Gear

A while back we posted a popular video series by Philip Bloom called New To DSLR Video? Here Are 8 Videos To Help. In one of the videos, Philip talks about how when shooting on Canon DSLRs (and presumably all DSLR cameras), certain ISO values actually may produce more noise than ISO values 1/3 and 2/3 stops HIGHER! Of course this made everyone a bit uneasy and sparked some interesting discussion. Well Andrew Schär made a video that demonstrates how ISO settings at multiples of 160 are actually better than the normal ones we use at intervals of 100. The question that immediately comes to my mind now is does this hold true for still shots as well or does it only show up when processing video? What do you guys think?

If this video had come out in April I would have thought it was a prank. I've seen 3d printers before but nothing with this much precision. What is most impressive is the fact that this thing can somehow "print" internal moving parts. This printer may not be directly related to photography but it's so versatile, it could be related to anything. I recently lost my lens hood for my 24-70mm lens. It would be nice to print another one and save $30. Maybe my kids will have that luxury.

One of the most important things any photographer can do to push their career forward is to take on assignments that are beyond what they feel comfortable shooting. When Todd Rosenberg was approached by Sports Illustrated for a commemorative issue, he was asked to shoot 10 historic cars from the last century of the Indianapolis 500. The only problem was Todd had never photographed an automobile before in his life! Using advice given by car photographer Michael Furman, Todd built a large studio (which included a 10'x30' Chimera softbox) directly inside the auto museum. Check out this great interview conducted by PhotoShelter as Todd discusses how he organized the shoot as well as some business tips on how he got the client in the first place. Also check out all of the images on the Picade Indy 500 page.

Our good friends over at Pocket Wizard have had a great year with the release of the new Nikon MiniTT1 and FlexTT5 wireless radio triggers as well as the new AC3 controllers which allow you to control groups of flashes directly from the top of your camera. This video of Neil Van Niekerk shows how he is able to use the new AC3 controllers along with some relatively small softboxes to produce quick and easy studio style shots on location. I'm a huge fan of the Photoflex Octodome softboxes that I use on most of my shoots but these small Lastolite softboxes have an interesting look that you can't always get with larger softboxes. I guess it's the soft directional lighting that adds a bit of moodiness into Neil's images that I like. If you have had a chance to experiment with different sized softboxes on location, which ones do you prefer and why? Let us know in the comments.

Everyone loves a good timelapse video, and Benjamin Sichert has a great one here. Ben filmed this at the NA Otto & Cie factory in Germany which was the first plant to produce 4 stroke combustion engines back in the 1870s. As you can clearly see in the video, this was entirely filmed on a Canon 5D Mark II (video sequences), a Nikon D90 (photo sequences), and the automated Pocket Slider. I love how Ben added a behind the scenes element by including a few camera shots of the setup and motion. It always amazes me what these motorized dollies can do...might have to pick one up soon.

It's summer time which means you probably are looking to get out of the house and find some adventure. For photographer Jerry Monkman that often means taking his DSLR cameras out with him on the water. In this short video, Jerry gives some great tips on how you can keep your camera safe from water while still keeping it within reach. Using the camera system made by Cotton Carrier, Jerry is able to keep his camera snug against him and out of the way. If you prefer to get a little more wet and wild, you can always opt for our personal favorite underwater housing by Iwa-Marine. I'm not going to give away the ending of this video but I'm sure you will find it as scary as I did watching Jerry casually rowing along during this video. Any of you guys doing nature photography that requires this sort of thing?

With Apple's Final Cut Pro X just starting to hit the streets, stories about how unusable the video editing software has become are popping up everywhere. Recently even Conan O'brien took a stab at the software editing program when his production team created this funny skit showing some of the new features found in FCPX. Here at Fstoppers we still use PCs and Adobe Premiere but I can imagine how frustrated I would be if Adobe changed many of the UI we have come to love and master. That being said I've heard Final Cut Pro X has some great features; maybe all these negative reviews are just coming from editors not willing to update. What do you guys think? Will you be purchasing the next version of Final Cut Pro?

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Today all the buzz in the photo world is coming from an unusual tech company called Lytro. A new camera called the Lytro Light Field Camera uses a groundbreaking new sensor design that allows more light to be recorded than normal sensor technologies. This in turns actually allows you to choose your focus point after you have taken the photo (click on the photo to the left). As of right now no major camera companies have picked up this technology for their own cameras, but worry not as Lytro is working on creating a small point and shoot camera that will feature this "focus later" sensor soon. Check out the full post for more examples of the images as well as some commentary from the Wall Street Journal. Do you guys think this is a good idea or a practical application of selective focusing?

Just stumbled upon another great video by OliviaTech which showcases a pretty high quality jib. That in itself isn't very exciting until you realize that this thing only costs $125! If you know anything about the cost of jibs, you know how good of a deal this is. Head over to eBay and buy one at this incredible price... mine is due to show up in a few days.

Vincent Laforet recently released a new short titled "Epic #308" because this was the first test footage taken with his new Red Epic camera with the serial number of 308. The footage was shot in California, from Big Sur, to Ft Bragg back through Mono Lake and Death Valley. Check out the full post to see the finished product and head over to Vincent's blog for the full gear list.

Just ran across this interesting video of Canon's "IS" in action on Vimeo. The video is cool but write up by Camera Technica is the best part. Head over to their website to learn how that lens of yours keeps your images sharp.

If you like gadgets as much as me then you will probably find this really interesting, and probably a little scary as well. The guys over at Mikrokopter put a "FollowMe" transmitter on a wakeboarder's head and the chopper automatically follows and films him around the lake. The chopper was at a very high (and safe) altitude but I can see these getting a lot closer as the technology improves. The concept is really remarkable but I'm not sure I want a flying machine with 6 blades following something attached to my head.

Have you ever wondered how to make your own breakaway glass? It's surprisingly simple and in the video below Jay P Morgan walks us through the process step by step. Jay is also currently giving away 2 bottles from Alfonso's to one of his Twitter followers so make sure you are in the running!

A few weeks ago we posted a video by SLR Lounge that we called "The New iPhone Fashion Shoot." In that video a reflector was used to light a model and the results were fantastic. In the video below Pye takes us through a few of the ways that you can use a reflector to get similar results.

Many of you may know what a polarizer does in theory, but you may have never seen a side by side comparison like this. The video below from OliviaTech does a great job of showing examples of this filter in use. If you shoot outside, or reflective subjects, a polarizer like this one is a must have.

Timelapse videos have becoming incredibly popular over the last year. If you happen to be one of the many photographers interested in getting into this growing feild, you may want to check out Kessler's new basic controller. This gear is by no means cheap but it is far less expensive than it used to be. Check out the video over below created by Tom Guilmette.

Kickstarter is a fun website that allows inventors to demo their prototypes in an effort to raise funding for an actual product. The company Kogeto creates 360 degree pano devices, and recently they tackled making a fun accessory for the greatest fashion photography camera: the iPhone. David Sosnow demos how the Kogeto Dot will work if put into production as well as how their own mapping software combines the footage into a explorable 360 video not unlike the Yellowbird Camera we featured last year. I know many of you will say this sort of thing is pretty gimmicky but I think there is a ton of potential for this sort of videography in events, weddings, action sports, etc. Check out this 360 video of Muse playing last year. I can only imagine what people would do having this technology in their phone.

When deciding to buy tripods, ball heads, lightstands, and umbrella brackets, I quickly learned that it's worth it's weight in gold to buy the best there is out there, and the best is usually made by Manfrotto. So I was a little curious when I heard they were releasing a new tripod head that allows smooth pivoting found in a video fluid head with the quick versatility found in photo ball head. Drew Gardner got his hands on the new Manfrotto MH055 Photo-Movie tripod head, and I must say this thing looks like it was made by aliens or something. It should be interesting to see the reviews on this once it comes out in June. Nothing is more annoying than having to carry around two different tripod heads for stills and photos so maybe this could be our answer. Check out the video below for a demonstration on why photo heads can't be used for video and vice versa.

Everyone claims that they know how to shoot subjects on pure white but many of them still struggle with the background light washing out their subject. In the video below, Olivia Speranza shows us how she created the look for a video but the same techniques apply to flash as well. The key is to light the background as evenly as possible and expose it so that it is just barely pure white. If your background is a few stops past pure white, the light will begin to eat into your subject.

Gary from F8 Photography and Mikey from Lightenupandshoot have crossed paths while traveling through Hong Kong. Lee and I ran into Mikey out at WPPI in Las Vegas a few months ago where he told us of some up coming adventures he had planned for Southeast Asia. These guys are really laid back and excited to break out into a photoshoot at any given time. In this video they take a ferry over to a local island to capture a few images of some friends they made in Hong Kong. Around 2:30, Gary talks about using a Variable Neutral Density Filter to almost completely destroy the ambient light while still shooting wide open at f1.2 and maxing out his shutter sync speed at 1/250. I've never attempted this technique, but it has been made famous by many photographers including Joey L. Does anyone have an opinion about these variable neutral density filters or use this technique in their own work? If so feel free to post an image in the comments below.

A few months ago Patrick and I flew up to NYC and filmed our first ever full length DVD (dual DVD actually) with Peter Hurley. The DVD is still being edited but we can finally see an end in sight. Initially we didn't plan on having a pre-order but when Peter Hurley decided to start teaching workshops, we decided to create a special pre-order deal. When the dual DVD is released, it will cost $300. If you purchase it before October 1st, 2011, we will give you a $300 credit towards any of Peter's workshops (and this can be used at any time) so you are actually getting the DVD for free. Peter is also going to personally sign all of the pre-ordered DVDs. Patrick and I are working as fast as we can to edit this DVD while managing Fstoppers.com and also shooting a wedding every weekend. Things are busy but we hope to have this DVD released sometime this summer. Head over to Hurley's website to sign up for "The Headshot Intensive," his new 2 day workshop. There are currently 4 slots left for his first workshop on May 21-22.

Lighting with a ring flash is a common technique among fashion and beauty photographers, yet it is often one of the most misunderstood and abused lighting setups among novice photographers. Simply using a single on axis light is hardly ever appealing but when coupled with other lights the ringflash look can become very flashy and dynamic. You often see this sort of light in music videos, glamour photos like Playboy, and of course high fashion shoots. In this video Tom Antos not only shows you an easy ring flash lighting setup he used for a music video but he also shows you how you can make your own constant light version for video productions. These same techniques can easily be adapted for still photos, and if your model is not moving much you can actually use the constant light version for stills as well.

A few months ago at WPPI I met Dennis Wood the president of Cinevate. Dennis told me that if we had a chance to play with Cinevate's DSLR rigging gear it would totally change the way we shoot. So we ended up getting a few pieces of gear from Cinevate, the most exciting piece to me being the Atlas 10 slider. The Atlas 10 turned out to be the best built slider I have ever gotten to play with. The track was long and amazingly smooth but there was one problem. This thing was big and heavy. The Atlas 10 is actually rated to hold a 40lb camera which means it was really built with cinema cameras in mind. The slider is a dream to use but quite difficult to travel with. Well I was just about to send Dennis a message to tell him I wanted them to make something that was smaller but still just as smooth when I realized they had read my mind. Cinevate just released the Atlas FLT and for my DSLR shooting and traveling needs, it is my "dream" slider. I literally JUST went over to their website and ordered one. At $579 it is way more expensive than our previous slider, but there is honestly no comparison when it comes to quality. Check out the full post to see a video of the Atlas 10 in action.

Yes, it has been done to death but everyone loves to see it so we will keep posting it. Digital Rev TV has been doing a series called the "Cheap Camera Challenge" and so far they have created 3 videos with 3 different photographers shooting on 3 different cheap cameras. Check out the full post to see all 3 videos.

I released The iPhone Fashion Shoot back in July of 2010 thinking that it would be a fun way to prove a simple point (that people can create compelling images with any camera). I never thought 1, that the video would become so huge and 2, that 50% of everyone who saw it would totally miss the point. Half of the comments made on my video are about my expensive studio lights, professional model, professional hair, makeup, and retouching. People still didn't want to admit that they were capable of taking great shots on whatever gear they had. Still to this day I get emails all the time where people suggest that I do another iPhone Fashion Shoot outside with natural light and without a professional model but I was never interested. I really don't want to become known as the "iPhone photographer" and these videos are a lot of work to produce. Well I just got an email from Pye at SLR Lounge and he did all of the work for me! Pye takes a normal girl outside and uses 2 reflectors to create stunning images... It does not get any more simple than this... The point has now officially been made. No more excuses people.

Many photographers claim that they will never shoot a wedding because there is too much pressure. If you miss some of the key moments, you will never get another chance. I agree with this to an extent but at least weddings have hundreds of "moments" over the course of a day. If I miss a couple, it's usually not a big deal. A first descent is another story though. In the video below, Lucas Gilman shows us all of the work that goes into capturing just 5-10 seconds. When it comes to something like this, there is absolutely no room for error.

If you are a budding photographer, you are probably a lot like I was when I first picked up a camera: somewhat naive about lenses. Knowing when to use a wide angle lens verses a telephoto lens is both a creative decision as well as a logistical one. Readers often ask which lenses to buy over at the Fstoppers Forum, and recently Mark Wallace shed a lot of light on the topic in his latest Adorama TV episode: Choosing The Right Lens. Not only does Mark talk about the practicalities of using one type of lens over another but he also demonstrates exactly how perspective, distortion, and compression look at different focal lengths. Knowing the tools of your trade is extremely important so if you haven't tackled this topic yet we hope this will be useful. We have also outlined a few of our favorite photo and video lenses on our Lens Guide.

When you first heard of GigaPan, it was probably from David Bergman's famous inauguration photograph. Years after David captured the first gigapixel images of crowds of people, scientists are now creating all sorts of images using the GigaPan technology. One new project recently announced is Time Machine. Essentially a video player with 100 megapixel frames, the Time Machine allows us to explore nature in both time and space with unbelievable amounts of information. Anyone can create these videos using any of the GigaPan Epic Mounts and upload them to the GigaPan website. It's pretty amazing what photos are now able to capture and reveal with super high resolution and timelapse. Check out more of these videos over at the Time Machine website.

I'm convinced GoPro and Redbull have the best extreme advertising on the planet. In this latest extreme skiing video, Matthias Giraud and Stefan Laude use two GoPro's each to document their parachute escape from an avalanche in the French Alps. If you don't already have a GoPro Hero, you need to get one. If you already have one, then we all need to start filming more near death moments by living life on the edge! Click the Full Post for a cliff jump skier equipped with at least 5 GoPros in a single run.

If you ever need to carry your gear through a storm or even a waterfall, the Lowepro DZ 200 waterproof backpack is your ticket. But that's not what this post is really about...no way! Craig Pulsifer is a videographer and photographer based out of British Columbia (that's Canada for you across the sea). Instead of waiting for clients to come to him, Craig decided to start making his own commercial videos for products he personally uses like the Lowepro bag. While covering a story in the Philippines, Craig decided to hire a few local assistants to help him film video and audio clips for an exciting extreme style commercial he wanted in his port. The results might actually be better than the normal videos created by Lowepro themselves! By pushing his own creative talent and keeping the production level high, Craig has produced a compelling advertisement for his own personal show reel that will certainly help land him bigger jobs down the road. I still don't think I'll lend him any of my gear for his next adventure through the jungle!