I want to start by defending the thing this article might look like it is against. Static posing in wedding and portrait photography is the backbone of every couples session I shoot. The five foundations I teach are all static positions, and they are static for good reasons. They are fast. They are repeatable. They are flattering on almost everybody.
There’s something magical about photographing weddings or engagements in a national park. Depending on which of the 60+ national parks you find yourself in, the unique views from this one-of-a-kind “office for the day” might include famous peaks or endless dunes—and always wide-open skies.
While tilt-shift lenses are most commonly associated with architectural and landscape work, they offer some seriously underrated creative potential in wedding photography, especially when it comes to portraits and environmental storytelling.
Most photographers are taught early on that soft light is the go-to for portraits, and hard light should be avoided whenever possible. But the truth is, the “best” lighting for a photo always depends on what the photographer wants to create.
Under the umbrella of wedding photography stands an approach to documenting weddings known as wedding photojournalism. While part of the wedding genre, wedding photojournalism leans more into its photojournalism roots, offering a more "hands-off" approach to capturing the moments of the wedding day.
Modifiers like softboxes and umbrellas serve as powerful tools for photographers to shape and control light. Whether they want to emulate natural window light with a touch of soft, diffused light or create an epic environmental portrait with darker exposures and higher flash powers, these tools provide portable and powerful means for photographers to bring their vision to life.
Foreground elements in photography do more than just fill space. When used with intent, they can introduce context, enhance storytelling, provide frames that guide the viewer's attention, create balance, and elevate the visual appeal of the images. Whether you're a hobbyist or a professional, understanding how to effectively use foregrounds can enhance your photography.
Parent dances, such as the mother-son dance and father-daughter dance, are critical events during most wedding receptions. They are opportunities to capture beautiful, emotional moments that showcase key relationships in your client’s lives. They also give photographers plenty of opportunities to showcase their creativity with interesting compositions, impactful lighting, and more.
In the competitive world of photography, closing a high percentage of your sales meetings is crucial for success. However, many photographers make common mistakes that hinder their chances of sealing the deal. To help you improve your sales approach and increase your conversion rate, here are five key rules to follow.
Golden hour is a magical time of the day for photography, characterized by warm and soft light that can turn even the most mundane scenes into stunning works of art. This period occurs twice a day, during the hour after sunrise and the hour before sunset, and is highly sought after by photographers for its dreamy and ethereal qualities.
Rain in the forecast can be a disappointment for photographers and their clients, especially if they planned an outdoor photoshoot. Rain can ruin the vision for perfect, directional lighting that was originally planned, making it difficult to capture the desired mood or atmosphere.
In photography, the term leading lines is a compositional technique used to draw a viewer's eye to the subject of the photo. These lines can be created by any object in the scene like a road or path, a fence or railing, a distant object like a mountain, and any other structure that creates a real or imaginary line in your image.
Most photographers focus their business growth strategies on booking more clients. However, the most financially savvy photographers understand the full revenue equation, i.e. revenues equals the number of clients multiplied by the average revenue per client.
Photographers understand that marketing is essential to attracting new clients and growing their business. However, marketing strategies are constantly evolving, so what worked in the past isn’t always going to work in the present or future.
Some of my favorite creative photography techniques to use are those that allow us to capture moments in ways we could never see using just our eyes. One technique, in particular, that I turn to for capturing unique portraits involves using long exposure, aka shutter drag. Long exposure portraits open up a number of creative possibilities and often result in “wow” moments with my clients.
In-camera special effects are a great and fun way to emphasize a story in photography. Many of these special effects that seem high production are actually quite easy to accomplish using the tools we already have or are easy to get. Today, I'll be showing you how to create one of my signature portraits, the Day vs. Night.
All it takes is this simple composition tip to take your portraits to a new level. In this video and article, I'll be demonstrating this tip and how you can use it in post-production to completely transform your photographs.
Before we begin, be sure to download the exercise file here and follow along as I edit.
Photographing a couple from up close can drastically change the way your image feels. Getting up close with a wide angle lens creates a sense of action and aliveness that draws the viewer in.
There's a good chance you've heard of the "Ring of Fire," a technique popularized by wedding and portrait photographer Sam Hurd. The Ring of Fire is a special effects technique that uses a piece of copper tube to reflect light and create a highlight flare in the shape of a ring. This technique has been widely adopted, and to create this effect for yourself is pretty easy.
As photographers, we come across many different scenarios, and it might not be possible to get the perfect shot with the perfect lighting 100% of the time. It could've been that we didn't have the right gear with us or that we were in a rush. Either way, that shouldn't be a reason to shy away from trying to get the best possible shot and bringing it to life in post-production.
For the longest time, my favorite lens on any camera system was a 35mm wide-aperture prime. The focal length forced me to get "in the action" for impactful portraits, yet it was wide enough to capture wide angle scenes.
Adding props is a simple and effective way of adding production value to your photographs. Not only do they add additional points of interest, they also can add to the story you're trying to tell. In this video and article, I'll be walking through the creative process of how an image evolves to the final version. To do this, I'll begin with a basic "walk-up" shot.
Last week, we walked through How to Capture an Environmental Shutter Drag Portrait. A shutter drag portrait is a portrait that captures movement around a subject using slower shutter speeds. Following the steps in the video, we wound up at a final raw image.
When photographers hear overcast skies, we immediately think of flat light. What this usually means is an overall lack of detail and contrast, especially in the sky. It might be easy to assume that the sky during overcast days is uninteresting, but I want to show you the opposite, that overcast days are some of the best times to get deep and dramatic images.
We call this the "environmental shutter drag portrait." A shutter drag portrait is a portrait that uses slow shutter speeds to capture the motion around the subject. This technique is best done in a big grand scene full of action and detail.
If you’re a wedding or event photographer, it’s likely you’ve come across mixed lighting situations, and understanding how to work with or around it is crucial. If done right, mixed lighting can have a flattering effect and can add visual interest and depth to your photos.
If you're a photographer constantly on the go, the gear you carry with you plays a crucial role. In addition, as technology improves and the demand for quality content increases, we continue to consolidate our gear and fit everything we need into a small backpack.
If you're a wedding or event photographer, chances are, you've encountered mixed lighting situations. Though mixed lighting can be used creatively, there are times when it just isn't ideal. Today, I'll be walking through several examples of mixed lighting conditions with solutions on how you can work around it on location or fix it in post-production.
Photographers often look for the "epic" shot — the one that will stand out, get thousands of social media likes, and get printed by our clients for wall art. While these photos are important, it's also essential to slow down and look for the other images in the scene that help tell a story and capture the vibe and emotion of the moment. In this video, we'll review a simple&
Phone photography has come a long way since its flip phone origins. Today, you might not even be able to tell the difference between a photo taken by a phone and a dedicated camera.
When we think of family portraits, we often picture the traditional looks: everyone lined up, smiling, and well dressed. Family lifestyle photography, on the other hand, shines a new light on family portraiture. Rather than posing everybody perfectly, lifestyle captures the personality and dynamics of the family. The spontaneity is a great addition to a complete family album.
Lighting can make or break a fitness portrait. Our goal is to highlight the form and definition of your subject as well as the movement if the intended photo involves action. In this tutorial, I'm going to walk through a few basic fitness photography lighting techniques.
Don't get me wrong, natural light and golden hour are gorgeous and a huge part of what we do. But, in addition to these types of photographs, we have built our name on imagery that differs from the typical wedding or couples photograph. Our studio (Lin and Jirsa Photography) has become known for unique and epic environmental portraits.
It's quite common to shoot photo sessions in unimpressive locations; it goes with the territory when shooting on-the-go and outside of a studio. Fortunately, we have options to help us transform boring locations into beautiful backdrops, and it’s easier than you think.
We often aim to capture great expressions when cueing and posing subjects, but we sometimes overlook basic elements that may distract our viewers.
