I've been looking for ways to get the outline, scan effect for product videos, and this video was the easiest and best out there. If you can put your product on a rotating turntable, shoot it with a green screen and open up Premiere, you're good to go.
What can be achieved in post-production alone is incredibly impressive of late, with simple in-camera work undergoing transformative changes once it's loaded onto a computer. In this video, watch one videographer turn the most basic of product images into an expensive-looking advert.
Color plays a vital role in photography and video. I would say it gives the work soul. Premiere Pro is constantly updating their NLE, and although their color correction tools were good, it's getting even better soon. Lumetri is becoming intelligent.
Daniel Schiffer is an editing master. In this video, he walks us through his editing to make a video shot completely on a tripod more dynamic. He does this by adding movement, scaling the video using keyframes, masking, and then ultimately adding some effects to complete the video.
Cinemagraphs can be a great and unique medium for showing your work, but they are tricky to get right, particularly if you want a seamless loop. In this tutorial, learn three different techniques for creating the best looking cinemagraphs you can.
Editing video can be a cumbersome and drawn-out task depending on the type of shoot. However, there are always ways to smooth out and streamline your workflow that can make a world of difference. Here are 10 tips from a professional filmmaker.
Whether you're a videographer or not, you'll likely find yourself having to use a video editor at one point or another. If you think that is or will be true for you, here is an incredible tip for one of the key functions in Adobe Premiere Pro.
Imagine an application that can write music for your video with only some hints from you about the style of music and the length of the video. Imagine an app that will write music that fits with your dissolves or add a punchy note wherever you like for emphasis.
The short answer is "yes", and it has already proven affordable and successful in a wide range of fields and production sizes. With the rise of virtual models and 3D rendered product catalogs, and real-time rendering, I think the real question is how far this technology will impact commercial photography and videography as a whole.
There is more demand for video than ever before and by an incredible margin. That demand, in combination with the plethora of new tools and gadgets for creating videos, has led to some of the fundamentals getting lost in the weeds. In this video, one filmmaker discusses how taking things back to basics can benefit your work.
Creating video content can be so time-consuming that it is off-putting for people starting out on platforms like YouTube. In this video, and experienced videographer and YouTuber, Sidney Diongzon, goes through five tips to help speed up and smooth out your workflow.
While color grading can be dramatic and can define the mood of the scene, it is just as important a step when you are editing footage that isn't in need of stylizing. In this video, see one editor's workflow in Adobe Premiere Pro.
There are many ways to edit your videos and images, but one lasting method is in fact just to mimic the past. In this video, watch how one videographer color grades his work to get that vintage feel without sacrificing quality.
High-end Solid State hard drives (SSDs) have all but replaced the traditional spinning drives, but for the best SSDs, you're going to have to spend a fair amount. In this short video, learn how to easily create your own which will outperform many on the market.
There is often talk about how great smartphone cameras are now — and I'm one of the people saying it — but with modern apps, they are so much more than their camera for photographers. Here are 10 apps that can improve and aid your videography.
What benefit can having two screens on a laptop offer you and is there anything more to this device than that? We review ASUS' newest dual-screen laptop to see if it is worth your time and money.
Time-lapses are a right of passage for photographers, but they're an incredibly deep area. While a basic time-lapse is fairly straightforward and achievable with just a modern camera, more complex, cinematic productions require some know-how in both camera setup and post-production.
If you are looking for super-fast storage for your video editing on the go, then you may be interested in checking out the Sabrent 2TB Rocket XTRM Nvme Thunderbolt 3 SSD.
It's a massive time-saver if you don't have to write out text, get it into your video project, align it correctly, and make corrections. It's now automatic in Premiere Pro, and it's something that puts Adobe ahead of Final Cut and Da Vinci Resolve.
When I look at product photography and video in the fashion and beauty product industry, many of the shots are now computer-generated. It might be at a steep cost initially to get the team to create the products in 3D space, but once that’s done, the product can be used in any scene you need for the client. Are we beyond photography?
This week, I got a chance to connect with Blackmagic Design to discuss some best practices when approaching color grading video footage through DaVinci Resolve Studio.
Videography has become more demanding than ever before in terms of expected quality. While much of this difficulty is found behind the camera, on location, your edit makes up a large part of it too. In this video, find out how one videographer makes his videos pop in the post-production phase.
Non-Linear Editing software is rather simple. Footage clips are dragged into a timeline, and the editor can cut clips to shorten them and arrange them in an order that makes up the visual part of the video.
Capturing great video is difficult for a number of reasons. There is a lot of work that goes into creating such work and to achieve the desirable, cinematic feel, you are required to hit a number of markers. Here are four tips to help you with just that.
In this article, you will discover the best video settings for editing on your iMac or Macbook Pro when you are color grading your footage in Blackmagic Design’s DaVinci Resolve 17.
The method of importing has been updated and is much easier to do now. You don’t need to create a project followed by the import of media once the app has launched. It all basically starts with the importing of media now, and the option to create a sequence with the media you’ve selected.
The amount of high-end television and film on display in recent years is unparalleled. One show that got a lot of attention is the drama mystery, DARK after it was added to Netflix. Its acting and plot are both brilliant, but the cinematography is utterly superb.
Lightroom and Photoshop are generally considered to be tools for standard (still) photography, but simple video tasks can be handled entirely within your photographer’s Lightroom and Photoshop subscription package (no need for Adobe Premiere Pro), and without any third-party add-on tools. In particular, the pair of programs handles time-lapse videos quite nicely.
With its latest line of M1 devices, Apple has really shocked the market. Laptops such as the Apple MacBook Air are demonstrating performance that is on par with more expensive computers. Now, the Apple M1 iPad Pro is demonstrating incredible performance.
Apple’s Thunderbolt Display was discontinued in 2016, and we haven’t seen anything quite like it since.
If you have ever struggled to color grade your videos to look more like your favorite Hollywood blockbuster movies. Then you will definitely want to check out this color grading tutorial in DaVinci Resolve 17. The best part is you can download DaVinci Resolve for free, so let’s get started.
Years ago, I taught a workshop on editing video for scientists. We primarily taught the shooting part of things with an iPhone and the editing part with iPads and iMovie because it would be easier to learn, not because they were particularly good tools. My how things have changed now that the new M1 iPad Pro is out.
When you see an advert on YouTube, it either has to be gripping and interesting for you to continue watching, or it's clicked through. Artlist has a strong campaign, and they made a video explaining the process of shooting one of these ads.
Plugins for software were once considered something of a gimmick, but are now closer to a staple. Here are some of the best plugins for Final Cut Pro X that might just increase the quality of your video productions.
As a photographer, what is it exactly that you look for in a computer monitor? Computer monitors and displays may be an under-emphasized important piece of tech that any serious photographer should invest in.
A master color grader can take forgettable footage and make it memorable; they can set the mood and feel of a scene, add or remove drama, and introduce themes. So, if you're a videographer, it's a great skill to work on.
Are you a creative content producer that needs to save time when it comes to editing video content? Look no further than Wondershare Filmii which quickly organizes your video content for a fast upload.
The Mango Street YouTube channel has been a great source for learning some new skills, or for teaching you more efficient ways of achieving certain effects. In this video, they show how they make videos in Premiere for the channel, which is a great insight into their workflow and process.
This video by Premiere Gal was uploaded on April Fools, so it starts with a joke. But the rest of the video has some valuable tips even if you've been editing video for a while.
In 2017 Joss Wheadon's Justice League movie was released and for the most part, reviews weren't great. The movie seemed like a bad mishmash of conflicting ideas and tones, which lead it to be panned critically and it was also a financial disappointment. After years of campaigning, Zack Snyder's original vision is here and it feels like a different movie.
Adobe Premiere Pro CC is an incredibly powerful video editing suite with a lot of nuance. Here are 11 great tips and tricks for getting the most out of the software in your next project.
Depending on what you film and where you film it, you might not always have control of the sound and in particular, the ability to keep background noise to a minimum. If you have a video with background noise that you need to reduce, this excellent video tutorial will show you how to do it in Premiere Pro.
B-roll can feel a bit like a means to an end; a way of linking shots because you have to, but it's an art in itself. Here is a useful comparison of what a beginner might do and what a professional might do when they need the same b-roll.
One of the most popular visual effects used in music videos at the moment is a reimagining of one of the more unusual tools in a cinematographer's bag. While you wouldn't be able to create the intended use of it in post, you can mimic the creative version rather easily.
I recently filmed a quick dance music video with famous dancer Marquese Scott. Here's how I pulled it off.
Whether you are new to shooting video or an experienced professional, we all make mistakes from time to time, and we might not always be able to shoot what we need again. This excellent video tutorial will show you five common mistakes people make when shooting video and how you can fix them in post.
Soon you'll be able to capture footage and have it automatically transferred to a cloud-based platform where editors and production teams can get working on it.
If, like me, you love cinematography, you probably have a few favorites in mind when you think of the term. But even the most dedicated film buff is unlikely to have seen everything on this list.
Log is the manner of capture of choice for lots of videographers, as it gives a lot more dynamic range and creative freedom, though it takes more work in post-processing. This excellent video will show you how to grade Canon Log footage (though the lessons can apply to any brand).
The technology inside cameras is growing at an impressive rate and even the older technology has been improved and refined to near-unthinkable levels. One such area is in-camera image stabilization (IBIS) to the point where it can rival a gimbal in certain situations. But just how many situations can modern IBIS compete with a gimbal?