Fstoppers Original Articles

While researching and deciding on what camera or lens to buy next, there can be a lot of banter, back and forth, and noise on opinions on what camera or lens is right for you. It is possible that some websites, influencers, or average Joe’s can hold slanted biases that may play a role in your purchasing decision, and we don’t want that. So what if I told you that there was a more objective resource to help aid your purchasing decisions? Well, I have a site to share with you: DxOMark.

When we think what defines our brand as photographers, we think of our logo, website, and even the style of imagery we create. But, everything that is related and connected to us and our company is a representation of our brand — from the way we answer our emails, interact with our clients, down to the pants we wear, the bag we carry our gear in, and the overall way we present ourselves to the world. Every detail reflects back on our company and in the end reflects back on our bottom line.

Anamorphic lenses are mostly used by cinematographers to get a ratio of 2.40:1. The cinematic look these lenses offer has become popular amongst photographers lately. While such a wide ratio is not very practical for most genres, the squeezed bokeh and the unique flare these optics create is a way to stand out amongst the competition.

As a studio owner I am privileged to see many different photographers working in my studio space. I have a chance to observe their individual working styles and to see what results in success. Over the past couple years I have noticed some rather interesting trends. Let me give you some insider tips after observing how some of the top photographers work.

I've never been one for artificial light in my photography, and it's an issue that many photographers come across when leaving that oh, so beautiful natural light. The struggle of having a budget to put towards lighting equipment can be daunting but shouldn't limit you in finding the best way to create the shot. In this behind the scenes look, I will go into how I created a high-end product shot using light trails, all while on a budget. Remember, this can be recreated with any camera, including an iPhone, that allows for long exposures.

First and foremost, gear is not the be all and end all. Creativity will bring the most out of the simplest of gear. We stand on the shoulders of giants now. Remember that it was only a few years ago that high ISOs were all but unusable and that once you'd shot a black and white frame, it stayed black and white. The fact remains, though, that understanding what your gear is capable of is the key to exploiting its strengths and weaknesses, which is where creativity lives. Learning a few simple things about what your existing gear is capable of will do more for your images than any shiny new purchase. Use these five simple exercises to learn more about what the tools you have can do.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2016, we'll be featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

There are two characters that sit atop adjacent shoulders either side of my head and squabble over portraiture. One takes the form of my Gran and she sits there quietly knitting and ensuring me that rules are there for a reason and without them there would be chaos; she’s the voice of tranquillity, reason and over-feeding. Then, annexed on my opposite shoulder is James Dean wearing a leather jacket. He mocks my conformity assuredly and between drags of a cigar, James states that “what is normal for the spider is chaos for the fly” and “rules are there to be broken.”

Most photographers who learn the basics of lighting usually take light for granted. Lighting seems pretty simple at first: If there’s an absence of light, just add a strobe. Isn’t that why we all love on-camera flash?! I’m joking. Learning how to give light motivation is truly the easiest way to create cinematic lighting, and it’s a lot easier than you’d think.

It's true that doubt can be so bad it’ll make you want to stop creating or showing your work to the world. But if you flip it on its head, it can actually help you become a better photographer.

Nearly every photographer owns a film camera whether it be in the dark recesses collecting dust or they use it on a regular basis. The most common reaction when people see one of these film beauties out and about is shocked that you can still acquire the film to shoot with one of these models. So if you own a 35mm, Polaroid, or even a medium format film camera, Dust it off! Don't know where to begin on buying film? Have no fear! I have become your personal film guide and have tried and tested all the major players out there in the film world, so you don't have to!

As a photographer, you’re in the business of making people look and feel their best. Unfortunately, it’s impossible to make every single client happy. You’re inevitably going to encounter an angry client at some point in your career. Learning how to either defuse or compromise in that situation can mean the difference between losing and keeping a client or even avoiding a lawsuit. Here are three steps every photographer should use in those situations.

I am sure we have all had those days where you stare at an image and just start moving sliders up and down to see what they do. What happens if I take this slider all the way up and this slider all the way down? For the most part, the results are entertaining, but not really aesthetically pleasing. But every once in a while, you can stumble onto something pretty awesome.

Imagine yourself under a starry night sky. Wouldn’t it be great to capture the Milky Way to show it at home or on the web? Unfortunately, you are left with a black frame after you’ve pointed the camera upwards at settings you are used to. It's time to open up the aperture, lengthen the exposure, and bump up the ISO. You will introduce noise, but do you really care? Aren’t there tools out there to reduce noise but still keep the detail?

I’m baffled by how often I encounter photographers who tell me they have been shooting for years but still haven’t created their portfolio because their work isn't good enough. After a bit of convincing, I can usually prompt them into sending me a few shots to take a look at, only to find out their work is more than ready to be displayed.

Every couple of years Red Bull hosts one of the coolest photo competitions in the world called the Red Bull Illume. If you aren't familiar with this photo contest, the Illume showcases some of the most unbelievable sports photographs in the world. Many of the photos are landscape in a nature which give them an almost fine art feel but there are plenty of edgy closeup shots to grab your attention as well. The deadline to contribute to this year's Image Quest has been extended by 12 hours to April 1st 12:00 (CET) which I believe to be 6:00 PM Eastern if my brain is working correctly.

This week we released the longest photography tutorial Fstoppers has ever produced; Joey Wright - Swimwear Photography: Lighting, Posing, and Retouching. Our entire team headed down to the island of Curacao for 10 days to film a variety of photography lessons ranging from how to pose models, how to use scrims, reflectors, strobes, and how to create portfolio worthy images with minimal gear. During this incredible journey the behind the scenes cameras never stopped rolling, and each week we will be releasing a new episode of all our adventures. This is episode 1!

All too often in our business, we are thrust into a job in which we either have no time for or cannot afford lighting tests. I find that these gigs force me to fall back on my old tricks and techniques. This can lead to the dangerous place of shooting stuff that all looks the same. Sure, you can try out new ideas on personal projects, but sometimes, the job calls for stuff that you don’t own or cannot afford to get. Usually, when planning a shoot, I have great theories and fantastic ideas on how to pull off a look. However, the idea of winging it in front...

One in twelve men suffer from color vision deficiency (CVD). It’s a guarantee that many of the people reading this suffer from it as well. There is now a company that offers a solution to color blindness.

When a commercial photographer, Sasha Leahovcenco, decides to document the touching experience and life of people he has never met before, the result is quite astonishing. You would think pre-production played a huge part and that he had to have had exceptional gear, carried by a huge team, but the truth is far from that. The experience was the heart of this series, and the pictures show it well. Combining both journalistic and commercial genres with a very personal approach yields pictures we only wish we could see more often.

You might find today very interesting for Instagram. It seems like everyone on your feed is posting a hefty range of different photos telling you to "turn on notifications" on their feed. If you missed Andrew's regarding Instagram changes, check it out to find out the latest on how Instagram handles feeds. Changes will definitely be happening whether you like it or not. But is that something to worry about?

The processed photograph is growing more popular. Whether that has to do with the technology involved in image processing becoming more accessible to many is up for debate. Maybe it is a gradual shift of the human perception of what we call the art of photography. I have asked a handful of professional landscape photographers to contribute to the case of the processed photograph, making this second part in this series more practical than the rather philosophical first article.

A few weeks ago, we asked the Fstoppers Community to submit their best Concert Photography, you all rocked out! It took us a little longer to get the Critique back in front of your eyes with Lee Morris' wedding and finishing up the new Joey Wright Swimwear tutorial, but we finally have it ready for you. We selected twenty of our favorite images to review. Take a look at the selections and add your thoughts in the comments below!

It’s easy to feel that we have great ideas for our images, but that we simply don’t have the budget to execute them to the standard we’re picturing in our minds. You should always try to find ways to be creative on a budget, so here’s how and why you don't have to spend a fortune to produce good results.

The real kicker about knowledge is that most of the time, you don’t know what you don’t know. You run around, casting a net and trying to catch information, but often, you miss important stuff — sometimes, more than once. I cast my net all over the shop when I started photography; I watched videos, read articles, listened to lectures, watched documentaries, practiced daily, and took feedback as if divinely delivered. Nevertheless, my net caught some information later than I’d have liked. Here are seven things about being a photographer I wish I’d known earlier.

It was the fall of 2014. I was happily wrapping up wedding season, shooting all week and every weekend with my arsenal of 5D Mark IIIs and L glass. All was right, until one event caused me to turn to the dark side.

There is such a lot of talk going around about branding. But what exactly is your brand, and how do you use it to help you reach a wider audience and market your photography? Your brand is the core of your marketing, the central theme around your photography. Your brand is not your logo or your company name, unless of course you are Apple or Nike.

Beauty photography is a very technical genre. It requires substantial lighting knowledge, as well as interest and taste for the subject photographed, and a solid team of creative professionals. The learning curve can be quite steep. Therefore having someone teaching you the ins and outs for the genre is crucial if you want to make beauty your specialization, and save years of learning on your own. Lucky us that is exactly what Julia Kuzmenko offers through her latest video training: Go Pro Studio Beauty. This week only, Fstoppers readers save $50!

There is no shortage of amazing videos on the subject of photography. The field is broad. Every once in a while, however, there is a video that pops up which leaves me with my jaw on the floor. Whether it invokes the magic of inspiration, or opens doors I didn't even know existed, those sorts of videos stand out as keystones of great, inspirational teaching.

We have finally made it to the end of our behind-the-scenes series of Elia Locardi's “Photographing the World” tutorial. In episode 18, we continue our travels through New Zealand as we hike out 4 miles to the base of Mount Cook for an interesting astro photography lesson, the team celebrates the end of this trip with a skydiving session in Queenstown, and Lee and I say our final goodbyes to Elia and Naomi Locardi.

As many of you have seen and made clear on your feeds across various social networks this week, Instagram is changing its algorithm and from the looks of it, possibly for the worse. Chronological feed to curated feed is the proposed plan for the Instagram team in hopes "to show the moments we believe you will care about the most." How exactly will they know what I want? Facebook seems to do pretty well in retaining users so they must be doing something right for the majority. Now what does that mean for us photographers and professionals? Who knows but change will come so adapt and get over it!

I’m a big fan of getting images right in camera, and it's something that strive to do. I think there is something to be said for the skill that it takes, especially when shooting an event like a wedding. Getting the perfect light, the perfect composition, and the perfect moment while dealing with all the different variables of the day is quite a feat. The main image I’m going to be talking about today, though, does not fit into this category, but it still manages to be one of my favorite and most "liked” images.

Ever since Facebook changed to curated news feeds, there has been endless grumbling in the photography community about diminished reach and post engagement. That shouldn’t stop you from trying to beat their algorithms. You can still have a ton of success with Facebook posts. You just need to know how to work the system.

Last week, I took a look at personal projects and showed how I created my most recent portrait series. These personal projects are a great way to grow as a photographer and create new work you have a passion for, as you have the opportunity to create images with full control of the visual style. However, they may not always require you to step out of your comfort zone. To expand your repertoire of photographic knowledge and to create a more diverse, yet consistent portfolio, you need to experiment.

Adding a colored background to your studio shots can vastly change the impact of a studio photo. The most obvious method to do this is by collecting an army of colored backdrops that take up space and are a headache to swap in and out from shoot to shoot. Instead, it is quite easy to build this coloring effect using Photoshop so that you can shoot each image using a standard white or grey background.

Want to be an awesome pro photographer just like Annie Leibovitz, Dan Winters, or even the next Ansel Adams? Here are a few tips that can enhance your techniques. From what I've learned in the past, the one tip that all photographers share is "practice makes perfect." Remember, don't practice until you get it right; practice until you can't get it wrong. When I feel that creative rut creeping in, I just remind myself of that phrase.

Let me tell you: there’s nothing quite like a new camera and a change of scenery to recharge the old creative batteries, especially after a long British winter. I just came back last Sunday from a fantastic three-week trip to Hong Kong, Australia, and New Zealand and therefore, had plenty of time to intensively test the new Pen-F by Olympus, which I've had since mid-February.

Let's take a step back and talk about the growing popularity of the processed photograph. Apart from some rather technical post-processing jibber-jabber, we’ll dabble in philosophy, astronomy, and the evolution of the human species. We will meet strange creatures along the way that see many more colors than we do, as we conclude this with a moral question in photography.

Instagram has continued to transcend the way we share our work, our brand, and lives through our mobile devices. It's safe to say that it has taken over Facebook as the preferred mainstream social media platform to share our work. Fellow Writer Ryan Cooper recently put a great article together about features that could use overhauls and improvements. I decided to add some issues that I've run into time and time again and put together an Instagram suggestion box for the Fstoppers community.

Let's face it, you can never have enough memory cards laying around your studio. Today only, Sandisk is having a ridiculous sale on their U3 SDXC Memory Cards. The 128 GB cards are only $44 and their 64 GB cards are only $24. These cards are great for high megapixel cameras, shooting HD video, and can also be used as small hard drives to transfer files from computer to computer. Instead of having a half dozen smaller cards that might potentially get lost in the shuffle, I always encourage photographers to use a single larger memory card and only remove it from their camera once after each shoot. If you haven't upgraded to 64 or 128 GB cards yet, this might be the best sale until the end of summer.

Owning and operating a photography business can be a lonely task. Most hours of the day are spent at a computer with no one to talk to, no one to bounce ideas off of, and no one to help you when you struggle. Most photographers turn to Internet forums and Facebook groups, and these definitely have their place. But what if you could have all the benefits of online communication with the added bonus of working with local professionals that are in the same industry?

In a way, your journey as a photographer will start out with personal projects. Everything that you shoot for those first few months or years are things that you choose to shoot for fun. Personal projects help you to learn, experiment, and grow as an artist. Actually organizing and creating a series, however, takes a little bit of planning. From brainstorming to gallery showings, I’m going to help you put together a game plan for your next personal project.

I've bought many books on photography over the years. Most of them I only read partially because they were largely offering the exact same thing that so many other books had already offered, most of which, frankly, was already openly available online from sites like Fstoppers for free. I keep buying them, though, not because I'm a masochist that likes wasting money, but because every once in a while, I come across a book that breaks the trend and grabs hold of me from cover to cover, giving me a completely new perspective on my art. This list aggregates some of my favorites that I think you may really enjoy.

If this is your first time buying a digital camera and you are just starting out your foray into digital photography, it is understandable for you to be a little baffled when choosing what to buy for your first digital camera. I remember starting my photography career with a Canon S2 point and shoot and two generic lamps from IKEA, shooting product photography for a startup company.

My high school enemy is my new best friend. I'm talking about a glorious thing called "tests." In the photo world, a test is a shoot set up for the sake of portfolio-building, experimentation, fun, or all of the above. It's not a paid shoot, but these suckers pay off big time. A test shoot is when you book a model (we'll talk about how) to shoot a concept that you put together. As I'm writing this, I actually have my journal open on my desk in mid-plan for a test that I'll be shooting later this month. Let's talk about a few reasons why testing is so important, how to find models, reach out to agencies, and what you need to do once your model is booked. Dig in!

Photographing The World Behind The Scenes continues today with Episode 17. This is the second to last episode in our series. In this video, we head back to New Zealand to photograph astrophotography with Elia Locardi.

The sheer volume of photographs being produced has reached unforeseen levels. We take photographs almost without thinking now; any vaguely noteworthy event garners a veritable mass of cameras and cameraphones. But quantity does not necessarily beget quality, nor does it necessarily enable the photographic eye to sharpen itself. In fact, the digital age has (to a degree) destroyed appreciation for process, thereby relegating craft to an anachronism, a relic of a time when the process of making pictures forced a certain deliberateness in their creation.

More often than not, things aren’t going to go the way that you want them to on set. Things are going to break. Things aren’t going to work. Models aren’t going to show up. That’s life. Deal with it.

There's this nifty piece of software called Adobe Photoshop Lightroom, and in my time as an educator in the craft of photography I have seen its use frequently abused and mishandled. The issues affect beginners and pros alike, and stem from multiple issues, everything from technical oversight, all the way to a fundamental misunderstanding of what Lightroom is meant for. Read on for an overview of common misconceptions and mistakes with regards to this immensely powerful photo editing system.

Lately, I've seen a surge of photographers complaining that they just don't know where to begin when getting started with portraiture. Taking that first step can be a daunting feeling, especially considering that you need to convince someone to take a leap of faith and model for you, despite your complete lack of a portrait portfolio. Personally, I never had a problem finding eager models; it came quite easily for me, so I figured now is a good time to share that experience and maybe give some soon-to-be amazing portrait photographers a little extra help in jumping out of the nest.