Hey there, Ben Sasso here! Learning new things is one of my favorite parts of what I do, and I want to be able to pass that on. If you're looking for some quick and basic natural lighting tips to play with on your next shoot, you're in the right place. Check out five easy tips! Hope you enjoy!
The choice of colors in a scene can be one of the most influential factors in giving a film its signature identity. Whether you're looking to recreate an iconic look or simply seeking new inspiration, Cinema Palettes is making it incredibly easy to replicate your favorite films.
This is by no means a new topic, but a recent poster in the Fstoppers Wedding Photography group lamented that they felt they were stuck in a creative rut, and it got me thinking about the problem of trying to be experimental within an industry. Chances are if you’re shooting for a client, they have a preconceived idea of what you're going to provide, even if that’s just a ballpark “these kinds of colors, this kind of emotion.” If you rocked up to a wedding with the awesome idea of only shooting macros of toes, you’re going to have a hard sell when it comes time to deliver the finished product; they’d need to be really good foot shots.
In this video, Filmmaker Matt Mangham runs down five important traits that every great director of photography should have. A director of photography (DP or DOP), also known as a cinematographer, directs the camera crews and is responsible for determining the overall artistic and technical aspects of a film.
Fauxtographers. Everyone knows what that means, commonly associated with Mom-tographers and GWC's. Basically someone that self describes as a photographer with no basis or experience to warrant such a title and in some extreme cases, people who have for long stretches of time have made claims of being a professional but have not improved their methods or techniques past what that little green square on the camera does.
In this Film Riot video, actor and director Ryan Connolly gives us the rundown on how to create a blind eye effect, similar to what we see happen to Arya Stark in HBO's, "Game of Thrones." Film Riot pulls this off in Adobe After Effects (although this tutorial can be applied to your compositor of choice) and without the use of painful contact lenses.
SLR Lounge founding partner, photographer, and retoucher, Pye Jirsa, walks us through a quick Lightroom tutorial on how to adjust a photo that has mixed light. How many times have you taken a group shot only to find one or two of your subjects were poorly lit because they were too far from the source light, hidden behind another subject, or from using multiple ambient light sources?
For those of you may not know, we recently created a 20 hour photography tutorial with the incredible Joey Wright on all things swimsuit photography and retouching. We've been posting a weekly behind the scenes series of the creation of this tutorial. This is Episode 4.
With little exception, every time you agree to provide raw images to your client, you are hurting your own brand and doing that client a disservice. Although it might be easy to feel, it may be hard to understand exactly why this is. Even more difficult is how to then explain your decision to your clients in a way that also makes them feel good about receiving 'less.' Thankfully, Austin-based commercial photographer Caleb Kerr has all of these answers.
In this recent video from The Slanted Lens, host and photographer Jay P. Morgan explains the benefits of having a mentor during the early stages of your photographic career. He then goes on to provide usable examples of how just about anyone can go about making a connection with professional who could fill that role.
I bought my first camera on a whim. It was a secondhand Canon 350D, and I bought a 50mm f/1.8 to go with it. It wasn’t expensive, but I couldn’t believe the pictures I could take. It was as if I had opened a secret door and revealed this beautiful landscape awaiting exploration; I was hooked. The problem was I stepped through the doorway, and the door closed, slapped me on the arse, and then promptly vanished. Suddenly, I was very aware of the vastness of what I was growing to love and how so much of it was all but unreachable for me.
If you own a top-notch DSLR, your shutter might be as fast as 1/8,000 s. Some mirrorless cameras top out at 1/32,000 s. So, what do you do when you need to photograph action using a shutter speed 3,000 times faster than even those blazing mirrorless cameras? You use an entirely different kind of shutter.
As a new writer on here, sometimes, it is hard to come up with new content to write about. I really have to put my brain to use. Sometimes, I randomly come up with ideas and topics to write about, and that is definitely one reason I'm glad I switched back to the iPhone. Whenever I come up with a thought or idea to write about, I hop into my Notes app and start writing some ideas down. Now, when I go home, it’s on my iPad, computer, phone, etc., and I can sit down and start to write more about it.
Some people use social media platforms as their emotional outlet, some for vanity purposes. I use social media to brand my photography business. This approach may not fit every photography niche, but I would like to explain how it fits mine, and I am sure you will note a thing or two that you could use as well. I hope you can interpolate my experience onto the niche you work in.
In some ways, working with clients is a lot like the dating scene. So how do we get that second date? Wouldn't life be easier if you didn't have to look for new clients all the time? What if you could retain the best clients you've worked with before? Maximize your resources, get better recommendations, and make freelancing far more relaxing. Maybe we're all guilty of annoying a client or two, but if you find you're not being approached by anybody for that second date, then maybe it's more than your bad breath. Here are five great ways to go about it.