DaVinci Resolve is well known for color editing in the video world. But Blackmagic's goal is to create a complete solution for NLE, color, and sound. While 12.5 was already very convincing, the newly announced DaVinci Resolve 14 is even more so. It is up to 10 times faster than the previous version and with new tools for audio, this new release could be what many have been waiting for.
When getting into video, filming may not be the biggest issue. Post-production plays a significant role and can be quite overwhelming. There is tons of software out there, and it’s difficult to know which is best for what. Learning how to use these programs is even worse when you are a photographer. The interface looks totally different than what we are used to with Photoshop, Lightroom, or even Capture One. So it’s always nice there are people such as Casey Faris producing comprehensive videos to help us out in getting started. If, like me, you can’t seem to get a perfect grading with Premiere or Final Cut Pro, this crash course on DaVinci Resolve is exactly what you need!
Being a master of keyboard shortcuts isn’t just a party trick to impress friends and clients, it’s a path to a faster and more efficient editing process which makes you more of an asset as a video editor. Whether you’re hoping to earn a Pro Certificate or just become faster in post, one way to get you there sooner is to invest in a dedicated keyboard.
Once you master global color corrections in Premiere Pro, the logical next step is moving on to correcting specific areas of the frame. This is complicated by the fact that the camera and/or subjects are rarely still, but this great tutorial will show you both how to correct an isolated area and to track it across the frame.
One of the basic skills of video post-production is color correction. While Adobe Premiere Pro is full of tools to help you both read and correct the color in your work, it can be a bit overwhelming trying to tackle them all at first. This great video will walk through the basics to get you off and running.
While working on putting together great video work, you will come across breaks in scenes where they need to come back together. In most cases, a transition effect is used to merge the scenes together instead of having one stop completely and the next one begin. A great transition can improve your video, but they can also be used incorrectly and ruin your film.
It’s common knowledge that to master a craft you have to practice it every day. As Twyla Tharp says in her classic book The Creative Habit, “I’ve learned that being creative is a full-time job with its own daily patterns… The routine is as much a part of the creative process as the lightning bolt of inspiration, maybe more.” But what does that mean for filmmakers whose craft is so macroscopic? A film takes years. It includes writing, casting, financing, producing, editing. So how, exactly, do you practice filmmaking?
Last year I told you all about a new commercial music site that was just starting up in beta version. As with all beta sites, there were a few things that customers wanted changed. Artlist.io listened, and has completely rebuilt the site from our requests to release the full version. Check out all of the great new features this subscription based music website has to offer!
Look Up Tables (LUTs) are generally used to changes certain colors and their ranges in video using Adobe Premiere Pro, Final Cut Pro or any professional video editing software. We often edit our photos with actions and presets in Lightroom or Photoshop, but it is possible to edit these photos using LUTs too. This video by Peter McKinnon shows how to do just that. The next time you like a certain look of your videos because of a LUT you applied to it, know that you can use it on a still image too.