The great folks over at The Slanted Lens are back with another amazing tutorial. This time Jay takes you to Concord and Lexington Massachusetts at a recreation of a Revolutionary War battle scene to show you how to effectively light a composited image. He shows you how to shoot your background plates first, the main subject using a do it yourself motion rig and even shows you how to shoot explosions to help finish the image.
The other day Phlearn came up with a way to emulate Martin Schoeller's portrait lighting. I have been wanting to lock down Schoeller's technique for years now, so when I saw Phlearn's post, I was stoked. And they did a fantastic job. I even learned their cool Photoshop technique of adding natural looking highlights and shadows. The problem was that in order for me to try out their lighting technique, I needed two strip soft boxes for my strobes, which I didn't have.
Kickstarter product "LUMENATOR™" is a portable and battery powered LED light stick. The 1200 lumen bar has a dimmer on it so you are able to adjust the power. The bar will have attachments that allow you to change the white balance and even add on a color hue bar. Check out the Kickstarter video and see if this possible product will fit your needs and help back this project.
Jay P. Morgan of The Slanted Lens has released a video that gives us a detailed look at one of the most basic aspects of portrait photography, the single light portrait. It's a very basic technique, but it's incredibly versatile set up that can be used to create many different looks. In this video, Jay P. Morgan is using a Canon 1DC and shooting video from which he will pull stills. It's a different way of shooting than we might be used to, but the end results are can look a lot more natural than posed pictures as the model is given much greater freedom to move around.
Guest writer, Julius Ise is a professional photographer based out of Germany. In January he traveled to the beautiful beaches of Miami. While he was there he called around to several modeling agencies to set up a shoot. This is a great example of shooting personal work. He was able to get some great shots for his portfolio while at the same time helping out the models at DecoModels.
Guest writer Brandon Cawood is the owner and head photographer at Flash Light Productions. He primarily shoot weddings as well as commercial and product photography. He spent most of his teens and early 20's playing in bands and touring the country. After he became a photographer, naturally one of his favorite type of shoots is band promos.
Skreened is an eCommerce company that specializes in on-demand screen printing. Shirts are their biggest sellers. Since each shirt design is unique, they needed a library of images with models in blank tees so they could overlay the latest designs in post. When they approached me to shoot for them, their main request was that these portraits be fun and energetic.
So, how do you shoot at the legendary Disney Concert Hall without breaking their rule of 'No Professional Photography'? You do it with finesse. Benjamin Von Wong was faced with the task of shooting the Trio Dinicu at the location without looking like a professional photographer. In this behind the scenes video he shows you how he accomplished that and also walks you through cleaning any distractions from your photo using Photoshop.
Our good friend Dave Lehl is at it again and this time he's moved out of the snow and into the skate park. To add a bit of flare to the standard skateboarding shot Dave taped sparklers to the bottom of the board and used smoke bombs to set the mood. Check out the full post to a link to the high res finished shots.
Every Week Benjamin Von Wong releases new behind the scenes content for your viewing pleasure. This week Ben takes off for Paris and tackles the challenge of shooting a piece of fine art called the “WOM dog” by Cyril Anguelidis. Ben and his talented fire-wielding partner-in-crime, Andrey DAS, took their time in pre-production. They sketched out what exact effects were to be used around the expensive sculpture for the most dramatic look, while still keeping the crew and subject safe.
In my opinion, nothing is sexier than a glossy black surface. And you don't even need a black backdrop sweep to achieve it.
During my time as the lifestyle photographer for JackThreads, I shot many different products in many different ways. Since I was shooting an average of 10 brands per day, I had to work quickly and in a tiny space. Through working in this condition, I developed some cheap and easy lighting scenarios.
So I have seen quite a bit of caricature portraits and fell in love with them. I decided to try my hand at doing a few and kind of fell into a new little series with them. Everyone who has seen them has asked if I could shoot them or their families in this style. This little tutorial will show you how I go about doing these shots.
Back in November Profoto released a new softbox, the RFI line of softboxes that come in several shapes and sizes along with several other new features. Stockholm-based photographer, Tobias Björkgren, was one of the very first to try out the new softboxes at his studio. He chose to test the RFi 1×1.3’ and the RFi 1×6’ on model, Kajsalina.
A few weeks ago I posted about the outstanding newly released internet series, The Underwater Realm, and as promised I'm back with the full behind the scenes look at the underwater photoshoot by amazing conceptual photographer, Benjamin Von Wong. He explains how he was able to accomplish the shoot in the pool and how he brought all of the elements together to create a wonderful behind the scenes image of the entire cast and crew at work.