Jerry Ghionis probably doesn’t need an introduction anymore. He is a Nikon Ambassador, a WPPI Grand Master, as well as a three-time AIPP Australian Wedding Photographer winner, just to name a few of his achievements. Many that have attended his five-day workshop speak highly of his teaching skills and technical knowledge. If for some reason you cannot get a seat to one of his masterclasses, there is still the Ice Society, and it is now available for only $100 a year.
Announced this morning at NAB 2016, the G-RACK 12 is G-Technology's first network-attached storage (NAS) device to the market. Featuring bays for up to 12 hard drives, the G-RACK 12 combines the company's proven direct-attached storage (DAS) reliability and speed with network access over quad 10-gigabit-Ethernet (10 GbE) ports for a super fast networked connection for virtually any small business or studio.
Lots of skilled videos editors have started to see the value in being hired for contract work. It’s a great supplement to other income, you can be picky about projects, and most of us enjoy the work. But what about negotiating rates, estimating time, and dealing with files after the job? Here are some tips for the business-side of being a freelance video editor.
When will people learn? It's usually the minority that ruin the fun for the masses, and it looks like we have that situation across the pond at Heathrow Airport in London, England. An incident has been reported to police this afternoon at 12:50 pm about a drone colliding with a plane. This would be one of, if not the first reports of a drone actually striking an aircraft.
Color management can be one of the most boring topics to learn as a photographer, right up there with topics like digital asset management and accounting. They all have one thing in common, however: they’re important parts of being a photographer. Learning how to manage color doesn’t have to be difficult, however. Consider this your crash course introduction in learning how.
They say necessity is the mother of invention, and when you want to film incredibly smooth footage of fighter jets at over 300 knots and pulling 2.5G's, you can't exactly get an off the shelf gimbal for that. Aerial film company Blue Sky wanted to do exactly that so they commissioned Gyro-Stabilized Systems to built them a custom 5 axis gimbal capable of such feats. Boy did they deliver!
Now, photographers and models have their own Tinder-like mobile app called Romey.co. Romey.co is a global marketplace, connecting companies, bookers, models, and photographers where everyone is empowered, and everyone wins, changing the paradigm in an industry notorious for being cutthroat. Models and photographers download the app (iOS and Android) and use it to match intelligently with each other so they can keep active portfolios and network. The app's algorithms match you based on your profile and preferences, so you spend less time searching and more time connecting.
Photography, at face value, is already a difficult combination of capturing a scene as it unfolds and manipulating a tedious balance of exposure, aperture, and ISO to illuminate an image that does true life justice. When you add any additional element to the equation, the entire process can be thrown off. I often find this challenge in photography to be resting on the surface of the ocean in surf photography. Here are six tips I’ve learned that can help your surf photography.
I recently purchased a drone, and I've caught the aerial bug. The new perspective afforded by it has been wildly addicting. However, I'm still very much an amateur in my newfound abilities. Films like Wild Scotland, in their beauty and seamless sense of evolving wonder, give me something to aspire toward.
I’m a nerd. There, I said it. It’s out there now, and it’s never coming back. I’m adamant that all facets of life are infinitely improved by statistics. I paw over numbers, percentages, and graphs for academia, sports, science, films... the list rolls on. Even reeling off the sort of stats I like makes me want to forge some sort of Excel spreadsheet to identify the stats for which areas benefit the most from stats. Sorry, I digress. The point is fewer things are richer in information than statistics. We often use this approach to compare lenses and cameras, but what if we could apply it to something far more subjective: portraiture?
It's an unavoidable topic in American conversations. In the photography world, it seems to pop up on the forums and Facebook groups often enough to warrant further consideration: guns. Not necessarily in the heated, political debate sense, but to ask this question: In a world where carrying a concealed weapon has become more normalized and photographers spend more time in remote and urban locations, do firearms have a place in your business?
On one side, we have advertising photography, where everything is contrived and meant to look a certain way. It might as well be a painting with how planned out each step is. On the other, we have photojournalism. As the opposite, true photojournalism should never be staged, posed or "created." The idea is to capture what is and has happened. Unlike a painting, photography has the power to show real time exactly how it is with no artistic interpretation. What captivates me is when those two worlds collide to create art with purpose, and that is exactly what Clay Cook has done with his portraits of impoverished youth in Ethiopia.