Fstoppers Original Articles

So you’ve decided to transfer your skills as a photographer to shoot video and have quickly found that some skills, such as composition, transfer well to motion pictures; but some do not, such as color grading. The main issue is that photographers get used to the amount of data in the raw format that can be saved and manipulated in post. In video, the data rates of almost all consumer DSLRs give you limited room to grade video without the image falling apart. Using the tool set of FilmConvert is an incredibly easy and efficient way to get to a cinematic look with almost any DSLR video file.

Tokyo is one of my favorite cities and I lived there for many years. While the crazy volume of traffic and crowds can be overwhelming at times, it's always an inspiring and surprising place to explore with a camera. So, where should you go if you only have a few days or less to shoot this incredible city? Here are a few of my favorite locations to visit with a camera, and the stories of some of the photos I have taken there.

Today was a day of much needed motivation, so I decided to grab one of my speedlights and shoot a portrait with an element of motion. In this case, water.

If you've been a photographer for any length of time, chances are you've experienced the dreaded slump; Your muse has run off with someone else, inspiration goes down the toilet, everything you create looks like crap, and even the desire to pick up your camera deserts you. If you are struggling through this season right now, there's hope. The slump can become the catalyst for your biggest season of artistic growth. Here are five steps I've found not only to make it through the slump, but to make it work for you.

Ever since I got my drone, I basically keep it in my car at all times in case I happen upon some cool spot while driving. It turns out that all these random excursions have become something very useful to me: profitable stock photography.

There was a time early in my photography career that I bought into the idea of becoming a natural-light photographer. In secret this idea manifested because using off-camera lighting to help shape my images meant learning about all of this crazy lighting technology. I’d rather just stick to what I was comfortable with forever and just not use it. Sound familiar?

I am not an early bird but living in Sydney, Australia on the east coast leaves me no choice but to get up early once in a while for a dawn to sunrise shoot. The coffee and breakfast at a beach cafe make it worth getting up at the sparrow's fart (Australian slang for very early). I've been shooting seascapes for over 10 years and I have always found it to be one of the most rewarding and challenging of photographic subjects. No two seascapes are the same and once you add variable weather and sea conditions to the mix there are endless opportunities for photographers willing to get their feet wet, so to speak! I am still learning everyday how to stay dry and not get washed away.

Jason Miller works as the Global Content Marketing Leader at LinkedIn by day, but is somewhat of a rock 'n' roll photographer by night. With an extensive portfolio consisting of the likes of Marilyn Manson, Foo Fighters, and KISS, Fstoppers chatted to Miller to get his thoughts on working as a semi-pro photographer, and how he balances his day job with his passion for photography by night.

The majority of the readers of this article who shoot video probably use still lenses. You might ask yourself why you may need different lenses for video while your existing photography ones work just fine. In this article I'd like to show you certain features of the cinema glass that you probably always wanted subconsciously. Maybe after reading this you'll start saving up the money for one.

I started my journey in photography back in 2011. Since then, there are only a handful of photographers that I have really paid attention to in terms of actively keeping up with their work. One of those photographers is Commercial Photographer Dave Hill. His work has taken a more drastic turn in just a few years than any photographer that I’ve followed. That’s one of many reasons that I reached out to Hill to chat about his work and photography.

If you're trying to gain an edge in a competitive market, getting inspiration from places you might not normally look could really help. This new documentary series will expose you to some of the world's most creative minds in fields you may have never considered. As an added bonus, one of the episodes features famous photographer, Platon, and is worth a watch just for that alone.

This week I was invited to the head office of Rotolight in Pinewood Studios, London to check out one of their flagship products, the Rotolight Neo. This is an LED light that can mount to your camera or can be used off camera using boompoles or light stands. This constant light source that can run off six AA batteries claims to be industry leading in areas such as brightness and color accuracy. But at $399.99, is it a worthy investment?

Tokyo's Tsukiji fish market has been my favorite spot for many years. The subtle differences between fish mongers is what adds vibrancy to the colorful characters that make up this market. Most of them have been working here for generations. Located just a two minute walk from Tsukiji train station, it’s a great place to spend the morning taking photos, followed by a very fresh sushi lunch. This has been my routine for the last eight years. The variety of closed and open spaces — from the auction houses to the narrow lane-ways — depict an ambience unlike any other fish market in the world. The bad smell of fish is not really apparent, which confirms the freshness of the product.

Resolution, bit depth, compression, bit rate. These are just few of the countless parameters our cameras and files have. Let's talk about bit depth here. There's a lot of good talk about 10 bit and a lot of bad talk about 8 bit. The computer can tell the difference, but can you?

Since the end of the Korean war, North Korea has been a closed nation. So closed, it is often referred to as the world's most reclusive nation. It shocks and delights the world almost every day with propaganda and anti-propaganda that peppers our news reports. It's a place that heavily regulates visits and the activities during those visits. Each tourist requires special permission and a guide that sticks to them like glue to visit anywhere in the nation. On top of that, you have to pick from a list of government approved locations, you can't just go for a walk or cycle the highways. So, what possessed Slovenian-born, London-educated, Matjaž Tančič to take his already difficult 3D workflow into a place that restricts movement and photography so much?

I love shooting on location and am passionate about deep blue skies. Usually I would use CPL and ND filters to get the best skies to my taste. A detailed article about how to get dramatic skies is described in my previous article, "The Ultimate Guide to Dramatic Skies in Portrait Photography." After the shot is taken I always play with the luminosity and saturation values of the blue tones. One issue I often face while darkening the skies via luminosity is having a white outline appear around my model. Today I will take you through a short tutorial of how to get rid of that quickly and effectively, without the need to compensate on your luminosity.

Well, technically it's economics but let’s be honest, proclaiming to the world “It’s Economics!” just doesn't pack quite as big of a punch. You probably haven’t heard that competition is good for business since (if I had to guess) your high school economics class, but most of us probably weren’t paying attention anyway. No offense Mr. Holt… The whole idea that competition increases your business is a super backward concept but when you break it down, it actually makes a lot of sense. As a photographer, I am going to explain this as it pertains to the photography, but the whole idea works for any industry out there.

In this simple lighting tutorial, I discuss three different ways to create softly lit and dramatic images with a single reflective umbrella.

Photography has come a long way since my 35mm high school days. We've seen it go from film, to prohibitively expensive, low-resolution digital, to stunning high-res cameras in every phone. But the method of viewing digital images has been limited to print and computer screens. Since my very first Canon 5D I've been on the hunt for a digital picture frame that could display images with the same brilliance as print.

Seems like protests are a pretty regular thing these days, and so there’s a lot of chances to photograph history in the making. So when you’re photographing a big news event, how do you get a picture while wading through the big-news crowds? Try using a monopod. I'll explain.

For those trying to balance their passion with their paycheck, here's a quick word on the joys of taking the leap, and the sweet taste of being unemployed. Well, sort of.

Apparently issues with memory cards are quite common, even among Mac users. Personally, I almost never have issues but I happen to also be the guy all my friends flock to each time they are having issues with photos on cards. In this post I will share a few strategies to help you avoid a headache when dealing with memory cards.

It’s time to answer the often-asked question I hear from many wedding photographers. Is it worth the money to advertise with online marketplaces for professional wedding vendors? I track everything in my wedding business. If you can record it, track it, analyze it, and summarize it, I’m aware of it. There’s nothing quite as satisfying as opening up a spreadsheet of raw, unrefined data and pulling out the hidden truths that lie dormant in the numbers.

One of my favorite setups for studio portraits of children was inspired by Jill Greenberg’s photos of crying babies. These portraits are fun, simple, and focus on teasing out a variety of natural expressions of children as they are being photographed. This tutorial demonstrates how to photograph and edit this particular style of a three-light children’s portrait.

If photography is an art, so is retouching. While there are school teaching photography classes, fewer offer retouching programs. Many photographers starting out seem to be looking at the same tutorials over and over again, without ever actually getting anything out of it. Frequency separation, dodging and burning, or curves will only get you so far before you hit a wall. In past the two years, I’ve been looking at other crafts to step up my retouching work. Here are five things I have spent time on that you should look into and why.

Buying the right gear for you is not only a question of money. Sometimes the wisest decisions are made within a tight budget, while the stupidest choices may be made when finances are abundant. In this article I'd like to share with you my process of buying new gear for my photography and video projects.

High-speed sync is a hot topic in the world of portrait photographers today and Francisco Hernandez is someone who has this technique dialed in.

Audio is arguably the most important facet of any film or video production. There is a saying that goes: “Audio is 70% of what you see,” which means that sound makes up more of the experience than the visuals do. So while we may spend a lot of time planning for what our shot looks like, it’s even more important that we mic it properly for the best audio recording possible.

Everyone and their Auntie seem to sell Photoshop action sets these days, as if they're the answer to something. I'm primarily referring to action sets which create entire "looks" for your image, but there are uses for actions which are less comprehensive and arguably more useful. For example, I use an action for sharpening my images which creates a layer I can lower the opacity of or mask until it is satisfactory. Actions like these are easy to create and can result in accrued time saved. This guide will ensure even people whom have just picked up Photoshop for the first time can create actions.

We live in times of turmoil. The old fixed orders of the post-World-War-II globe have lately been called into question in new and unexpected ways. People are more engaged in politics than ever before during most of our lifetimes. Photography has always been a very political art form, and not simply in the obvious ways. You may not think that your images are political because they do not showcase political issues. But even if they don't do that, they still say something in the political sphere. As we all struggle to be the best photographers we can be, none of us should forget that, when taking and making images, we always also make statements.

Last month, I wrote an article called Hacking Instagram to Grow a Huge Following and Build Better Engagement with "Instagram Pods" that was received far better than I ever thought possible. I received hundreds of direct messages within the app of people asking about Instagram pods as well as wanting to join one. I apologize to those I have not yet gotten back with but rest assured, the hack seems to work and has sparked new life into my social media experience on the platform. Not only has it doubled my engagement, likes, and blown comments through the roof in comparison to a few months ago but its become a new found way to connect with new creatives from around the world.

As creative professionals, hobbyists, and tech nerds (myself included), we often find ourselves wearing many different hats in our day-to-day activities. The crafts of photography and cinematography, among others, remain heavily dependent on technology that needs to be reliable and largely up to date. Often, that means the technician hat comes out to perform RAM upgrades on computers, to replace internal batteries and hard drives, and, admittedly, to repair screens on mobile devices. Here are some tools and tips to make that process a bit easier for you.

Many photographers have that one muse who inspires creative projects, knows exactly what the direction is, and is always the perfect collaboration. One artist found his own muse in himself when he set forth on a project to capture every stage of emotion of his own work. Creating composites from film, this artist brought a new light on the emotional range that photographers face everyday.

Last year, my husband and I traveled to Greece. While we were in Athens, we could not avoid crossing paths with the same couple at every sightseeing location we went to. I must have seen the entire wardrobe of the girl during those hours we walked. Her eccentric wardrobe change was not the only thing that caught my attention. It was rather strange to witness an all dressed-up girl posing alone non-stop. To me, it was definitely meant for social media.

A few months ago, I started a passion project of mine: FilmObjektiv.org. Film Objektiv was started with one goal in mind: to get more people shooting film. We do this by renting film cameras at low prices for longer periods of time, by providing prints at a low cost, and also by serving as an online and educational resource to help film shooters find everything they'd ever need. It's this last part that still needs some work, but it's well on its way with this new pricing guide for film labs across the country. Still, I could use your help.

The imminent release of the Panasonic GH5 has caused quite a stir within indie filmmaking circles with it's powerful array of video recording tools built in, notably 10-bit 4:2:2 4k recording. Sadly, Panasonic will once again activate the V-Log L color profile recording capabilities as an additional purchase. So is it worth the additional cost?

We Photographers sure love our lenses! So much so that the previous article of a rather similar name received so much love that I couldn't help but write a follow up. The world is filled with amazing glass that doesn't have to completely bust the bank. Sure we all want that new Nikon 105mm f/1.4 and certainly the enormously priced brand new Nikon 70-200mm f/2.8E but do we really need them? I'd argue probably not, the market has an enormous selection of great lenses, many of which are cheaper and offer exactly what many photographers need.

I've been shooting corporate jobs since about 2010. At first, it was a little rocky. I didn't really know what I was doing, I hadn't shot enough with other photographers to learn the ropes, and I was just a self-taught photographer trying to make ends meet. Fast forward to 2017, and I'm shooting high-profile executives at Fortune 500 companies, and am expected to do it quickly. I'm shooting luncheons where half of the attendees flew in from another hemisphere on their private jets, and am expected to do it quietly. And well. So, here are a few quick tips for people who are just starting out in the freelance corporate photography world.

By its (fabricated) definition, “Great Light” is soft, of an orange tinge, preferably at an oblique vertical angle and coming from a direction that shapes the subject enough without causing harsh shadows. So we’re essentially talking about sunsets and sunrises. But must we only whip out the camera at golden hour? Or are there more photographic opportunities to be had?

Are you a photographer or videographer who loves to write? It's that time again! Fstoppers is looking to hire several creative professionals to write for us. If you enjoy reading Fstoppers and think you may have something to offer, we want to hear from you!

Our first Kid’s Photo Walk actually happened, and it was a success! Over 35 people showed up to participate in a nonprofit community event for children which encouraged kids to spend time with nature and whatever camera they have access to.

Whether it’s all a gimmick or not, photos in virtual reality are amazing. They’re easy to create, and throw your audience into a straightforward, immersive experience. If you haven’t tried making one yet, you should.

Instagram is known as the consensus favorite app by photographers in today's age, but even with its name implying posting photos instantly, it's still a pain sometimes to post photos on-the-go at times. For Part Three of my Instagram series, I'll be sharing the absolute fastest method any user can adopt to spend less time posting Instagram photos and more time shooting!

If you are a shooter or video producer, you know that there are many things that go into creating great video. Sure, using the right gear is key. Composition and lighting are key. But after the video is shot, shot selection, pacing, and color correction have to be considered for the edit. Then there are graphics. Titles, lower thirds, transitions, and the like have to be designed and animated. There are tons of parts that go into making one complete, great-looking video. And it’s hard to master every aspect of video production – not to mention the fact that time and budget constraints make things even harder.

We've planned for the aurora and captured a ton of images in the previous episode. We've left the arctic and are back at home under the soft glow of our calibrated screen. It's time to process these babies. Be aware that there's advanced editing stuff ahead. If this goes straight above your head, I recommend that you stick with processing in Lightroom until you've got that under control. We have a lot to cover, so let's get started.

I began my journey as a portrait photographer quite obsessed with the premise of blasting large studio strobes through giant modifiers. It was my workflow for years. In studio, I'd usually be washing my model with giant waves of light and on location I'd lug big, powerful strobes along with huge lengths of extension cords so that I could plug in and not bother with heavy battery packs. About a year and a half ago I stopped using my big strobes completely and eventually ended up selling them in favor of completely switching to small flash.

A while back, while on a shoot for Crystal Bridges Museum of American Art here in Northwest Arkansas, I was asked to get a shot of the museum’s executive chef and the Director of Culinary for their members magazine. Time was short, the kitchen was starting to prep for dinner service, and every second I was there I was inconveniencing someone. I had to get in and out quickly and create a dynamic image in the process. Here’s how it happened.

While it certainly wasn't my first time using one, a recent shoot I did for TEDx at the Ohio State University made me realize how much easier life is with a light meter. For almost all the time I've spent behind cameras, I've been creating portraits. And for most of that time, I've been using flash. Starting out, I would just shoot and tweak power settings and my aperture and the light placement until I got what I wanted. As an amateur, it worked. But once I decided that photography was a career for me and as I began picking up client work, this method became quite ineffective, forcing me to get the one tool I never realized I needed.

I remember when I first started photography, I'd try and find out what lens and camera had been used for every photograph I liked. I was convinced that if I had that combination of glass and mirrors I would be creating masterpieces. Unfortunately, that train of thought is closer to smoke and mirrors, and I soon knew better. Curiously, however, I now think there's some truth to it, and that truth was revealed to me by a lens that is now my secret weapon.

If you reside anywhere that’s similar to the sleepy little town I live in, you’re aware that there aren’t many opportunities for children to get hands-on with art; especially photography. In light of this fact, my wife and I decided to create an opportunity for youngsters living in our home town to spend a morning with us expanding their knowledge of photography.