Fstoppers Original Articles

To preface, most professional photographers are of course only doing their best to help others when they speak from past personal experiences and while giving advice. However, even the most well-intentioned words from somebody may create negative consequences for the listener. Sometimes it’s not even in the words, but the examples they tell through their actions. When it comes down to it though, you must always remember: Don’t let anyone — even the professionals — ever give the final say in how you do your photography or run your business.

Photographer Greg Florent has made images that capture Budapest in a new light. The images are made by taking them at the transition of daylight into sunset and then nighttime until the lights come on and the city's evening starts. He spends around four hours at a location taking one shot, making sure he gets the whole transition and changes of light to produce the images in post.

If you need a break from the overly technical photography articles that seem to have taken over the Internet, look no further than “More Than a Rock: Essays on Art, Creativity, Photography, Nature, and Life” by Guy Tal. This brilliant 256-page book is filled with topics that can both enlighten your artistic mind as well as challenge your views on the craft of photography, and I could not recommend it more.

The first time I saw streaky clouds and silky smooth water, I knew I needed to learn how to do that. However, after buying my first neutral density filter, I realized it wasn't so easy to do. It was really hard to focus, and some photos were too dark, while others were too bright. And why were the middle of so many photos pink? Hopefully, this article will help you avoid some of the mistakes that I made as a long exposure beginner.

The filmmakers of “The Muir Project,” known for their first documentary, “Mile… Mile and a Half,” have just released their latest film, “Noatak: Return to the Arctic.” I interviewed Director Ric Serena who told me about the production challenges his team faced when working on a remote river deep in Alaska and why they chose to go with the Canon 1DC as their camera of choice.

I had been using a Mac since I first started photography and retouching. Over the years, I upgraded my Macs and used them without a problem, and all software that I have been using worked flawlessly. The Mac has several advantages such as ease of use, a perfect interface (OS X 10.6 Snow Leopard is still my favorite by the way), advanced file and folder tagging, and security, but there was a problem that led me to change my mind and switch to Windows: very high price tags and limited customization options.

As a photographer who shoots primarily on location, I have a lot of stuff to haul. I shoot both film and digital and frequently I'm bringing a small lighting kit as well. I also tend to go it alone, especially when I'm shooting personal work. Up until recently, I've been doing it the hard way, taking multiple trips back and forth to my car, in order to get the shot set up at my chosen spot. And of course, the best spots are nowhere near the car. My deodorant is doing overtime before I've even squeezed off the first shot. Being a sweaty mess while shooting is no fun, especially when you're shooting people. I'd rather not be known as "Hans, you know, that one photographer with the pit stains."

Sometimes photography can be difficult, but what keeps us going is our passion for creating images that satisfy something inside us. However, if your passion happens to be wildlife photography, then you have a whole other level of difficulty coming your way. Come to think of it, there are so many valid reasons to abandon this passion and yet, this group of photographers persevere and do it anyway. Here are 10 reasons why wildlife photographers are crazy and why we can’t help but respect their pursuit of happiness.

As artists, we have all been there. The creative rut. The most fatiguing part of being an artist and perhaps the downfall of many talented individuals who could not climb out of it. Creativity comes from many places within us all. However when a photographer's passion is absorbed by the repetition of what we specialize in, the outcome of the work becomes all too grueling to look at. So how do we get back to the love of what we do? How do we fuel once more the passion that showcases our work as new and creative?

A couple of years ago, I came across a portrait of a sad owl under the rain on 500px. I couldn’t take my eyes off of it. I never knew there existed such a deep photograph of a non-human creature. I was not the only one thinking so. That picture had won an award and I discovered Shamma Esoof (Sham Jolimie), a person who advocates for animal welfare, social justice, and is passionate about nature conservation. The cherry on top was when I discovered that the author of that unforgettable owl portrait was a mutual friend on social media and was from Mauritius, a country I call my second home after Armenia.

Image sharpness is, for the most part, a false economy. It is mistakenly believed to be synonymous with image quality; that isn't the case. One major difference is that image quality has a ceiling and once reached (if that's even possible), the image cannot be any better in terms of quality. However, with the sharpness of an image, you can far exceed the perfect amount (again, if there is such a thing), and it begins to cost your image dearly.

A photoshoot is a high stress situation that can often push emotions to their limits, and lead to conflict that can tear a great shoot to pieces. Part of your job, as the photographer, is to captain the shoot in a way to avoid this sort of thing. Everyone has a responsibility to be professional throughout the shoot but it is you who must ensure that they adhere to this.

Being involved with online photography forums on a regular basis, I constantly see people asking that very question. I also get asked personally from time to time. It's usually something like: ''I'm taking a trip to Italy next month. What lenses do you recommend I bring?'' Or: ''I'm going to McDonalds tomorrow for brunch, should I bring my Canon 800mm or my Canon 11-24mm lens?'' So, being I was faced with this very decision myself recently, I wanted to share with you what lens I brought with me and my thoughts.

When somebody asks how much they should be charging for their service, this is the single best piece of advice I’ve been able to give. It’s hardly unique, but it puts things into a much better perspective. I always suggest justifying your prices, and prevent reduced hours. Here is the problem with charging by the hour, and how I fix it.

Virtual war. That's what Instagram declared yesterday when the Facebook-owned social media giant rolled out their latest update sharing an all too familiar user experience touted by rival platform, Snapchat. What are they doing? How could this happen? Why are they doing this? After turning over a few stones, we saw this coming from a mile away. Facebook and Instagram ultimately decided that if you can't buy them, become them.

For most beginners, distinguishing hues, or noticing over saturated areas, can be an issue. Even some most advanced retouchers still have problems color correcting their images. Reaching the point where our eyes see colors properly takes time and a lot of practice. Fortunately enough, visual help layers in Photoshop can aid us separate luminosity, hue, and saturation. In this article, I will show you how to isolate the latter two to facilitate your color correction.

As a solo business owner, I find a good portion of my time has me tethered to a screen. For me, that means being at home in my office as I work on a desktop. I prefer having a large monitor to work on and the cost/performance ratio of laptops was prohibitive when looking at a primary machine. Recently, I also have found myself wasting a lot of time in between shoots - either waiting for the next shoot to start, or on public transport twiddling my thumbs - that could be used much more effectively. So, I decided to invest in a new laptop, and my searches took me to the Dell XPS 15 UHD.

Despite being one of the best jobs in the world, photography and retouching are both technical processes in which you usually deal with some problems and find solutions afterwards. Every shoot is a different problem to be solved, and mostly, this is the fun part of this job. But sometimes, you have to be prepared when dealing with large amounts of photos with a tight deadline. So, here are some tips for fast-paced workflows for a commercial photo shoot.

Hello, my name is Hans, and I have too many cameras. I didn't want to admit to myself that I had a problem, but as I stood over my camera bag, looking at those shiny bodies staring back at me, I dreaded the backache I would feel the next day from lifting that sucker to my next shoot. As I heard my not-so-young anymore bones creaking under the weight of all that alloy, I knew the truth: It was time to let some go.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2016, we'll be featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

When it comes to boudoir photography, everyone has their own opinion as to what constitutes as a boudoir session. It is soft and romantic? Is it edgy and seductive? Is it only meant to be seen by the clients partner? Or is it an expression of the client finding comfort in their own sexuality?

You are going to fail because you cannot fight the chaos. I don’t believe that, but this article is very sensible and the real first line of this piece wasn’t catchy enough: structure, organization, and discipline are the foundations of being successful and self-employed. If my formative years were anything to go by, I was the antithesis of all three. Thankfully, determination and maturity seeped in and I became obsessed with how I could be the most productive, organized, and disciplined without a boss or a separate office building and with the constant lure of Netflix.

The weather outside is heinous. Seemingly perpetual rain batters the windows as we fire up the computer. The northern autumn is definitely on our doorstep and one of the first signs of this change of seasons is the increasing number of mushrooms in the forest. We’ve bagged 69 shots of just one composition previously and this is a great time to post-process them. Let’s get into Lightroom before more fungi start to come up after the showers have passed. Let your imagination run wild with the post-processing of glowing mushrooms that are straight out of a fantasy film. Here is how I process my own little fantasy world.

For the last 6 years, Facebook has hidden hundreds of private messages that have been sent to me. Some were fans, some were friends, and many were job offers.

There is a tiny island in the Indian Ocean called Mauritius that reminds me of heaven. When my husband and I got a job offer to work there some years ago, I had no idea I would meet this amazing soul that was Khatleen Minerve. Eventually, she turned into a very talented and requested photographer.

I can see it in your eyes! Excitement is brewing for some sort of fancy new lens or the latest camera body that breaks all the megapixel records. I know because I do the same thing! Surprisingly, though, in my experience it isn't the latest, fancy, glass that truly improves my photography, rather, I've found that making the right small upgrades tend to have a much more profound impact as they make the act of doing photography so much less of a hassle. Which, in turn, frees more of my focus to attend to the images I'm creating rather than fighting with gear which is refusing to perform.

Sometimes, we admire one's work, but we may not understand the path they took or how they perceive images of their own. For a few years now, Photographer Dennis Ramos has graced the front page with his popular photos and Photos of the Day here on Fstoppers. I had the great opportunity to sit down with Ramos for an interview at Tampa Image Factory to find out what exactly his photographic journey entailed in order to become one of the best black and white fine art photographers around.

What makes a photograph or movie memorable? With cinema as widespread as it is, a film needs to stand out in a big way, not only to succeed at the box office, but to be remembered in any capacity. As for photographs, it's the same challenge. We remember the Tiananmen Square protest photo because it captured the issues sweeping the globe in a single frame. Films like "The Shining" and "There Will Be Blood" are relatively simple in terms of visuals, but have stories that will forever make them classics. And that's exactly what makes a film or a photograph great: story.

It's difficult to denounce nature photography, especially when the shots look this good. The hours that Konsta Punkka has put into his photography are not to be sniffed at, but is it unfair if the animals are fed in order to achieve the look?

What follows is one of the strangest and most remarkable coincidences I've ever come across in the world of photography. We've heard of photos that were blatantly stolen, but what happens when the concept of a major digital art project is copied? Is it even possible to copy a "copy" of an idea, or can two different artists be inspired to come up with the exact same concept completely independently? This is the tale of two composite photographs.

As the northern autumn draws closer, bizarre little creatures pop up all over the temperate forest. On the forest floor, underneath hedgerows and on trees, alive or the ones who have fallen. Fungi are the cleaning crew of the forest as they take care of layers of fallen deadwood and provide nutrients back to the forest. Surely they are great subjects for macro photography. Like everyone else, I’m looking to find their reproductive organs: Mushrooms. They let our imagination run wild as these little toadstools hint of fantasy worlds when photographed in a certain way. This is how I recreate my own little fantasy world.

Dodge and burn is a well-known technique amongst the retouching community. Most retouchers will use it to smooth out transitions and micro-contrast on portrait, fashion, or beauty images. However, it can be utilized for any genre of photography and broader uses than just skin cleaning. It can be used to direct the viewer’s eye and create more compelling, dramatic images with a few clicks. If you shoot and edit weddings and are looking to step up your post-processing game, this article is definitely for you!

Being a female boudoir photographer for many years, I may take some things for granted with my clients. There is not a shoot where a client doesn't ask me to assist in attaching a garter belt to her stockings. So, I am literally kneeing on the floor, with a woman's bum close to my face. We laugh the whole time, but in all seriousness, I sat back and wondered one day if I were a man, would this be any different?

As Adobe’s Creative Cloud continues to grow, so does its most loved software, Photoshop. Over the years, Photoshop has single-handedly expanded its offering of creative tools to thousands of people across the globe, serving all types of industries from photography and design to forensics and astronomy.

Photographers can often be lumped into two distinct camps. The first is the "what" group which is represented by people who study their craft and follow tutorials as if they are a scripted set of instructions never caring about anything other than if the technique works or not. The second group is the "why" group who study their craft and follow tutorials while also striving to learn about why what they are learning actually works. The second group has a tremendous advantage over the first as their deeper understanding of technique gifts them with far more versatility than those who simply collect a library of preset recipes with little care as to why those recipes work.

We’re living in a visual society. Every day, we see new ways of visual advertising. Some of the messages presented without the use of words can be very powerful, as if there's some subliminal code that makes us think. As photographers, we are used to delivering messages by solely providing the image. Or are we? This series is the go-to resource for compelling visual storytelling in landscape photography and closes this week with advanced communication techniques that help create spectacular images. Join me now as we dive into the deep end, far beyond compositional elements like lines and color and learn that secret code by heart.

There are many tips online. Five step listicles of composition, post-processing, editing, getting the model to smile more, and to capture a story in the best way possible. You can be friendlier to clients, communicate your vision to the team, client or model, use on or off camera flash, and setup your camera in a better way to enable easier ways to capture the shot. You can learn about better workflows and how to increase your productivity in post too. All these tools are available on Fstoppers.com for you to learn and use in your everyday photography career and life.

While a photoshoot takes just a one day, retouching may take several days spending hours on Photoshop. Here is a list of some items and gear that may help you to make this long process easier and uninterrupted.

I know that I’m preaching to the choir when I say that personal projects, free from the constraints of commercial clients dictating production details, are an important outlet for creativity and staying sharp on your skills. Photographer Ray Demski just dropped his latest passion project, "Fireball," combining parkour, football (soccer), and beatboxing.

Foster Visuals, known for the nationally-awarded "Legacy Project," recently teamed up with DJI to tell the story of Heraldo Riel, a gaucho in Patagonia, Chile. Like his father before him, Riel became a Gaucho at the age of nine. To be a Gaucho means to be kind and caring for all living things. Using a combination of equipment, including the DJI Osmo, Ronin, and Inspire 1, Brent Foster and his team tell Riel's story and captures the intense beauty and solitude of the remote section of Patagonia in which Riel lives.

Ah, vacation! As photographers who shoot to put food on the table, it's exceedingly difficult to unplug. The temptation to jump into post-processing as soon as we take a photo can be overwhelming. The image is never done! If we just push this slider or that, tweak this or that, or crop here or there, the image would be so much better. At some point, though, shouldn't we be experiencing our vacation instead of documenting it? Enter the ultimate in quick and dirty memory-making: the 35mm film camera.

Documentary videos have always been there to grab my attention. These short, yet powerful videos can really pull you in, making you want to know more about what you're watching. I have made a few videos like this myself but none that I have really liked until now. I don’t usually like to share my work or go into depth about it, but here I will go over a few things to do when shooting a documentary like this.

In the latest installment of the “More Than Just Parks” series, filmmakers Will Pattiz and Jim Pattiz journey through Grand Teton National Park and capture breathtaking visuals of the natural vistas and wildlife. Their video series aims to document all 59 national parks through beautiful imagery in order to promote the protection and enjoyment of these lands. After you check out the new video (it does not disappoint), the Pattiz brothers share with Fstoppers some of their experiences and challenges working on “Grand Teton” and the video series altogether.

When I got into wedding photography twelve years ago, I didn't know a single photographer who was shooting macro shots of their clients' rings. Today, these shots have become expected, and hopefully, if you're a wedding photographer, you've got a macro lens in your bag so that you can capture professional-looking shots of the rings.

Our tutorial with Joey Wright on all things swimsuit photography and retouching is finally available, but we wanted to show you guys what goes into making a 20-hour tutorial. This is the final episode in this entire behind the scenes series.

Last year we teamed up with Elia Locardi, one of the most followed landscape photographers in the world, to film "Photographing The World: Landscape Photography and Post-Processing." This is a 12-hour video tutorial on landscape photography, and today, we are releasing the first lesson for free.

It goes without saying that creating a comfortable, safe environment while shooting beauty photography can go a long way towards building a strong working relationship with your model. Comfortable, however, is what I'd define as the "barrier to entry." What you really want to do is go beyond that by giving your model a slight boost in confidence. By building up the model's self-esteem you get her thinking positively, and that state of mind leads to fantastic moments which create a genuine spark of expression.

For years, I enjoyed cinematography and photography as almost non-overlapping magisteria. I was fully aware that they played by many of the same rules, but I didn't entertain the idea of extracting elements of cinematography and inserting them into my images until much later.