For reasons unknown, I receive many calls to photograph pseudo reality TV shows more than almost anything other than athletic campaigns. Like sports, I try not to watch the shows I photograph. It is not out of disrespect for what the celebs and athletes are doing, but rather I want to remain distant from the connotations put upon them from commentators or editors. As much as we’d all like to believe that everything about a reality TV show is real, it is often far from it.
So, how do you shoot at the legendary Disney Concert Hall without breaking their rule of 'No Professional Photography'? You do it with finesse. Benjamin Von Wong was faced with the task of shooting the Trio Dinicu at the location without looking like a professional photographer. In this behind the scenes video he shows you how he accomplished that and also walks you through cleaning any distractions from your photo using Photoshop.
Our good friend Dave Lehl is at it again and this time he's moved out of the snow and into the skate park. To add a bit of flare to the standard skateboarding shot Dave taped sparklers to the bottom of the board and used smoke bombs to set the mood. Check out the full post to a link to the high res finished shots.
Lomography is into film revivals lately, recently releasing something quite similar to Kodak's discontinued Aerochrome film, Lomography Purple. What's so special about Lomography Purple? It changes all of your greens into a bright purple color. Surely such psychedelic effects will be revered by hipsters, lomographers, and acid-dropping enthusiasts around the world, but what is the actual use of such a film? Believe it or not, there is one (or two)...
Sometimes your favorite shot out of a series would be perfect if only one little thing was fixed. For me, that is often shadows obscuring details I really wish were more visible. PHLEARN has released an extensive tutorial on how to get those shadows to reveal details in a way that doesn't look super fake, which an issue I have with other methods I have seen.
Photographer Sergei Gaschak photographed an area deemed uninhabitable to humans: the Chernobyl disaster's 'fallout zone.' While a few people do still choose to live there, animals are more known to have inhabited the area, unaware, obviously, of the radiation that they expose themselves to. Still, few abnormalities seem to form in these animals, apparently, despite the few examples of albino spots and some more serious effects on various swallows.
Here in the lovely freezing area of the the Inland Northwest, looking at images of the beach just warms me up even if it's cold in those locations. Looking through these shots really gives me that feeling and really makes me wish I could go to each location get away from this cold.
Photographing a Cirque Du Soleil show requires a bit of acrobatics from any photographer up to the challenge. Matt Beard is one of the few photographers, hand picked by Cirque, to bring his talent and experience into capturing both live action and beautifully staged shots. He has worked with Cirque for many years, under the wing of master photographer Veronique Vial (as a photographer’s assistant) and had gained first hand experience in the ways of a Cirque shoot.
Von Wong, who you should all know by now -- if not from us, then from the million and one places he scurries around the world and online -- was given a challenge by a friend, Sebastien Roignant: "To shoot and edit an insane image involving two orcs, a witch king, warrior, villager and a cinema theatre...all in 4 hours without having any information ahead of time." Von Wong is also up for a [Framed] award for best conceptual photographer this year. Vote for him here.
Back in September I spent a few days in New River Gorge, West Virginia, rock climbing with a group of friends. For this trip I developed a plan to put together a short documentary that would involve shooting an interview in the climbing area and doing a multicamera shoot of a climber. Watch the final video, and then read on for a breakdown of how it was all done.
Clients, deadlines, prints, taxes, insurance, equipment maintenance, paperwork... these are all responsibilities that can quickly fall on a full-time professional photographer's shoulders; the weight swiftly dragging you to the floor. Between trying to make a living and trying to be creative all at the same time, sometimes it's hard for us to just, 'stop and smell the roses', but it's important to. Let me tell you why.