If you’re a commercial or fashion photographer, eventually you’ll run into a client who will ask to have their product, model, etc. to be placed on a perfectly white background. This method is very popular in the e-commerce and print industries for many brands, sellers and catalogs. But some techniques in post production cause some headaches and are also time consuming. So what exactly is the best and quickest workflow to get that perfect white background for your client?
Christmas is just around the corner and you might find yourself scrambling for a cool little gift for that photographer in your life. Atmosphere Aerosol is a new product which, as the name describes, is an aerosol can that dispenses a cloud of fog in a pinch. Small, light, and not needing electricity, this little can of foggy goodness might just be the perfect replacement for that fog machine. Will this be the next addition to your camera bag?
Until recently, HSS and HyperSync were considered gimmicky features available on either expensive PocketWizard or cheap Chinese triggers. With Profoto, Elinchrom, Priolite, RiME LITE, and other brands catching up on these techniques, it is slowly becoming more popular. However, are these sync modes as reliable and useful as the brands try to make us believe they are? Moreover, is one better than the other?
Totally Rad are the producers of the film emulation presets titled Replichrome. Currently there are three sets of presets, Replichrome I: Icon, Replichrome II: Slide, and Replichrome III: Archive. The initial inception of the Lightroom presets, now known as the Icon Series, came with the intent to get it right. Not to create stylized versions of film but to create accurate depictions so that the digital images with the film presets would appear as close to actual film as possible.
The Syrp Genie caught everyone's attention with its contemporary design and advanced automation features that made it a time-lapse photographer's best tool in the field. Today, photographer Mark Gee shares tips on how to set up and use the Genie while offering a few great suggestions that apply to all methods of landscape photography, from what apps he uses on his phone to help him plan every shot to how to edit for final output. Need to shoot a time-lapse soon? Whether you're experienced or just starting, there's undoubtedly something in here for you.
While running a Kickstarter campaign might be a bit easier for veteran company Peak Design, there’s something to be said for raising over $4.8 million of excitement over a messenger bag. What is so special about this bag that merits this reaction? After reaching out to Peak Design, they sent a just-finished version of the Everyday Messenger — the "Trey Ratcliff bag" — for review so I could answer some of those questions.
Matt Allard from Newsshooter.com has been hopping around Inter BEE 2015, an NAB-like exhibition that takes place in Japan, reporting on new video gear from established, as well as developing companies. In this particular video, he gets to try out a different type of lens adapter– one that is built specifically to let light leak in from the sides and flare the image as it's recorded in-camera.
Priolite just announced the addition of a new flash unit to their HotSync lineup, the MBX300HS. This slightly smaller and lighter, but much cheaper, unit is a welcome addition to their current line of products. Alongside the already available 500Ws and 1000Ws strobes, this new compact unit looks like a solid alternative to more well-established brand's battery powered system.
While there are obviously no strict rules about what lenses a photographer should buy, my curiosity was piqued recently, when legendary Glamour Photographer Jarmo Pohjaniemi (Playboy, Shoot The Centerfold) announced he was headed to Santorini with a pair of Canon EF 11-24 f/4L USM lenses. I assumed he was going to shoot landscapes (after all, it’s Santorini), but his answers when I asked were far more interesting than that.
You had me at f/0.95. When I saw Fiction Brand's tribute to my favorite lens in the whole world, the $10,000 Leica Noctilux-M 50mm f/0.95 ASPH, I knew I had to have one. But once I got my foot in the door, I realized there's more to this brand than just a novelty tee shirt as I reviewed their camera strap, hat, and pocket SD shirt.
One of the first things I heard when I sat down at a large white table with Light CTO and Co-Founder Dr. Rajiv Laroia and VP of Marketing Bradley Lautenbach was that, when it comes to lenses, plastic is better than glass. Scratching my head for a bit, while searching for some logic, but keeping an open mind (I did ask for a meeting with the guy who decided to put 16 lenses in a small box and call it the future of photography), the meeting proceeded to somewhat blow my mind… if it’s all true.
In the world of off-camera flash, there are two sides: the full manual side and the TTL (through the lens) side. I have always been on the full manual side, because when it comes to triggering a TTL flash off camera, things start to get complicated. In order to trigger the flash, you either need to have an expensive on-camera flash, an expensive TTL radio trigger, or a cumbersome TTL cable. Then, I found the affordable and feature-rich Yongnuo TTL system and instantly fell in love.
Recently, the game of artificial lighting, including flash, has started to change. LED lights have become more common, but also TTL and HSS have become available to studio strobes, not just hot shoe flashes anymore. Today, it is Elinchrom's turn to join in this new era. The Elinchrom Skyport celebrates its 10th birthday this year, and over 400,000 units have been sold since its launch. However, it was time for an update. But Elinchrom did not just update the Skyport, they made a whole new version introducing a range of hi-sync products.
The Sony a7S II is the latest full-frame mirrorless Alpha camera to be released and builds upon the head-turning low-light capabilities its predecessor was made known for. Now featuring internal 4K video recording, in-body 5-axis image stabilization, and improved autofocusing, the a7S II is once again calling attention to itself by offering a range of features currently unmatched.
Sony has just announced their latest full-frame mirrorless camera, the 42.4-megapixel RX1R II. This very sleek fixed-lens 35mm f/2 digital camera packs many of the same imaging features you’ll find in the new Sony a7RII (along with some surprising new ones), but in an even smaller, true compact-sized design. It’s a genius product of advanced engineering and technology, and I had the chance to get my hands on one to use.