It has been an exciting year for gear, and it looks like camera companies are showing no signs of slowing down. Sony looks to be next in line, with an exciting and boundary-pushing lens being readied for announcement next week.

Zoom lenses are wonderful things. With one lens, you have a large number of focal lengths at your disposal. The adjustments are infinitely variable. But in reality, you can often shoot everything with only three different focal lengths. You may even benefit from it.

Landscape photography is a tough genre, requiring long slogs to find good shots with no guarantee that nature will cooperate once you get there. Still, there are a lot of great things about it, and this fantastic video discusses five of the best parts about being a landscape photographer.

Until 10 years ago, I didn’t know that being a professional food photographer was even a thing. I don’t come from a creative background, so if you had asked me what I thought they did, I would have been very far from the truth. Hopefully, I can shed some light.

Natural light, flash, and constant lights all have their place in portrait photography, each with their own advantages and disadvantages. This fantastic video tutorial will show you how to take portraits using each source, making you a more versatile photographer.

I don’t know about you, but I really hate culling images. I hate waiting for images to load. I hate zooming in to see if it’s in focus. I hate the time it takes to go through so many images. About six months ago, I started using Narrative Select for culling, and it might be the fastest way to cull images.

Humans are a rather invasive species, and it is getting harder and harder to find pristine landscapes that are untouched by manmade structures. So, how do you create good images when you have to deal with all these eyesores? Maybe the answer is to learn to embrace them. This insightful video essay discusses the issue and what we can do about it.

The Sony a1 has arrived and the Nikon Z 9 was recently been announced, so it's now Canon's turn to make an announcement about its forthcoming top-end camera, the R3. Last month, I compared Canon's then top-end R5 to Sony's and Nikon's offerings, commenting on the different strategic approaches of the three companies. Now that the R3 has arrived, what does it say about Canon's approach to the burgeoning mirrorless market, and what are the portents for Sony and Nikon?

A good medium telephoto macro lens is an extremely versatile optic, offering the ability to shoot extreme close-ups and also doubling as a sharp portrait option. Canon's new RF 100mm f/2.8L Macro IS USM comes with increased magnification and a neat bokeh control feature, and this video shows it in action.

For many people who are into film, medium format is seen as being a natural next step moving on from 35mm. The issue is, of course, that medium format cameras have become very expensive in the last couple years.

Canon's EOS R5 showed us they were finally taking mirrorless seriously. And now, the EOS R3 has shown us that they are swinging for the fences. And yet, there is still the EOS R1 to come. It is going to be one crazy camera.

With all of our fussing over codecs and bitrates, and demanding 4K 120 fps at every latest camera release, it can be good practice to look back at where some of this technology started in order to get a bit of perspective. This beautifully edited video illustrates perfectly how the likes of Canon and Sony are most certainly standing on the shoulders of giants.

RuPaul’s Drag Race is the Emmy-winning global phenomenon taking reality TV by storm. The show is in its 13th season but boasts several spin-offs including All Stars, as well as localized seasons in Canada, UK, Thailand, Holland, Spain, and Australia. Drag race, as it is called by fans, is a reality competition that challenges contestants to find the drag performer who possesses the perfect blend of charisma, uniqueness, nerve, and talent.

For the overwhelming majority of people, shooting on color film means dropping it off at a lab and waiting for it to be developed. But what if the film came with a weird box and some awful smelling chemicals so that you could develop it at home?

We are often confronted with funny fringing around contrasty edges in our photographs, especially in our first experiences with editing. Here, you will learn why they appear and how you can avoid them.

Whether you’re picking clothing combinations for a shoot or sitting down to edit your shots in Lightroom, understanding how colors work together and how to manipulate them can have a huge effect on the impact of your images. This insightful video gives you a detailed understand of how to use color in your photography.

How do you know if an umbrella costing $100 is any better than the $5 one? It's quite hard to tell the difference in terms of light quality, especially if you're a beginner. But I assure you, expensive light modifiers are quite different from the regular cheap ones. That difference is noticeable only after you've used them for some time.

When I started out in photography, I didn't even know that ad agencies were a thing. To be honest, I didn't know a lot at all. However, over the years I have picked up a few tricks that will hopefully help you.

Micro Four Thirds offers some definite advantages over full frame when it comes to the size of the lenses, but what compromises come with it — and what role does equivalence play?

Avoiding converging lines and keystone distortion with a wide angle lens can be tricky, which is why a shift function can be so useful. This great video review takes a look at the Venus Optics Laowa 15mm f/4.5 Zero-D Shift and the sort of image quality you can expect from it in practice.

The M1 architecture released by Apple late last year completely blew away the expectations of many tech enthusiasts, myself included. Now that the dust has settled after a few months for apps to grow into the new system, how well does the M1 chip handle photo and video editing?

Retouching is a daunting prospect to anyone who has yet to try it and even more daunting for those who have just started. In this video, you'll learn about the basics of retouching and color correction while an instructor edits a portrait.

Hands down, the best zoom lens you can get for the Sony mirrorless system is the 70-200mm f/4 G lens. I’ve been using it professionally for over three yearsm and it lives up to its reputation. Let me tell you why.

A common issue in landscape photography is shrunken backgrounds due to using a wide angle lens. This excellent video tutorial will show you a neat technique for fixing the issue in Photoshop.

The art of boudoir photography can get lost in translation and become something other than what it was intended to be. Don't the photographer that fails to hit the mark and misses out on an amazing opportunity.

A wide-aperture 24mm lens is useful for a huge range of applications, from events coverage to astrophotography and more. The Viltrox 24mm f/1.8 is highly affordable but still offers rather good image quality, and this great video review takes a look at what you can expect from it.

Every photographer has their own workflow, and most of us start by making edits in our raw files. Sometimes, I start in Lightroom Classic; other times, I open them with Photoshop, which takes me to Camera Raw. At times, I use Luminar AI. Now, with the debut today of DxO PureRAW, photographers have a better way to start their editing sessions, with some compelling advantages over what you are using now.

Samyang has just released the previously rumored AF 24mm f/1.8 FE lens. According to their official statement, the lens is designed specifically with astrophotography and landscape shots in mind.

Marc Klaus is one artist who has a voice uniquely his own. He has used visuals and storytelling to create a meta-narrative; the video has no words but acts as a deeply insightful look into Klaus's process through clever camera work, in-camera collage, and performance art.

Smartphones are becoming a larger and larger part of many photographers' kits. They are a Swiss Army knife of utility, and Sony has just announced two new phones that boast impressive specs.

Canon’s latest product announcement has sent heads spinning: a resurrected product name, a breakthrough in Canon’s sensor technology, and features that make it look a lot like a 1D X Mark III — and then some. What can we expect from the forthcoming Canon EOS R3?

With increasingly complex automation, turnkey editing has become easier than ever, and the line between photography and digital art is blurrier than ever. So, at what point does an image stop being a photo and become something else? This interesting video essay examines the topic and offers some insight.

Canon is showing no signs of stopping, with three new mirrorless lenses hitting the market, each with impressive features: the RF 100mm f/2.8L Macro IS USM, RF 400mm f/2.8L IS USM, and RF 600mm f/4L IS USM, each with quite interesting features.

Canon has confirmed the upcoming EOS R3 mirrorless camera, and they are not messing around.

A lot of new photographers view weddings as an easy way to break into professional photography while making a lot of money with minimal time, effort, and gear. As a professional wedding and portrait photographer, I can tell you part of that is true.

Black and white images have been revered in photography since they were the only option and continue to do so today. What makes a great black and white image, however, can often come down to post-production.

Shooting film might be a dying industry, but don’t let that hold you back from the joy of this lost art. I would also argue that occasionally shooting a film will make you a better photographer! The same things we love about our digital cameras are the things that make us lazy.

Landscape photography is a bit of a different genre: there is not as clear a path to being a pro as in other areas, and there are many different ways to engage with it. If you are wondering about the genre, this interesting video discusses five things no one really tells you about being a landscape photographer and offers some great tips and advice in the process.

In an industry where every day seemingly brings the announcement of a new camera system promising to up your photography game while simultaneously depleting your bank account, it can be hard to know what is really worth the investment. So today, I’ll have a quick look at three areas where I’ve found you almost always get an appropriate level of bang for your buck.

While gimbals are a staple of videography these days, in-camera image stabilization (IBIS) has improved to a level that with a bit of know-how, you can get great shots handheld too. Here are ten different styles of shots you can create without a gimbal.

Are you a creative content producer that needs to save time when it comes to editing video content? Look no further than Wondershare Filmii which quickly organizes your video content for a fast upload.

A lot of popular landscape photography is very rich and vibrant, with complex and multilayered compositions. And while you can certainly create compelling images in that style, it is not the only one. At the other end of the spectrum is minimalism, which is quite challenging in its own way. This great video tutorial details some helpful tips for improving your minimalistic landscape images.

As a film photographer myself, one of the biggest struggles when going out to shoot is deciding on the right film. Considerations of film speed and color rendering are two of the most important and these are two that differ considerably between Portra and Ektar.

At just two inches (five cm) long and 8.1 oz (230 g), the Sigma 24mm f/3.5 DG DN Contemporary is an exceedingly portable lens at an ideal focal length for walkaround work or quick and versatile events coverage. This great video review takes a look at the lens and if its image quality and performance can match its sleek design.

We know the EOS R1, Canon's flagship mirrorless camera, is on its way at some point this year. However, a leaked image of another camera just dropped, and it looks like Canon has big plans.

An unusual situation has occurred on several occasions in the social media era, and it is as counterproductive as it is interesting. In this article, I will discuss the irony of trying to remove a photograph from the internet and the implications of a public persona in modern life.

For many film photographers, processing color-negative film (C-41) is a bit of an intimidating task. This guide walks you through the steps to make it feel more approachable.

Sony shooters are now blessed with an array of fairly fast 35mm prime lenses, a glaring void in its lineup not too long ago. The latest addition is the Sigma 35mm f/2, a faux-vintage lens that brings a lot of tactile refinement to a compact and classic form.

Few film cameras have the reputation and the history of the Mamiya RB67. The Pro-SD version has been somewhat elusive as it's the most recent of the three versions of the RB.

The Really Right Stuff PG-01 Compact Pano-Gimbal Head allows you to shoot multi-row panoramas without parallax. I bought one a couple of years ago and it's time to share my findings of this compact solution for panoramas.