I may have to give it a try.

Have you ever wondered how DSLR cameras match up when compared to film and high end HD video cameras? Last year, Zacuto brought together some of the biggest names in the movie industry to see how well the first round of video capable DSLRs compared to the industry’s standard film and HD video cameras in The Great Camera Shoot Out of 2010. This year they have started another series which compares some of the top cameras including 35mm Kodak 5213/5219, Arri Alexa, Red One M-X, Phantom Flex, Sony F3, Panasonic AF100, Canon 1D Mark IV, and Nikon D7000 (where is the D3s?), and a bunch of other professional video cameras. The Great Camera Shootout is a must watch if you are a gearhead or simply enjoy seeing how well the current crop of DSLR cameras are at video. In this video they goal was to compare the overall noise sensitivity and perceived sharpness of different cameras. You might easily got lost in the technical talk used in these discussions (unless you really study this sort of thing) but nevertheless it's pretty interesting to watch as a photographer or film maker. You can also watch other Zucato Shootout Episodes Here.

A few months back I posted another video by "Betty Wants In" that involved skydiving in ultra slow motion. The video was created with the GoPro video camera and software called Twixtor that can create frames for a very realistic slowmotion look. This time they have created a very different video using the same technique. Enjoy this amazing look at the sport from the safety of your office.

A few months ago I purchased a Nikon D7000 and MB-D11 battery grip from Amazon.com. The order was fulfilled by ANATOLIAN BOOKSTORE, INC and two days ago I figured out that this grip is actually a fake. Check out the full post to see high res images from every angle of this grip.

I just stumbled upon another interesting video filmed with the GoPro HD video camera. It's not really an informative video but hopefully it will give you guys some inspiration. You can easily film things with these ultra small/light cameras that simply were not possible a few years ago. What could you film in a different way? Update: Sorry about the title. I've not heard of "squash" before.

We've all seen huge gigapixel images and their boring sidebars that allow us to navigate through them. But what if you could scroll through a photograph Minority Report style? The good people over at the University of Lincoln in the UK have put together an exhibit that combines huge gigapixel images with gestures based on the Xbox Kinect gaming console. The next step seems obvious: combine this technology with Photoshop! If you are near the univeristy, check out the Gigalinc page for future shows of this interesting concept. And if you know how to hack the Kinect, someone please hook this up to CS5!

When it comes to giving great tutorials on DSLR video, the guys at Stillmotion are full of helpful tips and tricks. This latest video discusses some of the advantages you have in setting your camera's white balance and color profiles. Since DSLR cameras still do not allow you to record in a RAW format, you must make many decisions in camera much like you would if you were shooting jpeg (which is great for events like weddings). Lee and I are big fans of getting it right in camera which is crucial when filming video because a compressed video has so much less room for error than a large 12+ megapixel photograph. Seeing real time comparisons of how white balance, sharpness, contrast, and color shifts can change the look of your final video is really helpful and should become a part of your workflow everytime you start filming video. Hopefully many of you can use this info when filming your BTS contest videos. We've featured Stillmotion a lot here on Fstoppers so be sure to check out their older videos as well.

A green screen, also known as a chromakey, can make life really easy if you are doing a lot of video work and want a simple solution for dropping in different backgrounds. David Dugdale created a great tutorial for green screen which shows how to effectively light a chromakey background and key it out in Premiere. ReflecMedia has created a different solution for chromakeying with their Chroma Background Kit. It uses a green LED ringlight that illuminates their special background made up of glass beads. Even with the lovely Olivia Tech explaining how it works, I'm still a bit shocked that such a small ringlight can illuminate the background without affecting the subject. This system isn't cheap but I can see the advantage of not having to carry extra lights just to evenly light a huge background especially out on location.

If you have seen Peter Lik's work in person then you understand that it's impossible to put into words the look and quality of his prints. Peter's photography (and his post production) is fantastic, but what really makes his work stand out is his printing and presentation. If his images were printed on standard photo paper at a standard size, his work would not have the same "wow" factor.

I've been saving my money for months so that I can make the switch over to Profoto and take advantage of their new D1 Air Monolights. Not only are these things small and light but they are also completely wireless! You can now control your studio lights (on/off, flash power, modeling light) all from the Profoto Air Remote. You want to know what the best part is? WE ARE GIVING A SET OF THESE LIGHTS AWAY to the winner of our behind the scenes contest. Check out the full post to see 3 videos of these incredible lights in action.

TheUnderwaterRealm.com is a blog that is following the production of an independent film that will take place completely underwater. Each week the guys and gals are releasing a BTSV which shows exactly what they have been working on. If you are interested in movie production, I highly suggest checking out their website. In the video below the team is forced to build an underwater Kino Flo lighting system. This video is 1 of 29 so there is a lot more quality content to be seen.

If you've been shooting stills or video for any length of time, chances are you've often thought about making a product that could make your life a bit easier. Cinetics designer Justin Jensen's own idea was to make a simple dolly system for DSLR cameras that was also portable. He designed and launched his CineSkates on Kickstarter and the response has been huge. So far Justin has raised more than 6x his initial goal of $20,000 so it looks like this production version will soon be in photographers' bags world wide. The system basically adds skateboard wheels to the versatile Joby Gorilla Pods and creates a system that gives your video footage high production movement. You can also the CineSkates for timelapse photography. Check out the video below to see exactly how the system works.

As you may have heard, Sony just announced their new 24mp Alpha 77 DSLR and it is really pushing the limits of technology. I've been a Nikon shooter my whole life and I don't plan to switch any time soon but I still enjoy seeing all of the brands compete. It's also a well known fact that Sony supplies Nikon with their sensors so this chip may show up in the D400 that we are all hoping will be announced the in the next few months. FYI, you will have to read subtitles to make it through this video.

Tom Guilmette is now a pretty regular name on Fstoppers because his BTSVs in the field of video are some of the best we have seen. In the video below Tom travels out west with Eric Kessler to film BTS footage of some of the top timelapse shooters of our time. My personal favorite is Tom Lowe and we haven't heard much from him in the last year because he is still working on his timelapse feature film. Check out the video below to learn from the best.

If you have followed Fstoppers for any amount of time, you know we are big advocates of photographers having great looking websites. Most photographers love the look of a flash site but more and more companies are starting to offer both flash and HTML versions of their sites. Creative Motion Design has been hard at work creating flashy looking websites that are coded in HTML so your potential clients can check out your work while browsing on their mobile devices and tablet computers. This week CMD released their first fully customizable HTML websites Rosie and Ethan with more designs coming out throughout the rest of 2011. I love the look of Ethan, and the prices on these sites are reasonable especially since CMD's customer service is leagues above many other website design companies. As soon as Lee and I have some free time, we are planning on converting our sites so they load up easier for potential clients.

If you are planning a behind the scenes video for our 2011 photo contest, you probably also need to setup an interesting interview segment to explain the details of your photoshoot. Most photographers spend a lot of money on their flash equipment but often don't have much in the way of constant lights. The guys over at SLRlounge have come up with a great BTS video on how you can create an interesting interview set on a budget. In this video, Pye Jirsa used basic work lights mixed with natural ambient light. In our contest video we either shot completely natural light or mixed in some of these inexpensive LED lights to make it a little more interesting. Taking a little bit of time to make your interview footage look good always goes a long way and is often just as fun designing as the actual photoshoot itself.

last week Jay P Morgan showed us exactly what softboxes do to light sources. Each softbox shape can be used to create a unique look and in the video below Jay shows us how he chooses the correct size to light a specific shot. Keep in mind that if you don't have enough money to buy multiple sofboxes, you can change the relative size of a single box by moving it closer or further away from your subject.

Have you ever wondered how DSLR cameras match up when compared to film and high end HD video cameras? Last year, Zacuto brought together some of the biggest names in the movie industry to see how well the first round of video capable DSLRs compared to the industry's standard film and HD video cameras in The Great Camera Shoot Out of 2010. This year they have started another series which compares some of the top cameras including 35mm Kodak 5213/5219, Arri Alexa, Red One M-X, Phantom Flex, Sony F3, Panasonic AF100, Canon 1D Mark IV, and Nikon D7000 (where is the D3s?), and a bunch of other professional video cameras. The Great Camera Shootout is a must watch if you are a gearhead or simply enjoy seeing how well the current crop of DSLR cameras are at video. It's pretty amazing to see the consumer Nikon D7000 holds its own against such a competitive group; I can only imagine what the next crop of Nikon cameras is going to do! Check out the trailer below and hit the full post for the first episode that outlines exactly what sort of tests Zacuto is going to run.

Understanding how different sized softboxes work usually requires a bunch of tests or just good ole trial and error. Luckily photographer Jay P Morgan has done all the dirty work for you and shows how different sized Photoflex softboxes create unique spreads and quality of light. I find smaller softboxes are great for location portraits because of their compact size and soft yet edgy light. However you may prefer something larger depending on the specific look you are trying to achieve. If you enjoy Jay's videos, check out some of his older posts we have featured on Fstoppers.

There is no doubt that the RED's Epic video camera produces some of the most crisp and surreal footage you are likely to see at a reasonably "budget" price point. Up until now, the only lenses you could use with the Epic had to have the PL lens mount found on cine lenses. Recently, photographer turned videographer Vincent Laforet was able to demo the new Canon lens adapter which allows the RED cameras to use most of the EOS mountable lenses. In the video below, Vincent shows what the RED/Canon combo can do out in the field. One particularly interesting combo is the Canon 600mm f/4 L lens mounted with the 2x Canon Teleconverter. Some estimates give this combo a 35mm equivalent of 3400mm with the crop factor but I think it's actually a bit less than that (the RED should have around a 1.2x crop factor depending on the file output). Either way, the footage is pretty amazing and super exciting if you dream of using RED gear down the road with your existing Canon lenses. Any idea how he shot the video in low light? Looks like the lens would be at least at f8 which is almost unusable in anything but bright light.

One Degree from Vincent Laforet on Vimeo.

A while back we featured a story on a new camera body cap that was designed to protect your DSLR while traveling through the most extreme of circumstances. The LockCircle created a lot of controversy from our readers over both the price and also the size of the cap itself. Well we now have a reason why this body cap is so expensive and know exactly how it works with this amazingly well crafted behind the scenes video. You may scoff at the overall idea of this product but you will no doubt be impressed with the manufacturing process. I usually leave lenses on my cameras even when traveling but I can see the advantage of something like this for extreme condition photographers who shoot in sandy, snowy, or dusty environments where a loose body cap could cause serious problems during a photo session.

One of our trusted Fstoppers readers sent us this video, and I found it really interesting. Digital cinema specialist Rob Hummel recently gave a lecture at Cine Gear Expo 2011. In his lecture he described exactly what is going on when both film and digital mediums capture light to form an image. The graphics in his presentation help explain why old fashion film can still produce more aesthetically pleasing images than digital. He also describes a little known secret about how gamma rays present at high altitudes can actually destroy camera sensor's pixels. I've personally flown with a bunch of cameras dozens of times with no pixel problems but maybe my cameras are able to mask the destroyed pixels through software? Either way, the exciting news I took from this video is that digital sensors still have a lot of potential gains that can make our images even better in years to come.

Whenever a great deal comes along, we try to help out and share them when we hear about them. Today only there is a great deal on Canon DSLRs bundled with the Canon Pixma Pro 9000 MKII printer. Basically if you buy any Canon DSLR camera with the Canon Pro 9000 printer (currently on sale for $350), you get a $400 AMEX Card which means the printer becomes free and the camera is $50 off. Not bad if you are in the market for a camera or just need the free printer. Lee and I both use this printer for the few photo prints we make and it's amazing what it can do with some good paper. I've heard there are not many of these in stock so once they go they are gone. Simply head over to the Printer Page to see both the instant rebate and the mail-in rebate form. Just make sure you have a camera and the printer all on one transaction. Easy as pie :)

In the past a ring light/flash was a piece of gear that few photographers could actually afford. Today there are a few cheaper options including the Diva Ring Light that can be found on eBay. In the video below Olivia Tech does a quick review of the $200 unit. Now you may still be thinking that is a little steep but when you look at similar products, the price isn't too bad.

So your band is about to go on tour and the obvious question is "what are we going to use for our backdrop?" Most bands would normally use a projector, an LED panel, or just some plain old stage lights. What the Japan based band Androp decided to do was much more interesting. Using 250 Canon cameras equipped with external flashes, the band wired everything together and programmed them with Arduino open source software to display different patterns of light and text. You really have to watch the full video to even grasp how cool this turned out. Check out the behind the scenes video below and jump to the full post for the final video.

The guys from StillMotion have been featured on Fstoppers a few times for their incredible wedding videography. What many people don't know is that most of the really complicated looking shots that they get were filmed with a Manfrotto 561 Monopod. Sometimes the most expensive option isn't always the best.

Holli True is a very well known wedding and senior portrait photographer based in Oregon. In the video below Holli takes us on one of her senior portrait sessions and explains how she gets a different look using Lensbaby products. Lensbabys are basically very simple tilt lenses. If you are unfamiliar with how they work, view the full post to see a second in depth video on how to use the products.

If you have a large studio or perhaps even a small studio space in your home, chances are you have asked the question, "how in the world am I going to build a cyclorama wall?" Last year we shared with you a video on how to make a cyclorama wall done by Sam Robles. Well it seems Sam isn't the only photographer handy with a few carpentry tools. Check out this, ahem, inspiring video by the good people over at EyeHandy which outlines each and every step needed to make a solid and sturdy cyc wall for your studio or in this case dining room. I love one youtuber's comment, "after a while i stopped being aroused and started being amazed!" Happy summer time tool project!