Behind The Scenes

The last time I talked with Alexis, he was just trying out a technique of shooting two different lighting setups with the press of a button (be sure to check that article out for details on how the SpeedCycler feature of the Pocket Wizard MultiMax works).This time around, he managed to pull off five different looks (three at one time) – nabbing himself six pages and the cover of the World Cup preview issue of Sports Illustrated. His behind the-scenes-video gives a ton of insight into how he pulled this off, but I asked him to go even further than the video or what he already explained at his blog and explain the "whys" of it all.

Joey Shanks is at it again – this time with an awesome stop-motion homage to the Millennium Falcon portion of the new “Star Wars: Episode VII The Force Awakens” teaser trailer. He combines light painting with a practical model of the star ship to create an awesome gravity-defying recreation that’s sure to impress special effects gurus and Star Wars fans alike. Check it out!

Last year we told you about 1 Second Everyday, the app that lets you record and organize your memories in the form of short videos. This is basically a 365-video project where each day of the year can hold just one second of video. People choose to use it in many different ways: some people record behind the scenes at work, some choose to document their family and personal life and some go in more artistic and creative routes. Check out how 2014 looked like for some awesome people around the world.

Last year, Vogue China approached Mario Testino to be the sole photographer for their 100th issue, a task which the legendary fashion photographer took to with great relish. Recently, Testino released the making-of video that documents the work that went into this issue. This is not one of those annoying fashion videos that is over in thirty seconds after bombarding you with bad techno music and flashy editing. Instead, this feature offers some excellent insights into how Vogue develop their concepts, as well as behind-the-scenes footage offering glimpses of how each shoot was set up.

Last week saw the release of ‘Anomaly’, a film that is redefining the approach and model for independent, narrative film making. Co-Director Salomon Ligthelm outlines how he managed the project as it grew from “a 2 minute art film” into the astonishing 38 minute-long final masterpiece, and provides key takeaways for all of us that we can apply to our own stills or motion projects. If you have any interest in what's coming over the horizon for cutting edge, independent, visual media production, this is for you.

With 2014 nearly behind us and the list of this year's summer blockbusters almost forgotten, we have a treat from the incredibly talented team at Industrial Light & Magic that takes us back in the form of this behind-the-scenes video of the CG that went into "Captain America: The Winter Soldier." What never gets old about these badass behind-the-scenes videos are how they blow away the background of big-budget movies, essentially revealing the digitally constructed landscapes surrounding our beloved actors in films.

This video reminds me of my college days– spending time working with a friend while having next to no budget, but coming up with a fun idea for a short video that would allow us to flex some creative muscle. Corridor Digital may have a (small) budget for these, but what I enjoy about them is that the fun and creativity feels authentic, which you often only get when no agency or corporate sponsor is pushing creative decisions. In this video, you'll see the final clip, with the behind-the-scenes video inside the full post.

One of the most noticeable differences between portraits taken outside using natural light as opposed to artificial light is the background. Images using artificial light tend to have darker backgrounds. This is crucial in catching the eye of the viewer and allows him or her to focus on the subject. This article is a guide in achieving this look using natural light only.

In the beautiful meadows of the Sierra Mountains, Corey Rich takes you behind the scenes for some key tips to improve your sports photography. Documenting sports comes with a certain amount of challenges, especially while shooting in an uncontrollable environment. From working with major clients such as Nikon, The North Face, and Patagonia, Rich has plenty of experience and insights to share when it comes to demanding adventure and sports photography.

Pressure, fear, joy, excitement – these are not uncommon emotions on any shoot. A few weeks ago, I spent a few hours in a helicopter above New York City with Vincent Laforet where we experienced all of these emotions. This exclusive interview and BTS video highlights not only what’s involved to produce aerial stills of this nature, but provides 5 key insights we can all apply to our own shoots.

We've posted about commercial photographer Eric Doggett on here before. You may recall his popular post about how he put together his family's Back to the Future Christmas card. He goes out of his way to create some of the most creative holiday cards I've ever seen. Eric uses a creative arsenal including set-building, 3D modeling, Photoshop, photography, and graphic design to create unique one-off pieces for his clients. Read below to learn how he used ALL of these tools to create a fantastic Star Wars Christmas card.

Readers have enjoyed my past blogs on editing from home, making a better demo reel, and other video-editing articles, so now I’m sharing with you my favorite editing tricks that I find make for better cuts and ultimately make videos easier to watch.

A great portion of my business is spent on architectural photography. My technique involves using a mixture of ambient light, flash, and tungsten hot lights blended and masked together in post to create well lit images that are time consuming to shoot and often frustrating to edit. I'm always looking for other techniques and resources to incorporate that will allow me to work more efficiently and/or improve my images. This week I found such a technique right under my nose.

"Mayokero" may be the best music video that came out in 2014, yet you probably never heard of it before. In the video, famous vinyl album covers come to life and they all lip-sync to Roy Kafri's singing. Michael Jackson, Abba, Madonna, The Beatles, Elton John and Bob Dylan are only few of the "collaborators" in the video. Check out the BTS video below and also the amazing final result.

Nikon takes us behind the scenes of their recent "I Am Different" documentary series with Clark Little, a professional shorebreak photographer. Clark gives a little insight on how he uses his Nikon gear in what could be arguably be the most challenging and dangerous environments. Outfitted with Aquatech housing, Clark uses his Nikon D4S for its lightning-fast focusing and high frame rate to capture that perfect moment each time a wave breaks.

Justin Bettman is a talented New York based photographer who shoots mostly for his own personal fulfillment. His ideas are raw, quirky and will make you feel like you're sitting front row in an old cinema. Recently he teamed up with Gözde Eker who is a set designer in NYC to bring his newest, crazy idea to life. That's where #SETINTHESTREET was born.

The holidays are just around the corner and if you’re anything like me, you’re most likely short on cash and haven’t started gift shopping for friends and family yet. Fear not, for the lovely people over at The Cooperative of Photography have put together a how-to video of six different DIY photography gifts that you can make with just a few low-cost items and some images.

I guess I’ve always been different; I’ve never really yearned for a big studio space. As a freelance photographer, the majority of my clients require that I come to their location and shoot on-site. I have a strict organizational-mobile system to transport all my equipment which includes over 8 strobes, 2 scrims and a plethora of staging props and modifiers. I’m asked quite often about my studio and where I shoot all these incredible portraits and dramatic fashion editorials. The answer is easy; my living room.

Benjamin Von Wong is known for his daring, and sometimes dangerous, photo shoots. Whether it be chaining a model to a shipwreck or lighting massive amounts of fire next to 3 million dollars worth of sports cars, no idea is too crazy. In fact, the more crazy, the more creative Von Wong can be. But not every photo shoot that Von Wong creates is dangerous... to the people at least. Even in relatively mellow settings, Von Wong has to do something to make it more interesting. As he details in his latest blog post, sometimes you even have to have a $38,000 Mamiya Leaf Credo 80 just inches over the water to get "the shot."

Whether or not you knew it, you have most likely viewed a short film by Adam Pesapane, better known as PES. The director and animator has released several immensely popular stop-motion shorts, directed numerous commercials for major companies such as PlayStation, Scrabble, and Bacardi, and has even been nominated for an Academy Award. Along with the release of his newest short, "Submarine Sandwich," PES and Nikon Cinema have teamed up to bring you a rather comprehensive behind-the-scenes look into the process that goes into the making of PES’ films.

Ever since the first mention of the Lytro camera system, I have been intrigued by how exactly it works and what possibilities it opens for photographers wanting to have complete control over their image, right down to the depth. With Lytro's announcement of the new Focus Spread feature built into their new software you can now pick and choose, in post-production, which sections of a photo that will be in focus.

Last year we featured London-based photographer Jaroslav Wieczorkiewicz with Aurum Light for his 1940’s pin up inspired milk portraits, which were then picked up for Coca-Cola's Farelife campaign. His fresh take on motion and liquids was put together in a well received and sold out magazine. This year, Jaroslav brought it bigger and better with his team by creating this years titled calendar “Splash Heroes.”

People often forget that all successful photographers started from the bottom. This knowledge should be an aspiring photographer's motivation that fuels every action and re-touch. Each person has the ability to exceed beyond expectations; to set goals and reach them. In the future, you may look back at your work with embarrassment. Remembering where you started from should be a source of pride. The growth of 20 popular photographers in their retouching skills might be the greatest source of inspiration.

Almost four years ago I began a new journey in my photography career. At the time I was still bartending part-time and concentrating on building the headshot side of my business, when hospitality photography came and slapped me upside the head. As it goes with most other good things, it all started over a few drinks with a friend, and has spiraled into a full second stream of income from photography.

These days it's hard to come by a fashion shoot that's not shot with a digital camera. That's why when Fstoppers discovered on a Facebook Film Shooters group that Indonesian based photographers Wirawan Sanjaya and partner Gaillard Mathieu had convinced the editors at Bazaar Magazine to allow him to shoot the entire editorial on film, we just had to reach out! The stakes were high, but his results were stunning.

Through Premiumbeat.com's Vimeo channel and blog, motion graphic designer Kevin Gater did the world a huge favor by recently providing a tutorial on creating realistic, falling snow with RED Giant's After Effects plug-in. There are a ton of settings in After Effects, let alone in the RED Giant Trapcode Particular plug-in, that would take forever to navigate; but Gater does a great job going through which settings to ignore and which ones to pay attention to so you'll know exactly what to tweak for your needs. Thankfully, in 15 minutes, you can be ready to add great snow effects for the holiday season or that high-mountain horror short with just a few careful clicks.

Artificial lighting can be overwhelming, there are thousands of options to modify one single light source and there are dozens of companies that claim they have the best product and best bang for your buck. Regardless, photography equipment is expensive and I know I'd rather not waste money on a gimmick product when the same result could be achieved with just the right strobe placement or accessory.

For 32 years Kenji Yamaguchi has been National Geographic’s resident mad scientist camera engineer. He's been modifying all sorts of camera gear to enable Nat Geo’s photographers to capture the spectacular images that they do. His workshop, located in the depths of Nat Geo’s basement, is filled with frankenstein camera equipment that only exists in the form of dreams to the average photographer. Motion-detecting flashes and modified wide-angle macros are just a few of the contraptions that emerge from Kenji's workshop - frequently called upon by the world’s best lensmen. David Ehrenberg at National Geographic recently gave a peek into the workshop and mind of the master.

First of all, if you watched the lead video above, you have learned that Matthew Jones is possibly a crazy person. Car photography is absolutely a challenge, but rollerblading down the road at full speed to capture driving action is just bonkers. When I heard Matthew talk about doing this and when I saw the high quality of his images, I knew I had to feature him on Fstoppers. Obviously this technique is not for everyone, but Matthew has absolutely captured my attention with his story. Read below to read why he has chosen to do this and see samples of his great photography,

Patrick Rochon is a world-reknowned light painting photographer who recently produced a project with Infiniti, where he used their cars as paintbrushes themselves, in a manner of speaking. This video shows off what is possible when a skilled artist is given the reigns to create compelling images of vehicles, and has the support of a technical and creative team. And to top it all off, the really cool part is that everything was done in camera– there was nothing digitally added.

The current issue of Resource Magazine features YouTuber and filmmaker, Casey Neistat on the cover. In this video you get a look behind the scenes at the high-energy shoot featuring several different looks with the always-entertaining Neistat, a team of photographers, food stylists, and more. You're not going to want to miss this one.

Keisuke Iwaya is an amateur Japanese astrophysicist. On July 20th, 2014, he sent a Blackmagic Pocket Cinema Camera into the Earth’s stratosphere from Obihiro, Japan for the first time ever. The video captures a time-lapse view of the amazing voyage into the heavens as well as some behind-the-scenes views of the lift off and finding it after its free fall back down. If you've ever day dreamed of flying around the planet like Superman as a kid, this video will rekindle that fantastic flame from your youth! – check it out!

As part of Universal’s 100th anniversary, a team of restoration experts took on the task of digitally remastering the classic film “Jaws.” The fully restored feature required intense labor from colorists, digital artists, audio engineers, preservation experts, and everyone in between. In this fascinating documentary, we get a look at all the various complex efforts taken in order to bring the ‘70s blockbuster in to the digital age.

It's been an absolute pleasure seeing friends and colleagues getting chosen for social media campaigns and commercial photography jobs all around the world as a result of sharing their talents via Instagram. With mobile media teams popping up around the country bidding for projects with companies like GE, NatGeo Wild and beyond, it's amazing to see their work featured across the web and in print media. My pals Scott Borrero and Ravi Vora have teamed up with Jeep to create this awesome behind-the-scenes video about a trip out to Jackson Hole, Wyoming to shoot for their new Grand Cherokee. The results are just captivating.