If you read Fstoppers, you might be a seasoned professional, or you might have just purchased your first camera and are eager to learn. Whatever your skill level, I'm sure that you've all been bitten by the travel bug at least once before, and as a camera owner, you've been inspired to bring home the best you can when shooting in a foreign location. A friend of mine recently sent me a video made by DSLR Traveler which is packed full of tips for anyone interested in improving their travel photography.

Last week I traveled to Utah to shoot the athlete that landed the first ever double backflip on a downhill bike. Upon arriving at the Red Bull Rampage site, my mind was blown witnessing the extraordinary things these athletes are capable of. This trip has taught me more than any other sports photoshoot I have ever done.

There are a few behind the scenes videos out there that show photographers working with ice climbers, but often the climbs are right next to the road, making it convenient to bring tons of gear, power, and spend all day getting coverage. So what does it take to create those images when you're miles deep into the woods, and can only take what you can carry on your back? In this behind the scenes video, I'll show you the challenges of such a shoot.

Yesterday was World Oceans Day (it's okay if you missed it; you can make up for it today) and to celebrate, Google released an amazing new feature powered by its popular Street View technology: Street View Oceans. Working with a number of scientists and researchers, Google mapped well over 50 unique experiences around the world with GPS data to give the public access to the amazing life under the sea as well as to help track its growth and/or recession for scientific study.

In the new online course from Masters of Photography, street photography icon Joel Meyerowitz discusses his career, his technique, and teaches students how to apply those lessons in becoming a better photographer.

As someone who spent more than 10 years living in London and now lives in a village of just 750 people, I can relate to those who struggle to find inspiration on their doorstep. In this motivating video from Evan Ranft, the photographer runs through some ideas of how to rediscover your hometown with your camera.

Soft and beautiful lighting is the quintessential ideal for many portrait photographers, but what do you do when you need to work quickly in multiple locations?

If you think you've got a quick trigger finger, then you haven't used the new Strike Finder Touch (SFT) by Ubertronix. This sleek remote trigger boasts the ability to trigger your camera shutter in less than 1 millisecond. The device has 5 different modes: Time Lapse, Lightning (or high speed flash), laser, sound and motion. All you need is 4 AAA batteries, your camera, and a great subject to get started.

Months of planning, 567 images stitched into a single panorama and a 14.6 gigabyte image results in a breathtaking view of New York City from the top of the Freedom Tower. Deemed as one the tallest skyscrapers in the US, the new Freedom Tower is about one year out from completion.

If you’re especially sensitive to wanderlust, exercise caution before clicking the play button. As if Iceland and the Faroe Islands aren’t already alluring, a little 4K drone footage is the fastest way to convince me to spend a chunk of change on a flight.

Why is it that certain sunsets stand out more than others? After all, it’s not every day we see a good one. Well, that depends on a few different things that must come together to produce the kind of sunsets we want to capture in camera. In this piece, I'll outline what to look for and when.

I've had some pretty amazing experiences in my life. Fstoppers.com has given me incredible opportunities like meeting Bon Jovi, or riding in the first Lamborghini Aventador in America. Our international workshop last week took a year of planning and insane amounts of stress. On top of it all, I had the flu during the entire week. Even still, last week was the most rewarding week of my life.

Las Vegas based commercial photographer Michael Herb recently got his hands on Westcott's 59 inch Zeppelin to test out on location in the Nevada desert. The photoshoot featured three models in an apocalyptic theme at a salt lake bed. In the behind the scenes video he shows just how difficult it can be to put together the Zeppelin on the separately purchased speedring. Even with the problems at set-up Michael still quite enjoyed shooting with the Zeppelin and plans to use it in the future.

Big movies mean big budgets, which usually mean big visual effects. The Moving Picture Company (better known as MPC) recently released another one of those mesmerizing VFX breakdown videos for their most recent feature film, “The Martian.” The breakdown reveals some aspects of the film and of Matt Damon's performance that were both challenging and impressive, like the fact that the helmets worn in the film didn't feature physical windscreens. Those were added later with matching reflections to the scenery.

I relish a challenge and I knew this job was going to be hard, but I had no idea how much improvisation would be required to complete this shoot and come away with images that worked for the client. Huge venue, one light, complex action, no reccy visit, and just six hours to get it all done.

Since July 4th, over 7,000 earthquakes have been recorded in the Reykjanes Peninsula in the southwest coast of Iceland, leading to sustained speculation that a volcanic eruption is imminent. Over the last couple of years, we have already seen this behavior twice in Iceland, and now, it looks set to happen again for a third time.

Cinema5D founder Sebastian Wöber's latest three-part tutorial on drone shooting starts off with quite the introduction in Part I. Wöber could honestly be saying anything to accompany his to-die-for footage, but what makes it so fantastic is how great the information in this video is. From safety to beginner tips on getting started and how to get that cinematic shot you have in your head (don't worry, Wöber has plenty examples if you don't), Part I has you covered. And there's more to come...very soon.

Canon Master Krystle Wright had a pretty neat idea: shooting a kayaker cresting a 60-foot waterfall at night. With some ingenuity, she got her shot.

Only the rare few of the millions of selfies taken have mass appeal, and an even rarer few get their pose/selfie named after them and their own hashtag. Kendrick Brinson and David Walter Banks are the husband wife photography team behind brinsonbanks.com and, not insignificantly, the main subjects and namesake of a style of pose and photo that has now become known as BrinsonBanksing, equipped with its own Instagram hashtag.

FS Reader Clifford Pate brought these images to our attention, asking if the DSLR Russuian cosmonaut Gennady Padalka was using on the International Space Station was a Nikon or a Canon. That legendary DSLR battle aside, it's cool to see how the cosmonauts work with a DSLR, and the kind of equipment that goes into the process (beyond just the camera).

I love to shoot tethered whenever I can. It’s the most successful way to create real collaboration on set, and clients are more engaged when they can see what’s happening on a big screen. Depending on the environment and the demands of the production, I’ll choose between a couple of tethering approaches.

We've featured architectural photographer Mike Butler before, when he shot the Intercontinental Hotel in Miami, FL. This time, Mike heads to Bogota, Colombia, to shoot the Virgilio Barco Library using a slew of hot lights and assistants. If you've ever wondered why it takes 8 hours to create a single architectural image, this BTS will show you exactly why.

Fashion magazines, brand-name advertisements, and catalogs of all sorts seek out interesting locations to stage their photo shoots. Some are simply looking for controllable surroundings for privacy and security, but other productions are seeking something special to enhance their photos. Many locations, however, come with a price.

We've featured Tyler Stableford multiple times before on Fstoppers, as he seems to be one of the first to get his hands on all of the new gear before it hits the shelves. This time, he's at it again: working with action sports athletes high in the mountains of Colorado. However...the results left me scratching my head a bit. Read

Storing and transferring data from a shoot is an important, yet often overlooked detail when it comes to on-location projects. When juggling multiple cameras, each with multiple cards, it becomes critically imperative to be 100 percent sure that all of your photos and videos are accounted for. In this video, Jay P. Morgan shares his workflow for wrangling data and making backups.

On Sunday, San Francisco celebrated the 75th anniversary of the Golden Gate Bridge with one massive fireworks display. For all of us who weren't able to attend, no worries; the guys over at The Seventh Movement captured the entire event with several Canon 5Ds (MKII and IIIs) and a Red Scarlet (at 48 fps). The editing job on this is amazing and all the shots were planned out really well...the twilight harbor shot is worth a watch alone!

For over a year now, I've been the lead freelance photographer for Stock and Barrel Magazine, a food and beverage publication here in Columbus, Ohio. Often, assignments get thrown my way with not a lot of time to get them done before deadlines hit. That means I get to shoot a lot of places in a very short amount of time. Oh the joys of the print world! In this article, I'm going to share with you how I shoot food on location quickly. No assistants, minimal gear, during business hours, and without pissing off the chef. Let's get started.

The [Framed] Network recently teamed up with photographers Brooke Shaden and Lindsay Adler for a very interesting show - "The Concept". In this show, they give Lindsay and Brooke the same missions, and they together have to decide on the concept and location. Both Lindsay and Brooke are leading names in the industry and both are amazing photographers, so it's very interesting to see how each one of them tackles the concept in a very different way. Both results are epic yet so different.

It goes without saying that besides the Superbowl commercials, we can pretty much expect the same run of the mill advertisements. Whether it's cartoon bears with toilet paper stuck to their butts, or of babies talking like grown adults, this commercial really blew them all out of the water. Advertising film director, Bruno Aveillan, (along with a crew of about 50 people) spent two years putting together this epic 3.5 minute journey celebrating the 160 year history of luxury jeweler, Cartier.

Are you ready to photograph some lavenders? Do you know when and where to go? Here is the answer and everything else you would like to know.

I remember being nervous about putting them on. I stood there, thinking: "what if they don’t work, or what if I am scared to take them off?" With one deep breath, I slid them over my eyes, and a curtain of vivid color filled my vision.

Ever since I briefly introduced it in my Photographer's Grip Kit video, people have been emailing and messaging me regarding the utility cart I use to haul gear around a job site. As a result, I figured a video was in order to talk about the cart in more detail, along with the modifications we've made to better adapt it to our workflow.

You’ve covered your bases for that ever elusive amazing sunset shot: you’ve checked the time for sunset, mapped the exact location of the sun, and have composed a few frames so you know what to do when you get to the location. But what about the location itself?