As Adobe continues to grow its customer base with its easily accessible subscription plans, other companies are looking to capitalize with their own software solutions. Luminar has been around for a while, but their new 2018 version introduces some amazing features. Regardless of how you look at it, at $69 for a perpetual license, it’s a steal. Nevertheless, how does it really compare to industry standards such as Lightroom or Photoshop?
I had the feeling they would do it. When I saw Instagram take it from Snap, and then use it for Whatsapp and Facebook too, it became tangible, something you could take and use if you have a platform with creators who make content as a career path. YouTube is giving creators the ability to create "reels," their name for what Instagram calls "stories." It won't appear on top of the app window at first, but they told TechCrunch that if it takes off they'll consider moving it to a more hands-on part of the app.
The competition is really hotting up for Adobe these days. With Luminar, Capture One, and Exposure 3, all creating super fast, intuitive, and non-destructive raw photo editing software, it's no wonder that Adobe has just announced an update to their notoriously uncooperative selection tool, because today, Pixelmator have now thrown their hat into the ring by announcing that they have released Pixelmator Pro, a photo editing application with full raw support, available only to macOS users.
Today Phase One has announced the release of their updated image editing software, Capture One Pro 11. Alongside the expected performance improvements that comes with new versions, Capture One 11 brings exciting changes to the way layers are handled throughout the application and annotations for journaling or collaborations.
It always surprises me in photography that the sector as a whole seems wedded to spending money. Not content with the affliction of GAS (gear acquisition syndrome) across amateurs and professionals, the sector likes nothing more than a few extra bags, filters, albums, prints, and yes, software.
"Mindhunter" is one of the recent Netflix releases that has me hooked. It has psychology, mystery, analysis, and how the FBI and police went about training for the serial killers who didn't have a motive. It's based on true events, and because the series is set in in 1977, which has different cars and fewer people and buildings than we have now. In this video, you'll be able to see how these shots were altered in postproduction to give the story the 1977 setting. Buildings and trees are added, marks on roads replaced and colors changed to give the series its moody, raw film look.
I have heard several photographers complain about how slow Adobe Lightroom is. While I agree that Adobe needs to make some improvements to their photo processor and image organizer, there are a few things we can do on our machines to help Lightroom run a little more smoothly.
Whether you are a full-time video editor or just occasionally edit some of your own projects like me, you have probably found yourself on Youtube at some point trying to learn. Tutorials are an amazing tool at our disposal and we share and create some great tutorials here on Fstoppers all the time. However, sometimes I just want to see how someone does what they do from start to finish. That's where Taran Van Hemert comes in with his newest editing video. It's not a tutorial at all. It is 4 hours and 20 minutes of a standard video editing job for the Youtube channel Linus Tech Tips from start to finish.
When the Panasonic GH5 came out, it was intended to be targeted towards video people. This camera tops out the GH4 by far with its in-body stabilization and variety of frame rates and recording options. However, when the GH5 first came out, it seemed that it still needed a bit of work. Now with the V2.0 firmware upgrade, these problems seem to be solved and this camera has been beefed up pretty good when it comes to video.
In a previous article, we discovered how we could transition from Lightroom to ACDSee Photo Studio Ultimate 2018 by importing old catalogs. We also discovered the different files management options and tools ACDSee Ultimate 2018 has to offer. With this second and last part, we are going to go through the main photo editing tools you’d use in Lightroom and see their counterpart in ACDSee. If you are making the switch from the Adobe solution to ACDSee Ultimate 2018, be sure to read this article.
For the past few years, the popular Nik Collection has had an interesting journey starting back in 2012 when Google originally acquired the photo editing plugin. Over the course, the collection has gone through a price drop and ultimately landed as a free download which made several photographers happy. Who doesn't like free stuff, and for free it was a pretty solid collection of plugins.
Photo editing, retouching, and removing something from the shot isn't easy to do especially if it's a complex part of the hair, but it's common practice for a professional photographer to be able to do it if the shot and client requires it. It involves masking the new hair refining tool brush over and selecting the best feathering to make this selection as true as possible. Have you ever thought about removing something from a video? This is what Adobe is working on and this video shows a sneak peek of what Cloak will be able to do.
Phase One has already released multiple Styles Pack since the beginning of the summer. Today, they announced their brand new Film Styles Pack and I had the chance to play around for a few days before it was officially announced. Rather than offering you a simple release article, I thought a review would be more useful. After four weddings and a couple of portrait sessions edited with it, here are my thoughts and why this might just be the perfect pack for VSCO lovers who rely on Capture One for their professional photo editing work.
Adobe just killed one of its last major one-time fee softwares, Lightroom, in favor of the subscription model introduced in 2013. While the most refractory users may continue to run on the previous versions, they will be forced to roll to the Creative Cloud at some point since Adobe will stop supporting the traditional software. Future raw images and video codecs will not work on old programs. But when looking at the price plan in detail, are we being milked by Adobe with the subscription model and if so, what are the alternatives?