Matt Allard from Newsshooter.com has been hopping around Inter BEE 2015, an NAB-like exhibition that takes place in Japan, reporting on new video gear from established, as well as developing companies. In this particular video, he gets to try out a different type of lens adapter– one that is built specifically to let light leak in from the sides and flare the image as it's recorded in-camera.
Priolite just announced the addition of a new flash unit to their HotSync lineup, the MBX300HS. This slightly smaller and lighter, but much cheaper, unit is a welcome addition to their current line of products. Alongside the already available 500Ws and 1000Ws strobes, this new compact unit looks like a solid alternative to more well-established brand's battery powered system.
While there are obviously no strict rules about what lenses a photographer should buy, my curiosity was piqued recently, when legendary Glamour Photographer Jarmo Pohjaniemi (Playboy, Shoot The Centerfold) announced he was headed to Santorini with a pair of Canon EF 11-24 f/4L USM lenses. I assumed he was going to shoot landscapes (after all, it’s Santorini), but his answers when I asked were far more interesting than that.
You had me at f/0.95. When I saw Fiction Brand's tribute to my favorite lens in the whole world, the $10,000 Leica Noctilux-M 50mm f/0.95 ASPH, I knew I had to have one. But once I got my foot in the door, I realized there's more to this brand than just a novelty tee shirt as I reviewed their camera strap, hat, and pocket SD shirt.
One of the first things I heard when I sat down at a large white table with Light CTO and Co-Founder Dr. Rajiv Laroia and VP of Marketing Bradley Lautenbach was that, when it comes to lenses, plastic is better than glass. Scratching my head for a bit, while searching for some logic, but keeping an open mind (I did ask for a meeting with the guy who decided to put 16 lenses in a small box and call it the future of photography), the meeting proceeded to somewhat blow my mind… if it’s all true.
In the world of off-camera flash, there are two sides: the full manual side and the TTL (through the lens) side. I have always been on the full manual side, because when it comes to triggering a TTL flash off camera, things start to get complicated. In order to trigger the flash, you either need to have an expensive on-camera flash, an expensive TTL radio trigger, or a cumbersome TTL cable. Then, I found the affordable and feature-rich Yongnuo TTL system and instantly fell in love.
Recently, the game of artificial lighting, including flash, has started to change. LED lights have become more common, but also TTL and HSS have become available to studio strobes, not just hot shoe flashes anymore. Today, it is Elinchrom's turn to join in this new era. The Elinchrom Skyport celebrates its 10th birthday this year, and over 400,000 units have been sold since its launch. However, it was time for an update. But Elinchrom did not just update the Skyport, they made a whole new version introducing a range of hi-sync products.
The Sony a7S II is the latest full-frame mirrorless Alpha camera to be released and builds upon the head-turning low-light capabilities its predecessor was made known for. Now featuring internal 4K video recording, in-body 5-axis image stabilization, and improved autofocusing, the a7S II is once again calling attention to itself by offering a range of features currently unmatched.
Sony has just announced their latest full-frame mirrorless camera, the 42.4-megapixel RX1R II. This very sleek fixed-lens 35mm f/2 digital camera packs many of the same imaging features you’ll find in the new Sony a7RII (along with some surprising new ones), but in an even smaller, true compact-sized design. It’s a genius product of advanced engineering and technology, and I had the chance to get my hands on one to use.
I can't honestly say I know where the XQD format is going. So few cameras have adopted the new format, but as bit rates will need to continue to increase to match the continuing rise of megapixels and video resolution, perhaps the format will begin to take hold out of necessity. Either way, for those with cameras like the Nikon D4 or D4S, Lexar just released their fastest XQD cards yet, the XQD 2.0 cards, supporting up to 440 MB/s transfer rates (or in other, less useful, but impressive-sounding terms, speeds up to 2933x). Meanwhile, the CFast cards are even 20 percent faster.
There's a myriad of ways us photographers interact with our computers on a daily basis. While Wacom tablets are certainly the luxurious way of editing, many of us still love our trusty mouse for plenty of tasks. One of the most popular and controversial mice on the market is Apple's Magic Mouse, and it looks like the love/hate fest is going to see even more action with the new Magic Mouse 2.
The Pakpod is Kickstarter's latest small-camera tripod to hit the market. It's not made of carbon fiber or even metal. It won't stand much higher than a couple feet. And it looks a little funny - let's be honest. But it does one thing better than any other tripod I've ever seen: it attaches to anything (even under water).
Canon's latest cameras are compact, but pack a punch (maybe). While some might be compelled to ask themselves about the reasons behind releasing the lackluster EOS M10 at all, the G5 X and G9 X both fit well into Canon's high-end compact lineup with interesting features that might draw the casual shooter looking for something a bit more spectacular than le quotidien.
Without a huge media hoopla, today Apple announced updates to some of its entire all-in-one desktop lineup. The 21.5-inch iMac now offers a 4K retina display, the 27-inch iMac now comes standard with the 5K retina display, the Mac sees its first Skylake debut, and Apple's Magic keyboard and mouse accessories see great updates (at a price). With even more under-the-hood changes, these are the iMac's you wanted all year, but may not have known about. (UPDATED)
Kai and friends at DigitalRev TV have got their hands on the very new and very exceptional Milvus lenses from Zeiss. Their test includes the 21mm f/2.8, 35mm f/2, 50mm f/1.4, and 85mm f/1.4 models that make up the core of this new lens system. These new lenses were designed from the ground up to keep pace with the insane resolving power that modern digital camera sensors are capable of.