Fstoppers Original Articles

Math is awesome: it can help you uncover hidden trends and weaknesses that might be present in your work. With this free online tool, you can get a great breakdown of your camera and lens usage, your favorite apertures, and much more. Here's what I learned.

Golden hour. That time of the day where the warm sunlight makes every shot look like a magazine cover or a movie poster. It would be great if that light could last all day long. Yeah, well a lot of things would be great but not likely to happen. Location fashion and lifestyle photographers have to be able to manipulate daylight in a variety of ways in order to have a productive shoot that lasts more than an hour. Using the techniques of shade, diffusion, reflection, and strobe photographers can work with and against natural sunlight to create beautiful images all day long.

Shourya Pratap Singh Chauhan used Photoshop to simulate himself living a life as a billionaire, which was all for show. His following started growing from 200 to over 20,000 and it's mainly due to this portrayal that people started following and sending him direct messages. This matters in a big way. Firstly, have we become so gullible to believe it, and secondly, what can we as photographers and video makers learn from this for our own businesses?

Depending who your friends are, you either love or hate Lightroom preset systems like VSCO Film, Mastin Labs, or the ever-so aged RAD Labs. The argument on one side of the fence is that everything becomes cookie cutter and lacks unique emotion. The other group of people say that it brings consistency and speed to an otherwise long-winded project. I’m primarily a wedding photographer so I understand both sides of this very reasonable argument. I’ve always hated trying to understand preset systems. I mean, since when is a preset supposed to be harder to get right than doing it all yourself?

The Micro Four-Thirds format was a pioneer of the mirrorless revolution. Initially adopted by Olympus and Panasonic in 2008, there is now a huge lens choice of zooms and primes across focal lengths from 7.5mm to 400mm. This is a guide to the best lens choices across a range of budgets for both photography and video.

On August 21, hundreds of thousands of people in North America and millions watching live at home will be experiencing a once, maybe twice, in a lifetime celestial opportunity. A total eclipse of the sun. Thousands of photographers will be traveling to locations along the path of totality to get the best possible photographs during the event. Photographing an event like this requires some special equipment so I will go over what you’ll need and some extra tools like the Sky-Watcher Star Tracker Mini (SAM) that can help you take your images to the next level.

Our Behind the Scenes series continues this week with Episode 7. In this episode, we continue filming WAMA 3 with Mike Kelley in Charleston, while I also teach him how to kiteboard.

Lincoln, KS: A local man who recently purchased his 28th lens swears this is the last lens he is buying. Really. He promises.

You know that someone somewhere did a great job of marketing when it's late at night and something pops into your head, from who knows where, and you find yourself jumping online to make a small new purchase. No, I'm not talking about an expensive new lens or shiny new piece of gear; I'm talking about what amounts to an inexpensive accessory that tags along on your photo sessions. It adds something fun and tangible all while being almost impossible not to have a good time with. I'm talking about those Poloroid-esque mini cameras that seem to be making a big time comeback these days.

Color grading is a critical tool involved in the production of a truly impressive image. Through the use of grading a photographer can completely shift the impression a given photograph leaves on its audience. Learning color grading, however, is quite difficult as it is one of the most ethereal aspects of a post-processing workflow that can vary radically from photographer to photographer. The best method, in my opinion, for learning to master grading is by learning as much theory and as many techniques as possible so that you can leverage that knowledge to create the workflow that works for you.

Barry Harley, an editorial photographer from Northern Virginia, took whatever tools he had at hand to create an image reminiscent of nothing less than Annie Leibovitz's Vanity Fair group portraits. The difference: Harley was using two Yongnuo YN-560 II speedlites and a Canon 5D Mark II whereas Leibovitz usually uses Profoto strobes together with a Hasselblad and Phase One back or a Nikon D810.

The best photographs and films don’t just bring beautiful visuals to the table. They also place story right at the center of their very make up. “Killing The Rock” (KTR) is a five minute demonstration of this, and reminds us of how commitment to our craft combined with small collaborative like-minded souls can tell stories that go deeper and reach further than we ever could going at it alone.

There are endless instructions and formulas out there you can choose to follow when working towards becoming a photographer. To say that it's overwhelming is an understatement. I know all too well how easy it is to let the discouraging cloud of options cause you so much anxiety that you fail to accomplish anything in a day. Our time, money, and attention spans are limited, but you do not have to let this stop you from following your dreams. I know, there's a lot of tutorials to watch and gear to purchase, but it's what you do every single day that will take you farther than anything. So, here's what I do, and I do it obsessively.

Life… is funny. I don’t need to tell you that. Anyone afforded the great privilege of living long enough will be finely attuned to the vast absurdities that occur on a daily basis. The anomalies. The coincidences. The luck. The misfortune. And as I was gratefully subject of such a peculiar day of coincidences last week, I couldn’t help but to share a brief tale and try to explain what it all means to me.

Photographers can be catty. Real catty. In fact, out of all creative groups I can think of, I can’t put my finger on one that is more competitive and judgmental than photographers. So how should you react when you’re hired to photograph an event and find another professional there with a camera?

Like many photographers, I've been scratching my head at how to win the Instagram game. Over the last six months, I decided to up my game and upload daily content and be more active on the platform. The results are out, I still totally suck at it. My reach, engagement, and even numbers of followers have gone down. So rather than blame the platform or the evil algorithm, I did some detective work to find out why I was really bad at it, and chances are you will recognize yourself in some of those points.

There are quite a few different photography communities here online where you can display your work, create a portfolio, and even enter photography contests. Is it really necessary to join all of them? Managing portfolio accounts across multiple platforms can be quite a chore, especially if you want to keep them all current.

Interviewing interesting people can be an awesome experience that when done right, will provide impactful insight to your next video project. When done wrong however, you may find yourself asking the client for a do-over or spending hours in the editing room cleaning up mistakes.

When I first started my business, I was keeping track of my clients, contracts, and everything else in this old, white, hand-me-down filing cabinet. It creaked every time I opened one of the four drawers. To be very honest with you, I finally just sold the thing for $40 last week.

Photographers will spend tons of money and lots of time perfecting their use of the tools of their trade. We buy books and classes, watch tutorials, and spend time practicing, gather in professional groups, and shadow other photographers. While we learn how to use our gear, there is one thing we shouldn’t overlook, because it’s the thing that ultimately matters the most: vision.

Every time I’m on a set or grabbing coffee with another local filmmaker, we always end up talking gear for a bit, and inevitably the question comes up of “What camera would you buy if you had to buy right now, and why?” I decided to research things a bit and put together an article that explains what I’d buy if I absolutely had to right now, and the answer might surprise you.

Datacolor’s Spyder5 series of products is their latest in calibration tools to help digital artists make sure they are always seeing the most accurate colors on any monitor display. There are three models to choose from: Express, Pro, and Elite+, with the Spyder5Elite+ version receiving a large software update last year. Now Datacolor is making it even easier to get a better calibration for your workflow by offering discounted prices when you upgrade to their Spyder5Elite+ model from any of their previous models or competitors products.

Organizing a photoshoot, professional or otherwise, can be a daunting task. From a small portrait sitting with a local band to a worldwide ad campaign, there are some key steps that will reduce stress, ensure everyone feels understood, and ultimately help everyone work towards the same goals. As a bit of a disclaimer, I work in the U.K. as a commercial photographer, but most of these steps can be dialed up or reduced for any project, wherever they happen to take place and whether paid or not.

About a week ago I was in New York City visiting for pleasure and decided there was no way I could leave without visiting my favorite store in the city: the B&H superstore. This was something I had been looking forward to since it would be the first time I could get my hand on the new Sony a9 and see what all the fuss was about. During my visit, I was absolutely floored by the performance of the a9 and how the Sony kiosk had way more attention than anywhere else in the store. This along with the recent announcement of Canon’s 6D Mark II and Nikon’s company woes made me realize how much the industry needs a company like Sony.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2017, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

Many Windows users have been looking for an alternative to ScreenFlow and there might well be one available on the market. It’s called Video Studio 2 and it’s designed by ACDSee. Whether you are an online educator, a workshop teacher, or you’re simply looking for a way to record your screen and quickly edit your videos, this solution is without a doubt one you should be looking at.

Makeup artists and hairstylists are as much artists as we are as photographers. However, when starting out, they often lack quality content to promote their work. Even later on when well established they sometimes require content to keep their social network feeds regularly updated. While working for free all the time for everyone isn’t sustainable, helping out people we work with may be beneficial for everyone. Here are two simple things you can do while on set to help your team out with their social presence and marketing. Best of all, it may even boost your social engagement and followers base as well as your work.

Lukasz Palka, a Polish travel photographer currently residing in Tokyo, embarked on a photo series aiming to document the more intricate details of such a gigantic metropolis. We chatted with him to find out more about his thought process throughout the project.

What’s holding you back? Is it work or responsibilities? Is it just life getting in the way? Is it you making a commitment to taking that next step? This morning I was overlooking the Rio Grande into Mexico and I thought that there's no place I’d rather be than right here in this moment. This is what getting out of your own way feels like. It’s happiness and adventure and exhilaration. It’s when we’ve overcome ourselves and have accepted the fact that we just have to move. We have to pick a direction and go.

Cable management is one task that for me is bizarrely fun and rewarding. In my last article, I wrote about creating a DIY portable charging station built out of a Craftsman tool box that is serving me quite well in the studio and in the field. Clients have been impressed with the simplicity and intentional design in keeping a lot of gear charged. It communicates quite a bit about how you take care of your investments. Here are a few tips to help you manage the clutter in your office or studio.

Our biological instincts are so hard-wired when it comes to the perception of attractiveness that we're actually quite predictable in our choices, even if we can't explain the reasons behind them. Thankfully, science has delved into these unconscious tendencies, and its findings can really help give our portraits extra sex appeal.

You may have just started your journey in photography or you have been on the market for quite some time, and you still wonder if your website has more to do with getting more clients than you might think. The answer is yes, but only to some extent. Let me tell you what I thought was important for my website and what I think is important today.

Take a look at any boudoir image and a trained eye will see the lighting, posing, and of course the wardrobe. Attention to detail in how each look flatters your client will go a long way. This guide will list where to shop whether on a budget or having the ability to stock your studio with high-end lingerie.

As I am constantly saying, I am a huge fan of workflow optimization. I work alone and automating even the simplest of tasks is crucial to staying organized and being able to keep up doing what I do. This tip is the first in a series regarding automation I will share, and this is such a key to thinking differently: creating your clients folders. It's something we do every session, over and over, so let's automate it.

One of the most commonly heard pieces of advice within creative circles certainly seems to be the need to find your “style” and market that. What is your style? How to find it? These questions we’ve been told should plague us and drive us get inside our heads if we let them and begin to dictate what we do and how we do it. However, if you take a look at the popular sharing platforms, you will see a few patterns emerging. Instagram, Facebook, and even Fstoppers have a certain style of imagery that rises above the rest as you look at a volume. It can be tempting to emulate a popular style and fit in with the crowd, but it may not be ultimately satisfying to the inner artist. So how exactly do we find our own style?

An artist recently won a respected photographic portrait competition with a work that wasn't a portrait at all in the traditional sense, causing a large controversy and outcry. For the most part, however, the work is not being given fair or proper consideration it deserves, and that's a shame, because it stunts the growth of a genre.

In a world saturated with photography, you have to find ways to stand out. If you are able to put in the extra skill and effort to make something that is unique, it can quickly gain attention. Backlighting is one technique I use to accomplish this. Initially, backlighting seemed like a difficult task. Extra equipment, more work, and setting up stands and lights all made it so intimidating as a new photographer. Now that I am years in, I can honestly say that my backlit shots have captured more attention and sold more jobs than any other one thing in my business.

If you're like me and love spending time both shooting and editing your images, why not get creative and refresh those deep-etching Photoshop skills when you've got a few hours in between projects? Composites look really neat, but there's a lot of work and patience that goes into it behind the scenes and if done correctly, it would look amazing and really take your conceptual photography to the next level. In this article, I'm going to talk about creating a composite step-by-step and to finish it off, I've recorded a retouching time-lapse of the process.

When it comes to architectural photography, tilt-shift lenses are quite possibly the best option available. The flexibility and amazing image quality make them very popular amongst architectural photographers and even some landscape photographers. Having said that, there are occasions when you may want to push these lenses to their respective limits by shifting right to the edge. Sometimes the building you're shooting may be a little too close and the lens just isn't quite wide enough. In these circumstances getting the most out of your tilt-shift lens really helps. Doing this, however, creates a vignette in the image and due to tilt-shift lenses not having correction profiles, they can be tricky to remove in post.

No matter how young and beautiful your models are for business stock photos, buyers often feel that the images come across as stuffy and old-fashioned. That’s not just a guess, it comes from many years of experience in the industry. Here are a few things you need to pay attention to when working with models for a business photo-shoot that will help make your business stock photos more attractive to buyers.

Polish photographer Konrad Bak straddles the line between high concept fashion and lush fine art creations. Images collected in his book Konrad Bak PhotoART range from the elegant to the surreal could easily find a home in advertising campaigns or on gallery walls. However, Bak's work can surprisingly be found in the files of stock photography websites. challenging the perceptions of the quality and creativity many ascribe to stock.

In a world where less than a handful of brands are considered well-established in the professional full-frame camera market and where more than a handful of other brands have done a very healthy share of innovating to wedge their way into the market, where do we stand? If you're going to buy a new system to start fresh or are just starting out and getting serious, this is for you. Here's a thorough comparison of the major bodies and lens kits you'll likely be considering. As long as you're considering full frame, regardless of budget, here's a comparison for it.

Wedding photography is not what it used to be. I don't mean this in a good way or a bad way, it just seems like with any advancement in technology comes a new challenge. Many couples today want both still photos and video of their wedding. This makes sense since it is often the biggest day of their life. Does that mean we now have videographers to deal with in our shots? No, it's a two-way street. We, as professionals, both have to work together to deliver the best possible product to the lucky couple. Saying someone got in the way means you didn't try hard enough.

There’s a quiet 360-degree battle being fought behind the scenes at Apple and Adobe when it comes to your favorite non-linear video editing tools, Final Cut Pro X and Adobe Premiere Pro. Some recent hires hint at an expanding 360-degree video portfolio at both companies.

Contrary to delusional beliefs, not everyone is hooked up to a high-speed connection capable of streaming 8k video at magnificent buttery smoothness. Extremely fast connectivity is an amazing thing that is still out of reach for the vast majority of users. You can't assume that the viewers of your website are going to be piloting a computer hard-lined into the latest fiber optic goodness. Instead, we have to optimize for the most common user in order to give them the best experience possible without sacrificing image quality.

Back in April, I ventured on a trip to Havana, Cuba with the lofty goal of capturing the culture and people there within with my favorite little 35mm film camera. With the recent news that President Trump plans on buckling down on all travel and trade to Cuba, I'm all the more grateful than ever to have made the trip when I did. The Cuban experience is easily the most surreal of any international travel that I have ever experienced.

A couple of months ago, I finally pulled the trigger; I broke out my wallet and dropped a (rather large) chunk of change on my first mirrorless camera kit, the Fujifilm X-T2. I had been researching mirrorless options for almost a year, and finally landed there for a multitude of reasons. I was mainly interested in a mirrorless kit for use while traveling and backpacking, and loved the idea of a smaller, lighter kit. All signs started pointing at the X-T2 over the other long-term contender, the Olympus OM-D EM-1 MK II. It was only a couple of weeks before I headed off to spend a month in India and Nepal, so I needed to learn this camera relatively quickly.

I am a doer. I pride myself on getting things accomplished. Doing things rather than talking about them. I even keep a strict log to make sure that I make the absolute most out of every 24 hour period. Productivity is my spirit animal. Now, I know what you’re thinking. Isn’t that a bit excessive? The answer is more than likely yes. And I don’t open that way as a means of boasting. Like many, my greatest strength is often my greatest weakness. My obsessiveness over getting things done has driven me to compile a diverse list of accomplishments (and failures). But, in a profession where the best course of action can require patience, obsessing over productivity can often drive you plum crazy.

As you can imagine I spend a lot of time in Photoshop. And when you spend as much time in Photoshop as I do, you want to work as fast and efficiently as you can. Knowing your way around the layers panel in Photoshop is a great way to maximize efficiency. I teamed up with Fstoppers to create a video tutorial that focuses specifically on the layers panel in Photoshop. In this video, I’lll show you have to maximize your workflow with a series of practical tips and shortcuts. This video is great for beginners, however, even if you’re well versed in Photoshop, you may just learn something new.

The times of oversaturating and selective coloring might be over, but clarity is here to pick up where those post-processing horrors left of. Now don’t get me wrong, I think that clarity is an amazing effect that can do wonders on your images… just not if you use it on the whole image and crank it to the max. I realize, that seeing this sudden increase in drama and grittiness might feel satisfying to some but too often has it used in attempts to turn uninteresting photos into something that they are not.