Let us venture back in time for a minute. 35mm film was always considered small. In fact, it was developed in the early 1900s as a means to make high-volume shooting and consumer photography possible. If you were a working professional, you were shooting at least medium format (6x4.5-6x19 cm) or even more likely, large format, like 4”x5” or 8x10”. The idea is that the larger the format, the more detail you can see. As we fast forward to digital, full-frame is the ideal format for many working pros in a variety of genres. While full-frame can be expensive and yields incredible image quality, there is something more.
We fell head-over-heels when we saw CineStill’s 35mm 800T film, repackaged from Kodak cinema film. Beautiful golden skin tones, cool shadows, and that ever-difficult-to-explain magic glow, brought the beauty of true filmmaking to the still format. It’s been a long wait since the 35mm format was introduced in 2012, but today, CineStill launches their high-speed, tungsten-balanced cinema film in the 120 format.
How many of us picked up our first camera because it was a way to make a buck? For most videographers, the hustle of media production work gradually evolved from a passion for filming into a business formula based on our strengths, reputation, and market necessity, but fun was the kickstarter.
We all know it's a little bit more competitive for females to "make it" in the photography and film industries. Yes, it is. The gender gap is real, and I'm not being a feminazi. There are studies about this — science. Even women who are the main characters in films don't get paid as much as their male counterparts (Jennifer Lawrence in the Hunger Games, anyone?). It's even worse for women who are behind the screen, the creators of these big projects. The team over at Vimeo isn't having it anymore, so they are doing something about it.
I recently had the pleasure of picking up one of the first final production models of the Inspire Pro and X5 Micro 4/3 Camera, and immediately took it to one of the most beautiful photography destinations in the world to test it out: Meteora Greece. I spent the better part of a week there getting the hang of flying and capturing both photos and videos and I was able to come away with some stunning results. This review is meant to showcase what I was able to capture and give you an idea about the capability of the new X5 Camera and the key differences between the Inspire and...
Totally Rad are the producers of the film emulation presets titled Replichrome. Currently there are three sets of presets, Replichrome I: Icon, Replichrome II: Slide, and Replichrome III: Archive. The initial inception of the Lightroom presets, now known as the Icon Series, came with the intent to get it right. Not to create stylized versions of film but to create accurate depictions so that the digital images with the film presets would appear as close to actual film as possible.
It's not rocket science, complex editing, ridiculous lighting, or overly complex photographic method. It's basic double exposure; snap a picture, snap another before advancing the film, or rather expose over an already exposed roll of film. Aaron Checkwood, photographer from Oceanside, California does and incredible job taking these film school fundamentals to the ocean. Combining terrestrial imagery with iconic aquatic sites of green Pacific barrels creates a mesmerizing image of a true love affair with the sea.
Peter Jackson's first steps into Middle-earth with “Lord of the Rings: Fellowship of the Ring” was incredible as it followed Frodo and his good friend Samwise Gamgee as they fight their way to Mordor in one of the greatest trilogies of the early 2000s. You can guess that my excitement level was high when they finally announced “The Hobbit” would come to the big screen in its own series, though as many could have guessed it was a terrible venture that overwhelmed its director at the high cost of making a mediocre follow-up to its previously successful trilogy.
Iceland has become a naturelovers' playground and a hotspot for adventure photographers looking to visit the home of some of the most popular Instagramable locations on Earth. But many travelers visit the island nation during the warmer and more accessible summer months. Winter is when most of the country is covered in snow and ice and tourism drops dramatically. But that isn't stopping four British adventurers from attempting something that has never before been accomplished; crossing the country unsupported in the heart of winter in what they're calling "The Coldest Crossing."
Film photography has made a comeback! Some would argue that just like Dre, its been here the whole time. But over the past few years, the aesthetic and cache of film photography has made a strong presence in the zeitgeist of contemporary digital photography. In this entertaining short film by Maison Carnot called "Disassembly," we see how to take an old non-functioning film camera and bring it back to life through a complete disassembly and repurposing of the old gear.
If you're like me, you have way too many apps on your smartphone. I know this might sound crazy coming from Fstoppers, but we really do rely too much on our phones. Yes, even the great iPhone 6s Plus. “Connectivity Lost,” by filmmaker Walter Stoehr, is a short showing what could go wrong if we depend on our phones too much.
I find myself saying this a lot these days, but that's not a typo. In fact, the listed ISO range for the new KONO! Donau film is actually ISO 3-6. With such a low sensitivity, photographers can capture longer exposures in daylight. The film's extremely blue tones serve as a reminder that it's still in the experimental range, but there's an entirely new limit to what you could do with a hand-rolled ISO 3-6 film.
A few weeks ago I wrote a post mocking the new Holga Digtal Kickstarter campaign. Holga's PR team caught wind of my post and decided to send me the new Digital Holga. At the same time the Impossible Project sent me a Polaroid 600 camera with Impossible Instant color and BW film. Which is better? Let's find out.
A new photo has surfaced of the famed western outlaw Billy the Kid, purchased for about $2 in a junk shop in California, that could easily be worth upward of $5 million. The lucky man behind the photo purchase is Randy Guijarro who picked it up in a store around Fresno, California in 2010. Awaiting authentication for just over a year it has finally been claimed to be the kid himself.