Photoshop

Adding a colored background to your studio shots can vastly change the impact of a studio photo. The most obvious method to do this is by collecting an army of colored backdrops that take up space and are a headache to swap in and out from shoot to shoot. Instead, it is quite easy to build this coloring effect using Photoshop so that you can shoot each image using a standard white or grey background.

Whenever we've written an article mentioning Affinity Photo, people have commented and complained that it is not compatible with Windows. But this is about to change in the next couple of months. Affinity just announced that they are working on Windows versions of their different apps.

Don't get me wrong; I am not going to show you how to make up for bad lighting in post-production. However, Glen Dewis has created a very interesting video that shows us how to achieve a gobo-like effect using Photoshop, something that be very handy if you are looking for an easy way to add drama to your picture without spending too much time in front of your computer.

Have you ever had trouble with too much noise in one of your images? Maybe the shooting conditions forced you to shoot at an ISO that pushed the limits of your camera a little too much. One way to limit this problem is to shoot multiple exposures with the same settings, and then, use post-production to combine the images and reduce the noise. In this tutorial, Travel Photographer Jimmy Mclnyre shows you how to do just that.

Histograms in Photoshop and on your camera can look a bit confusing but the concept behind them is actually very simple and straight forward. In this short but informative video from Envato Tuts you get a 60 second crash course on what a histogram is and the purpose that it serves. If you've ever wondered about these mysterious charts, here is what you need to know.

There's this nifty piece of software called Adobe Photoshop Lightroom, and in my time as an educator in the craft of photography I have seen its use frequently abused and mishandled. The issues affect beginners and pros alike, and stem from multiple issues, everything from technical oversight, all the way to a fundamental misunderstanding of what Lightroom is meant for. Read on for an overview of common misconceptions and mistakes with regards to this immensely powerful photo editing system.

Just like ever camera owner is a photographer, every person who owns an abundance of MAC products is a makeup artist. At least that is how it seems on Instagram these days. There are now more makeup artists on social media than ever, and finding the right ones to follow can be tricky. Following the best makeup artists can make a portrait photographer better. If you follow them closely, you can step up your game.

Just like learning in any practice or aspect of life, the more you learn, the more you realize what you don't know or haven't learned. It's natural; it happens. There's so much for all of us to learn. Here are a few mistakes that I couldn't believe I was making during my photography career.

We've all been there at one point, watching an in-depth Photoshop tutorial to help hone and develop your skills. But if you're not fortunate enough to have multiple monitors, it can be a real pain in the ass going back and forth from the video and Photoshop to follow along. Isn't there an easier way to do this? Introducing the new Fluid Browser app.

Even though I am not a landscape photographer and I have never attempted any sort of astrophotography, I have always appreciated beautiful photographs of nightscapes. Recently, I borrowed the new Tamron SP 15-30mm f/2.8 Di VC USD lens and tried to photograph an interesting night scene here in Charleston. Truth be told, it was quite the learning experience. In this video, I will share my first ever approach to shooting the night sky and hopefully give you a few things to think about when tackling this interesting genre of photography.

In the retouching world, graphics tablets are pretty much a standard. I don’t know of many retouchers that only use their mouse to get the job done. Graphics tablets allow for a more precise, and thus refined, work. They also used to cost a fair amount of money, but that was until Huion came along.

This year’s Sports Illustrated Swimsuit edition has not only progressed in it’s presentation and it’s cover models like plus-sized model Ashley Graham, but on the back cover of the latest edition has a clever ad run by Snickers. The ad presents huge Photoshop fails, can you spot the mistakes?

In a quaint suburban neighborhood south of Sydney, Australia stands a three bedroom brick home that looks like any other at first glance. It is sharp and modern. The image is bright and vibrant and definitely eye catching. At a quick first look, it is a pretty standard image of the facade of a home. The detail that isn't featured in this image is what has the entire real estate industry buzzing. A simple Google search of the home brings up a much different representation of the property. Which begs the immediate question; how far is 'too far' when using photo editing software to edit real estate imagery?

Our second tutorial with Elia Locardi: Photographing the World: Cityscape, Astrophotography, and Advanced Post-Processing was all about different types of cities. We started in Cinque Terre, a region of Italy where cities are basically built into the side of a natural landscape. We then moved on to Rome to shoot ancient architecture. Next we moved on to Singapore and Hong Kong for something a little bit more modern.

Current cameras' sensors are getting better year after year. Unfortunately, they cannot create noise-free images at high ISO just yet. I am sure the day will come soon, but in the meantime, there is a very simple technique using Adobe Photoshop or Affinity Photo to create the illusion of a clean file.

A bug in a recent Adobe Creative Cloud update is currently deleting a folder on the root drive (Macintosh HD, by default) of Macs upon installation. This issue is affecting Backblaze users disproportionately due to the fact that the bug results in the deletion of the contents of the alphabetically first hidden folder on the root drive, which is often the folder ".bzbol" for Backblaze users.

When Pixellu came out with its too easy to believe drag and drop album creator that synced with every popular album company's layouts, those who were not Mac users were certainly bummed to hear they would be missing out. But today, after Pixellu released SmartAlbums 2 for Mac, the SmartAlbums version for Windows is here and it comes at a generous $50 discount for those who have waited so patiently.

I don't rate my photos nearly as much as I should. And part of it has been because I've been too lazy to look this exact tip up! Thankfully, Adobe has provided us with one of their now famous under-a-minute Lightroom Coffee Break videos to quickly explain how to auto-advance as you rate your photos. This trick also works for auto-advancing while flagging photos. The key to the trick? Caps lock.

Keeping a fair amount of texture seems to be an issue for a lot of photographers and retouchers. No matter what technique they use to clean the skin of a model, I often hear people trying to find a solution to get a more natural and visible texture. Here is one for you!

In this tutorial, Aaron Nace from Phlearn takes a beautiful nighttime cityscape and shows you how you can create a custom brush to add your own stars to an image in Photoshop. Nace begins the tutorial by showing you how to make a custom brush in a new document. He continues to show you how to save the brush as a preset, use it on your image, and make adjustments that will change the amount and size of the stars you paint in. He goes further, showing how to add a nice glow to the stars and create a slight motion blur to make them look more realistic.

Adobe launched a new YouTube series through their Lightroom channel to give Lightroom users some extra tips on features they may not have come across yet. While some highlighted features such as viewing masking for the sharpening tool are a little better known, others are more tucked away and might come as a surprise, like this feature that allows you to update the overall effect of a local adjustment with multiple sliders in effect.

When learning about retouching, selections and masks should be on top of the list along with curves and brushes. But each of these tools have so many options, and it is hard to know the in and out of each of them. In this article, I will guide you through different ways to create precise and refined luminosity masks to help you improve your retouching skills.

Abandon fake Photoshop lens flares and enhance your photographs with lens flares captured in an actual camera. Vibrantly colored and rich in detail, these flares are created using Nikon, Leica, Fuji, and Pentax cameras. Fairly simple to use, the Principle Light Hits Pack by Lens Distortions is definitely becoming one of my new favorite toys for creative post editing.

Color correction and grading are probably amongst the most difficult parts of a retouching workflow. What seems to make it difficult in Photoshop is usually the understanding of the different tools available, such as curves and levels. However, there are a couple of tricks that can make it much easier, color palettes and fill layers being some of them.

Fake contact lenses (also known as circle lenses) are becoming wildly popular. They seem to have first started to gain momentum in the cosplay world but have begun growing well beyond that. I've started to encounter models regularly wearing them, especially ones focusing on Asian fashion trends. Circle contacts look great at a glance, they make the pupil larger and often change its color to be more exciting. When walking around in real life or when in video the eye is constantly moving so the weakness of being obviously fake is much less apparent. However, when photographed the eye is frozen in perfect sharpness which instantly reveals how fake circle lenses can look, especially the cheaper ones.

Beginners ask all the time on Facebook groups or in forums how to diminish their retouching time. The truth is, there aren't any magical technique to cut time, only tricks to help accelerate your workflow. There is one, in particular, to make your dodging and burning process more flawless and thus a bit faster by utilizing a Wacom tablet.

Adobe’s last quarter results are out, and they’re better than ever. Adobe’s Creative Cloud and media business rose 35 percent thanks to a 23 percent beat on subscriber expectations, while the company’s overall net income more than doubled from $88.1 million to a staggering $222 million. Adobe’s fourth-quarter earnings report shot its stock to all-time highs. On one hand, that’s good business. But what does this mean for creatives who have felt an increasingly rocky relationship with the software giant?

Ever since the middle of high school, I've been immensely interested in "the process." You know, that middle bit between point A and point B that nobody but the artist ever sees. I've always loved peeking behind the scenes to see where something started and what kind of work and thought went into creating the finished product. To satisfy those of you who are just like me, here's the second post in my before/after series which not only shows you my images straight out of camera and the final product, but which uses each image to explain a bit more about what I do in post. If you want to dig in way further than these, I cover every step of my post processing in my Editing + Consistency class. Enjoy, friends!

A little over two weeks ago, Adobe released CC 2015.1 for most of its apps. The updates looked great on paper, but for photographers, there were a couple of glitches in the new Photoshop that turned out to quite be annoying. Yesterday, Adobe released a new update, CC 2015.1.1, meant to correct most of the issues.

MacPhun released Aurora HDR just a few weeks ago and touts it as the most advanced high dynamic range (HDR) software in the world. Certainly, veteran users of Photoshop and Lightroom might be skeptical. But if your sole purpose is to create HDR photos on the Mac, Aurora HDR might be the best option out there, seeing as it was created with the close consultation of HDR photographer Trey Ratcliff. In this video, Ratcliff dives deep in a first-hand look into how to get the most from Aurora HDR.