Being an adept problem solver is a key skill found in most successful photographers, and with complex photo shoots, the likelihood of something not going according to plan gets pretty high. On a recent project, Ben Von Wong had everything lined up, only to have things change and be forced to cancel the shoot, or make something else happen in a very short time.
In the growing wake of low-budget, special effect action minis whose audience has become larger and larger on YouTube, Sam and Niko's "Real GTA" steps the game up once more with a perfect assimilation of the popular "Grand Theft Auto" video game into real, Los Angeles life. Complete with sound effects recreated as similarly as possible within the actual game, the same Los Angeles street scenes, and smashing special effects (like the famous wads of cash exploding out of recently killed bystanders), "Real GTA" reminds us both how ridiculous and subsequently fun it is.
Dreaming big is never a bad thing for a photographer. The more imaginative your ideas, the easier it is to stand out amongst your peers. Yet there is often a very real, and very high price tag associated with grand productions. Producing personal projects that you’re passionate about is vital for many photographers in the fashion industry. However, it can be frustrating to lack the funds necessary to bring your vision to life for more ambitious projects. Fortunately, there are many options available to photographers to help them bring that production to life, without breaking the bank in the process.
From St. Louis’ Bruton Stroube Studios comes the impressively cinematic tale of food preperation as it battles the elements within the kitchen. At just over a minute in length, “Cooking Up A Storm” manages to breathe an extraordinary amount of drama and depth into the culinary practice. This short film is testament to what a skilled production team and sound designer can bring to seemingly oridinary situations.
Rings can be considered one of the most important details of a wedding day. The groom may have spent months trying to find the right ring, and even longer saving up to purchase it. When the bride first announces their engagement, all of her friends can't wait to see the ring. It’s the only item from the wedding day that most couples will have their entire lives (besides the images of course). When I take pictures of the rings, I want to capture more than just the ring sitting on a table. I want something visually interesting and unique. Here is how I do it.
The era of 360-degree filmmaking is upon us. Google, in collaboration with The Mill and production company Bullitt, has released the 360-degree short film "HELP" for free on Google's mobile storytelling platform Spotlight Stories. The film is full of explosions, aliens, and action all within a beautiful 360-degree world.
Brooklyn-based photographer Jessica Lehrman is the subject of Format’s first video in their new documentary series, InFrame. In this debut episode, Lehrman brings us into her unique childhood experience, explains her start and development in photography, and explores the inspirations to her raw style of images that she is well known for.
If you have not yet seen "Mad Max: Fury Road," I highly recommend seeing the film in theatres while you still can. The combination of art and action brings a rare addition to the big blockbuster-filled summer. These before-and-after shots will give you an idea of the true creativity behind the movie's polarizing set pieces and live-action stunts combined with brilliant post-processing.
Summer movie season is here, and so are the movies with the biggest budgets trying to up the wow factor against their cinematic competition. "San Andreas" is the latest disaster flick to showcase some of the best effects Hollywood has to offer right now. Sploid/Gizmodo did a few behind-the-scenes videos on how effectively shooting movies (in this case "San Andreas") with huge sets and practical effects can make even the best CGI look more realistic.
In his physical prime, Bruce Jenner and his Olympic success made him a household name. With the start of his step-daughters' show, "Keeping Up with the Kardashians," Jenner's name became familiar to a much younger audience. Today, however, we can begin our goodbyes to the Olympic legend and welcome Caitlyn Jenner, who will be introduced to the world within Vanity Fair's coming issue (due June 9) with the front cover tagline, "Call me Caitlyn."
Film fanatics rejoice because filmmaker Matt Mangham is back with the second installment of Analog, a personal series he put together to find and tell stories which explore the current state of film photography. You can find the first episode here on Fstoppers. In this episode, we get to follow fashion and action sports photographer Julian Martin as he locks and loads his Leica Minilux and heads out with a model along the California shore.
Recently I went to New York City to do a week of headshots. As many of you know, part of my cinematic style involves shooting outdoors, but flying from Los Angeles to New York City to put this on meant I couldn’t rely on the weather. Figuring out how to translate the look and feel of my style indoors was the only way to make it a success. As I’ve had many questions about how to make this look happen inside for those that can’t always be outside, I decided to share my own experience with you.
Last spring, I got a dream call from one of the photo editors at Sports Illustrated to photograph the legendary Dan Gable, a wrestler from Iowa, and one of the most winning athletes of all time. From winning gold in Munich during the 1972 Olympics, to having coached other U.S. teams to gold after, this guy oozes excellence and passion in everything he does. I’m not one to be intimidated by people because of their status in life, but people who work as hard as he does definitely stand out to me.
Are you tired of using a kit lens for your video projects but don't know the first thing about what makes "Cinema" lenses all that special? In the latest video from Gear Dictionary, Zeke Kamm explains what makes these lenses different, and preferred, for filmmaking applications.
Last year I had an exciting opportunity to shoot what I am told is the first combined Jaguar and Land Rover USA ad campaign now that they are both under new combined ownership. The goal of the campaign was to create content that would appeal to the users of both car markers and promote brand loyalty. It was as if we were to say: "If you have a Land Rover, you need a sporty Jaguar for the ultimate garage!" (and vise versa). This campaign came together very quickly and the client had specific production requirements. Learn how I did it below and feel free to ask any question about the process in the comments section.