Jay P. Morgan and the Slanted Lens have a new video out, this time showing how they are combining a video clip with a motion time-lapse for a music video project. It's a great watch if you've ever wondered how to approach getting this effect, or are still learning the craft of time-lapse shooting.
The Emmys are one of the largest award ceremonies in the world and the logistics behind its production and broadcast are vast. USA Today has put together a wonderful video showing us what goes into photographing at the Emmys. This is a great behind-the-scenes look at what it takes to shoot with such an exclusive and fast paced event.
If you Google the solar system, you will be shown images of all the planets in our solar system laid out in the order they rotate around the sun. The problem with these images is that each planet's respective distance to the sun is not shown to true scale. This leaves the viewer without a true understanding of just how far away each planet is from another. That’s why Alex Gorosh and Wylie Overstreet set out to make a true-to-scale representation of the solar system.
The new Canon 5DsR is already known for its crazy large megapixel count. At just over 50 megapixel, it is currently the highest megapixel full-frame DSLR on the market. The file size of each detail packed raw file is around 60mb. That’s about 16 images per gigabyte of card space. Now imagine 825 images being combined into one super sized panorama. That’s what David Bergman did when he created a 20,000 megapixel image of Yankee stadium.
Over the last two months we have been releasing one episode a week of our Behind the Scenes series of our world tour with Elia Locardi. In this first season (Season 2 is currently being edited), we visit both Iceland and New Zealand to film our latest tutorial on all things landscape photography.
When getting started on a conceptual image, it can be hard to figure out where to even begin. For conceptual photographer Thomas Brown’s new image entitled “Tunnel Vision,” it all began with an idea from his imagination and a rough sketch on notebook paper. Check out this cool behind-the-scenes video showing how his concept was creatively shot and developed into the final image.
In the last few weeks I interviewed both the Wickstrom’s and the Hage’s, creative couples who make their living while traveling full time. In this article, I’ll be sharing what I’ve learned from spending two months on the road with my partner, while trying to stay on top of projects and work on new ones. Come to find out, it is not as fun and dreamy as it sounds.
The darkroom has been replaced with Lightroom these days and many of today's photographers do not have the experience of processing their own prints the old fashioned way, much less anything larger than a common size. Here is a video from Norwegian photo assistant Oystein Gronvold which shows the process of producing a large 4x5 foot print in the darkroom.
I happened across this serene video of a tiny kitten befriending Japanese wildlife photographer Mitsuaki Iwago as he was filming for his NHK TV series, "Wildlife Photographer Mitsuaki Iwago's World Cats Travelogue". While being lulled by the tranquility of the scene I couldn't help but think how amazing our craft is, that we can make a living doing something so incredibly delightful. Iwago-san is fortunate enough to travel the world filming and photographing cats in the streets.
Salt Lake City-based photographer Jonathan Diaz gifts young fighters of cancer with the experience of living their dreams. Through his, Anything Can Be Project, and with help from public donations/corporate sponsorship Jonathan is able to create elaborate sets and costumes to actualize the fantasies of kids that, more than anyone, deserve one magical day to forget their troubles.
Platon has photographed many of the world's most powerful leaders and biggest celebrities and often shoots covers for magazines such as Wired, Esquire, Newsweek, Rolling Stone and New York Times Magazine. Most recently, he captured comedian and TV show personality Stephen Colbert for the cover of Time, which you can see in the video posted above. His style of shooting proves that you can take some of the most legendary portraits of our most powerful people with nothing but a light or two and a real connection between subject and photographer. In fact, I learned that from him directly when he came to teach a couple of classes to some of us lucky photo majors back at Rochester Institute of Technology over 10 years ago. It was those classes that changed my view on portrait photography forever.
I’ve been a user of the original One Man Crew for many different videos. It’s ability to get elegant motion video clips have made it a go-to piece of gear for when I need my interviews to have an interesting look to them. When I heard that an updated version was being released, I was excited to see if a few issues were fixed. In this gear review, I'll break down what is fixed, and what left me wanting more.