In this behind the scenes video, photographer Jay P. Morgan of The Slanted Lens shows us how he shoots zombies through a car using a Kessler shuttle pod. The camera movement is the most crucial part in making this commercial. The Kessler pod has to stay high enough so that when they move through the car, it will not shake the camera.
Articles written by Lauren Jonas
For the second episode of his show called Capture, Mark Seliger sits down with the great Albert Watson to discuss his most memorable images. He tells the stories of how he photographed Alfred Hitchcock, Christy Turlington, a Las Vegas dominatrix, and Mick Jagger as a leopard. Lauren Bush Lauren also chimes in about her work for the nonprofit organization FEED, which allows her the opportunity to photograph children in Africa.
Voted the best professional cameras of 2012-2013 by the EISA, the Nikon D4 and the Nikon D800 take the lead. The EISA magazines found that the Nikon D4 camera has an exceptional combination of high resolution, wide dynamic range, very low noise levels even at ISO 12800, super- fast autofocus, short response time and high frame rates that can be maintained for very long sequences.
The grand-prize winner of National Geographic's 2012 Traveler Photo Contest was announced yesterday. Cédric Houin of Brooklyn, N.Y won a 10-day Galápagos Photography Expedition for two with National Geographic Expeditions. View a gallery of the three winning photographs along with seven merit winners and the Viewers Choice winners here.
Chances are you've been asked to shoot someone's headshot before. As photographers, we need to be able to make our client(s) look as good as possible. To be able to light, shoot and retouch skin are vital skills that keep our doors open, and food on the table. Hollywood photographer and digital illustrator, Lee Varis been a photographer for 40 years and involved in digital imaging for 20 years.
Shot completely on a Canon 5D Mark II, Director Laurent Pratlong created this fascinating video called Water Pixels. This reproduction of a 30x30 painting took around 12 hours, 99 ice cube molds, 16 different colors and 30 liters of water to freeze 900 ice cubes.
Photographer, Richard Mosse captured some amazing images while he was spending time with American troops in Iraq. The images in his series titled Nomads, juxtapose a smooth, fluid background with jagged, rough, sharp subject matter. The composition forces you to look at the holes and the ripped metal and it's made even more powerful because of the lifeless, smooth, gorgeously lit backgrounds.
Have you ever wondered what every playboy centerfold would look like if it they were all put into one image? Chicago based Photographer, Jason Salavon created a series of portraits that combined every centerfold from the 1960s to the 1990s. While you can't see explicit details of each centerfold, you can see a silhouette figure that mimics that of foggy glass. This process, called amalgamation, was done with a program called ImageMagick.
It's hard to imagine Vegas as anything other than the fast paced, bright lights, gamblin', let's-go-get-married city that it is today. But the image of a quiet, dark town was what LIFE magazine was trying to portray in their skeptical 1955 view of Vegas. Most of these images taken for the magazine never appeared in the June 20, 1955 article. LIFE was trying to illustrate the scarcity of lights and customers after their big grand opening had died down, but these images say otherwise.
In this behind the scenes video, Photographer Jay P. Morgan of The Slanted Lens explains in-depth, the differences between lighting with the Octodome and a rectangular soft box. By building a 12 foot tape wall, he was able to clearly explain the area of coverage and quality of light for 14 different lighting set-ups.
With just $500 and 4 days to film, Luke Neumann of Neumann Films created one heck of a slow motion video with the new Sony NEX-FS700. What sets this video apart from all the others is that in at least every clip something or someone is flying through the air. With 24 frames per second we are able to see a ridiculous amount of detail captured on video. Check out Luke's review below to see what he has to say about rolling shutter performance, low light and resolution capabliiltes.
Portland based artist and photographer Wendy Given created these highly unusual and whimsical photographs of elves found in peanuts. The inspiration behind these photos came from a game she played when she was a small child. Wendy would search to find elf-like faces after cracking open the raw peanuts. Each peanut you see in the images was chosen because of it's preexisting, natural elf-like features.
It's pretty crazy to think just a small change of focal length can drastically distort your subject's face. In this behind the scenes video , Jay P. Morgan of The Slanted Lens goes into detail to show us each change and how it effected the model's appearance. Maybe you're interested in buying a fixed lens or maybe you're interested in gaining tips on portrait and headshot photography - either way this video is definitely worth checking out.
There's a feeling of quietness about South Australian photographer, Narelle Autio's series, Water hole. Using a couple of old orange Nikonos film cameras, a 20 mm lens, and no breathing apparatus other than her lungs, Autio captured some pretty incredible images during her travels in the outback.
Their scientific name? Nudibranchs. These tiny creatures can be found on the ocean floor. Most of them are no bigger than a human index finger, and live fully exposed their entire lives. In these photographs taken by acclaimed underwater Photographer David Doubilet, these sea slugs look almost like meticulously crafted Play-Doh creations. The bright coloring is actually an act of beautiful self defense.
In this behind the scenes lighting lesson, Jay P. Morgan of The Slanted Lens does something we might not often think to do: he uses the natural sunlight and turns it into moonlight-like light for this 1920's "speakeasy-themed" shoot. Believe it or not, he was able to achieve moonlight all in the camera - no post processing involved. So with a couple of tungsten lights, gels and sunlight, Jay P. has shown us a great idea that can easily be mimicked in your own shoot.