Over five terabytes filmed over the course of two grueling years, A Taste Of Austria is comprised of over 600 time-lapse clips intricately woven together through creative clip transitions. Time-lapse movies often take themselves entirely too seriously, focusing on the dramatic through epic song choice and long drawn out pans.
Aaron Eveland, the videographer of the wedding duo in Hawaii known as Makai Creative, set out to recreate the classic look of The Endless Summer movie poster – gigantic sunsets behind surfers on the beach – and that he did with the help of a Canon 800mm f/5.6 lens, a 2x Extender, and a lot of trial and error.
In the latest episode of The Grid, freelance sports photographer Dave Black and freelance lifestyle and environmental portraiture photographer Erik Valind (who will be an instructor at the upcoming Fstoppers Workshops in the Bahamas) share their views on 10 of the big, often intimidating questions facing rising photographers in the industry.
When taking portraits with natural light, often times, there is one key aspect that is overlooked. This facet of naturally lit photos is far more important than things like shooting at a specific time of day. Before diving into what makes a naturally lit photo a spectacular one, it is important to know and understand the difference between artificial lighting and using natural light.
Who hasn’t contemplated the idea of living a simpler life? I know that I certainly have, pondering from time to time what my life would look with smaller bills and rent. What would my art be like if I could downsize just a bit? Could I ever dare? People everywhere are beginning to realize that they have become slaves to their own lifestyles.
When people walk through my living room studio, they are puzzled that I do not own or rent a permanent studio space. What many do not know is that when I’m contracted for a commercial assignment, about 80% of the time I must travel to a location or shot at the client’s home base. And, in many cases that requires transporting several 9 foot seamless backdrops and a whole lot of equipment.
While people around the world prepare for the holidays, photographers have something else on their mind. For all of us it's that time of year to buy your conference pass, make your hotel reservations, plan shoots with friends and highlight the classes you want to attend at the annual WPPI Photo Conference in Las Vegas from February 26th thru March 5th.
It's been an absolute pleasure seeing friends and colleagues getting chosen for social media campaigns and commercial photography jobs all around the world as a result of sharing their talents via Instagram.
Many people will avoid picking up a camera because they think they don’t have an eye for photography. Contrary to popular belief, it doesn’t take talent to capture a solid portrait. It takes skill and the motivation necessary to master those skills.
I have been a fan and a friend of Benjamin Von Wong for years. I have seen him turn tech employees into athletic gods and seen him schmooze with the police while on a 13 hour photoshoot deep in a foggy forest. In my eyes, the genius that is buried in Von Wong's creative mind can do anything, and he always knows it.
I’ll never forget the email; I was on a plane somewhere over the Florida coast, on my way to the Bahamas for the Fstoppers Workshops 2014. Just before I left the States, I had signed on with the artist consulting firm Wonderful Machine. The first step in preparation for a press release was to tear my website apart.
Taking portraits at wide apertures and consistently nailing focus is is not an easy task. In fact, it’s a skill that must be practiced in order to master it. However, an aspect not often discussed in regards to capturing sharp images has nothing to do with the lens used or the f-stop. Here is the ultimate guide to capturing tack sharp images at wide apertures.
Having had a small wedding myself, one in which I invited 72 of my closest friends and family and 72 people arrived ready to celebrate the biggest day of my life together. Three years since that magnificent day but not one regret in the small nature of the day, it was the photos and memories that I hold most dear to me to this day.
People often think that modeling is just about looks. This misconception turns a beautiful person into just a body with no skills. Modeling is not about having the perfect "looks." The key to successfully modeling is the mindset. With just one thought, a photographer can take his or her models to the next level.
Food and lifestyle photographer Annabelle Breakey has an envy-inducing portfolio that features sun-drenched tables crowded with elegantly displayed dishes and bright arrangements of produce against pristine backdrops. I had the chance to speak with Breakey about her work, managing creativity and business and staying creatively inspired.
Next up on our Tog Tools Jess and Stephen interview our very own Clay Cook on how he got his start in photography and how he's built an incredible fashion/ editorial photography business. Having first seen Clay's work right here on Fstoppers I was astonished by his clean, sharp style using seemingly basic lighting setups. Being self taught, its humbling to hear him speak about h
I have seen absolutely beautiful things happen in the photo industry. I've seen strangers become best friends, I've seen grand ideas being brought to life, and I've seen photographers grow from beginners to mentors. I've seen so many things that make me proud to be a part of such an amazing community. The sad news is that I've also seen the uglier side of it.
If you're on Instagram and have been immersed in the community they have built, you have most likely come across Bethany Olsen and Cory Staudacher feeds by now.
If you’ve been following along, you may remember that back in July, I packed up my apartment, loaded up my car, and set off on a month-long cross country tour of the southern United States with my girlfriend Holly and my dog, Olive.
Incredible behind-the-scenes photoshoot with the one and only Simeon Quarrie as he takes us through his process and passion for a shoot involving over $100,000 in gear and a couple willing to gamble on his vision. With a shoot of this magnitude challenges are abundant including finding just the right couple that is open to a shoot of this magnitude and style.
Let’s face it. From the first moment we decide to pick up a camera, call ourselves a photographer, and try to make some money at what we do, we are constantly trying to find ways to stand out from the billion or so other photographers in our our who are trying to do that exact same thing.
Legendary photographer Douglas Kirkland has worked with some of the most influencial celebrities in the world since 1961. Starting his career at the age of twenty-four, he was hired that same year by Look Magazine to photograph Marilyn Monroe for their 25th anniversary issue.
Before I began writing for Fstoppers, I spent 18 months working for the photo sharing company SmugMug. While working at SmugMug had many perks, I don't think I enjoyed any of them more than being sent to Norway to assist in the making of the film, Arctic Surf.
It’s August. And if you’re anywhere in the Northern Hemisphere, you’re warm - hot even. So why not sit back and relive the good old days, back when our cameras were new, the exposure triangle was confusing, and the idea that photography could be something that could to take us to the ends of the earth and make us a lot of money in the process was still a far off dream.
In addition to lifestyle, I have an affinity for shooting natural light portraits/beauty/headshots - whatever you want to call them. It's not something I shoot often, but when I do, I'm reminded of how much I love it. In fact, you may recall a few months ago, I wrote an article detailing my ideal natural light setup for the black and white portrait / headshot photos that I occasionally shoot.
If we do anything long enough, we run the risk that it may become monotonous and/or boring. While there is no fix-all for everyone, over the last few years, I’ve discovered several ways to help me break out of whatever photography-related funk I’ve found myself in.
This photographer not only creates situations that are unique and comical -- but sends you to a surreal universe in just a glance. John Wilhelm lives in Switzerland with the subjects of many of his works --his girlfriend and three daughters, he's also an IT director in the university there. His hobby is art.
Lars Schneider, an adventure and landscape photographer from Germany, spent two months on the road with his family traveling across the Southwestern US. This video documents his trip, but I also interviewed Lars about the challenges and rewards of running a photography business on the road, while at the same time taking care of a family.
Photographer Neave Bozorgi’s work captures the seemingly effortless beauty of his subjects, evoking a sense of undone glamour and sun-soaked easiness synonymous with the urban west coast. I talked with Bozorgi about the evolution of his work since his start in 2011, and where he’s headed next.
Like most photographers, you have probably had in influx of senior calls recently. Schools will be back in session in less than a month, parents are trying to squeeze in appointments before their kids get busy with their final year of high school. What are you doing to turn your calls into appointments?
Most of us love natural light and feel comfortable shooting with it – but how well do you really know how to utilize it effectively and to control it with precision? I just spent the day with Erik Valind, a New York City-based lifestyle photographer in his 'Controling Natural Light' workshop.
Back in 2004 I was given the Nikon D100 digital camera for Christmas and I started making money with the camera within a few months. I fell into wedding photography and within 2 years I was making almost 100% of my income shooting them. In the last 10 years I never learned how to process a RAW file (effectively) or use Lightroom until last week.
It is no surprise, we have a trash problem in America. The U.S. Environmental Protection Agency found that the average American produces more than 4 lbs of trash per day, which has doubled since the 1960's. Gregg Segal decided to tackle this problem, by photographing a series of people lying in their own trash in efforts to show the waste in our daily lives.
New Orleans, Louisiana. If you’ve been following along, you may remember me mentioning at some point that starting around the beginning of July, my girlfriend Holly, our dog Olive, and I, will be giving up our apartment, putting almost everything we own into storage, and hitting the open road for at least two to six months.
His client list reads like a who's-who in iconic businesses: Pearl Vision, American Standard, Shell Oil, Virgin Galactic, AOL, Wells Fargo, Salesforce, Red Bull, Minute Maid, Costco, and Allstate. He has even photographed celebrities like Kevin Spacey, Richard Branson, and Al Gore.
Lighting is key. It has an influence on just about everything we do when making an image. Light will affect what time of day we shoot, where we place our subject, our shutter speed, our aperture, how we edit the images, blah blah blah. You get the idea, right? Understanding and controlling light is crucial to the success of your work.
Last year Mercedes-Benz USA (@MBUSA) ran a very successful social media campaign using Instagram and some of its top influencers to spread the word about the new CLA which you can read about here. Now, they are at it again with a new approach on the much anticipated Mercedes GLA.
If you’re like me, you believe that within every photo there are a multitude of layers that exist.
Buying expensive gear and mastering lighting and technique play an important role in photography but ultimately, these things are secondary in achieving a solid portrait when facial expressions are factored in. No matter the genre of photography, whether it's fashion, weddings or family portraits, connecting to the subject is far more important than any other detail in shooting portraits.
A few weeks ago, I had the pleasure of testing out the Phase One IQ250, and so I thought I would put together a practical write up of my time spent the Phase One IQ250 Camera System, the Capture One software, and whether or not either one has found a permanent place in my workflow. As you’ve probably read by now, friend and fellow Fstoppers writer Zach Sutton recently covered his time spen
A few weeks ago, I was chatting with a new friend via Facebook and he asked me to describe my most creative period of time and, if I could talk about what led to those circumstances. “Easy,” I said. “That moment is now - it’s right this minute.” I went on to describe how I’ve never been happier nor more focused on what I’m doing, how my work is being well-received, etc.
A number of years ago, I read on a photography/marketing blog that there are reasons why we, as photographers, should think about working for free.
It was something I’d been thinking about for a while. Casually admiring others and how they went about it so naturally. Watching from afar, admiring the differences between them and me and wondering if there every was going to be a day when I was comfortable enough to do it myself. The more I watched, the more interested I became.
In photography - and in anything else, really - it seems as though when we first discover something new, whether it be a new camera, a new technique, and/or a new system of doing things, it’s fairly natural I think to want to use it all the time.
One of the most trying experiences I've had since becoming a photographer has been coming to terms with the fact that there are places in our county where, quite simply, we are not allowed to take photos.
When each of us picks up our camera, whether it be for the first time or the ten-thousandth time, our finished work is a product of everything which has inspired us. Everything we've seen, everything we've done, everything we've learned and grown from can be seen in our work in at least some small part.
I always tether. Whether it's for a client or fashion editorial, the CamRanger has played a very important role in capturing rock solid images. But, before the wonderful technology of wireless tethering came into the picture, I always tethered to a workstation. However, that came with the annoyance of a long tether cable dangling off your camera.
About four years ago - or about a month or so after I picked up a camera and decided I was a photographer - I thought it would be in my best interest to start up a Facebook Fan Page (as they were called back then).
What happens when two filmmakers get together, fill a suitcase with camera gear and hop on a plane? In the case of Preston Kanak and Brent Foster, a great work of digital cinema. With only a rough idea of what they wanted, much was left to chance as these two spent 8 days in Havana, Cuba. Read on for the final film and some insight from the creators.
Although it would seem like common sense, proper motivation is key toward not only getting things done, but getting things done well. This is true in any creative field and this is especially true, it seems, in the over-saturated everybody-with-a-camera-is-a-photographer world we live in.