When saving layers into separate files using the in-built Photoshop script we always get this annoying string of numbers at the start before the filename. But now I'm going to show you how to make a quick tweak to change that forever.
Photoshop is a tremendously capable program full of tons of capabilities, but one of the most fundamental and useful of them is Camera Raw. If you are new to Photoshop, this helpful video will show you just how much you can accomplish using Camera Raw to edit your images.
There is perhaps nothing more frustrating than spending hours working on a Photoshop file, only to discover that you saved the wrong version or that you can't undo a certain step a few changes back. So, what can you do to ensure you never encounter that situation? This fantastic video tutorial will show you three important tips to ensure you always have access to the history of your Photoshop files.
Old and damaged photographs are easy to come by. Most have been stored in boxes in the back of a closet left to dust and wither without a second thought. That is until said person goes to tidy up one day and finds an invaluable treasure trove long forgotten.
There are lots of reasons why you might want to change the color of someone's eyes in post-processing. Thankfully, it is not a particularly hard thing to do convincingly, and this excellent video tutorial will show you how to do it using Photoshop.
Sometimes the simplest desires in post-production can prove to be the trickiest. Color is a common example of this where you just want to grab the color of one thing and make the color of something else match it. Well, here's how to do it quickly and easily.
In this quick tutorial, you will discover a unique way to create a subtle vignette in Adobe Photoshop CC that you may have never seen before. If you are a visual learner, I have also created a video tutorial that you can use to follow along.
The Clone Stamp Tool is probably my favorite thing in Photoshop, as it's a simple, straightforward, versatile, and most importantly, powerful tool for editing a wide range of images. This helpful video will give you five tips for getting the best results out of the Clone Stamp Tool.
Phlearn has debuted another really helpful and easy-to-follow tutorial about how to master motion blur in Photoshop. Early in my photography career, I would make the mistake of shooting motor sports with a high shutter speed. The cars would look sharp but they appeared to be parked on the race track. The technique shown in this video and the steps listed below would have helped add a more dynamic motion and story-telling elements to my otherwise static photographs. This is a great skill to master and can be applied in many scenarios.
If you're interested in taking pictures of vehicles and wonder what it takes to get a commercial grade result, sit back and enjoy a complete walkthrough.
Double exposures have been around since the days of film, but thankfully, you can create them digitally now (with a lot more control over the final result too). Now is a great time to grab a couple of photos from your library and to try it out yourself, and this great video tutorial will show you how to do it in Photoshop.
It might be the most wonderful time of the year but that doesn't mean there will be snow falling for your photo shoot. In this video, you’ll learn how to photograph and use real snow for overlays in Photoshop.
The use and misuse of composite photography is a story we hear about quite often. Long before the days of Photoshop and digital manipulation, though, composite photography existed. Here's the story of one of the earliest controversies surrounding a composite.
Seeing colors and luminosity correctly is not always easy. You could calibrate your screen and be stuck working at the same place every day, but some people just can’t have a fixed office or studio. And even with a calibrated monitor, adjusting luminosity to your creative vision can get tricky. This is where visual help layers come in, especially one called the five-tone heat map. Blake Rudis from f64 Academy shows you how to use and why it’s so useful.
Dark bags under your subject’s eyes is a common issue that is usually unattractive and can ruin your client’s perception of an otherwise great picture. Here is the best way to remove these bags in Photoshop.
Colin Anderson is a composite photographer from Australia whose work is super stylistic and conceptual. He has worked with many large companies including Adobe, the Discovery Channel, and IBM.
While photographers have been able to upload their RAW files to Google Drive for quite some time, apparently, we’re now one step closer to being able to process those in Photoshop directly through our browsers. An almost two year effort on the part of Adobe and Google has brought Chrome-based Photoshop to fruition. They’ve got a version called Photoshop Streaming that they’ve sent out to educational institutions to test out over the next six months.
Whether you photograph weddings, portraits, or something else, a lot of the people you'll shoot will benefit from having their teeth whitened a bit. This great tutorial will show you how to easily and convincingly do that using Photoshop.
Learn how to make your images look more dramatic using simple techniques in Photoshop.
One of the most fundamental skills anyone shooting portraits should have is a good understanding of basic retouching. This helpful video will show you everything you need to know to effectively retouch portraits in Photoshop.
Peter McKinnon is back with another video, this time to show how to create a fantasy composite in Adobe Photoshop. A composite image is an image made up of various photos which are placed and blended together to make one image. When it comes to fantasy, it’s just that... fantasy. When you have an idea that you want to bring to life, you have to use the tool in your trade to bring it to life, as you can't just snap a photo and be done with it.
Color grading is an evolving aspect of digital photography post-processing, playing a crucial role in defining the mood and tone of an image. This fantastic video tutorial shows you a new Photoshop tool that will make the job much easier.
One of the marks of a professional photographer is a strong command of the use of color, particularly the ability to make colors pop and grab the eye without crossing the line into gaudy and tacky. This excellent video tutorial will show you three different ways to make colors pop in Photoshop.
We here at Fstoppers can forgive our beloved Trevor Dayley for jumping ship and joined the crew over at SLRLounge as long as he keeps turning us on to useful tools and tips like the Adobe Color CC app. This thing is so cool and it's free. Adobe never seems to stop enriching it's eco systems with improved connectivity and functionality. The Color CC app allows you to sample real world colors (you'll see what I mean by that in Trevor's video) or create color palettes from photos straight from your mobile device.
Photoshop is a tremendously large and complex program, and it certainly behooves anyone working in the application to learn whatever they can about shortcuts and the way the tools work. This helpful video will give you over 20 practical tips for maximizing the usefulness of the tools in Photoshop in just two minutes.
Depending on your project or assignment, commercial photography can allow for some creativity to be added to the photo. Creating splashing in the background or even having the splashes hit the product or subject can be one way to add some interesting factors to the shot. How would you set up the shot?
Landscape photography often places tremendous dynamic range demands on your camera, and while there are ways for dealing with this, sometimes, you will come home with an image that has blown highlights, which can distract from an otherwise compelling photo. If you find yourself in that situation, check out this fantastic video tutorial that will show you how to make them look more natural using Photoshop.
A photo retoucher and VICE have been subjected to strong criticism after it emerged that mugshots of victims of the Khmer Rouge regime were manipulated to make it appear as though they were smiling.
We're being treated to another short-form behind the scenes tutorial from Nathan Elson. This time, Elson is taking us into the studio to show us his techniques for using a single light to create soft even light across a subject.
It's rare to watch a video that claims to reveal new tricks in Adobe Photoshop that aren't actually just fairly intermediate techniques. However, this is one that passes the test.
Your footage is already shot with lighting that makes it look "cinematic" and it's time for color grading. You apply a teal-and-orange LUT preset, but although it is in the right direction, your video still lacks something that prevents it from having that blockbuster look.
In this Photoshop breakdown, watch as Dean Samed walks you through his process and layers, to show you how he created this synthetic lifeform art.
Got a minute to spare? Learn how to quickly and easily enhance your subject's hair using Photoshop from this helpful tutorial.
Are you having a hard time making your composites look believable? Learning to create shadows in Photoshop is one of the critical elements in creating realistic composites.
In this video tutorial watch as I show you how to turn skin pale and hair gray in Photoshop. I have used these two techniques on many images now, and this way is far more adaptable than simply using a desaturate filter.
If you are new to Photoshop, you might be feeling a bit overwhelmed by all the functionality and wondering what you should focus on learning first. Adjustment layers are one of the most fundamental and flexible tools you will find in the program, and they are tremendously useful for almost any photographer. This helpful video will help you become proficient with them.
A lot of us like a bit of lens flare in our photos as a stylistic choice, but once it reaches J.J. Abrams levels, it can be a bit distracting. This helpful tutorial will show you how to remove it from a photo, particularly when it lands on your subject's face.
Photoshop's new Generative Fill feature has taken the industry by storm in the last week, with its remarkable capabilities capturing the attention of many for its potential to invigorate creative tasks and streamline workflows. It is not perfect, though, and it has one issue that you should be aware of should you plan to use it for professional work. This helpful video tutorial will show you the issue and a quick and effective workflow to ensure you get high-quality results.
Color grading is a science, and it can take professionals years to perfect. With so many variables in the mix, is this something that you would want to try for yourself? What if there was a plugin that could take out the time involved in the matching of colors over a series of images using a reference image, and in doing so, allow you to get the results you are seeking without as many hoops to jump through?
If you've ever wanted to inject a sense of speed into your automotive photos but haven't quite nailed the camera settings, then don't worry, because you can edit in some dynamic motion blur to your images with these simple techniques with Photoshop CC.
Whether you're a portrait, wedding, or event photographer, you undoubtedly encounter this issue: nobody has perfect teeth. But there is a perfect way to streamline the fix: create a Photoshop action.
When retouching your images, are you using a check layer to see what might not be seen in the shadows and the highlight areas of the photo? If not, you may be overlooking some areas that need work.
Before you get into any sort of advanced adjustments or edits in Photoshop, you need to select the part of the image you are working on. Depending on the photo, this can be a tricky process, but luckily, Photoshop has a wide range of built-in tools for extracting specific parts of an image or creating layer masks. The Select and Mask workspace is the place to go for a lot of this work, and this excellent video tutorial will show you everything you need to know to use and get the most out of it.
I have been shooting aerial photography for years now, but have never really shared much of my process when it comes to creating images. Here is a quick look at what sometimes goes into a simple photo of mine.
Have you struggled with edge fringes when trying to cut a person out of their background in Photoshop? This great video shows you how to remove fringing to create seamless composites.
Anyone with long hair is generally seen around town with hair ties worn as a bracelet. I keep many in my studio even to hold back wardrobe pieces that are not form fitting. While the best option is always to remember to have your client remove them before you start shooting, there is always that small chance you forget and it isn't seen until a few frames into the session.
Berlin-based photographer/retoucher Erik Johansson creates wildly imaginative and often surreal images that has us posting on his work time and time again. Erik's images have been defined as a complex combination of his own photographs that captures ideas rather than moments. As impressive as his finals are, it was this simple 20 second video that caught my attention this time. You get a pretty good idea of Erik's technical process and if you're anything like me, you'll be motivated to create an Erik Johansson inspired piece of your own.
Are you a Photoshop expert? Fstoppers is starting a new weekly Photoshop contest for our community! We want you to submit your best photoshopped images in the groups where fellow photographers will vote for their top five favorite images. Of those top five, one lucky winner will be chosen and win their choice of an Fstoppers tutorial. This week we are focusing on your most creative photoshops within wedding photography!
It is quite impressive just how advanced editing and retouching tools have become, but even so, many of the world's best retouchers prefer a more fundamental, old fashioned technique: dodging and burning. This fantastic video tutorial will show you how you can use dodging and burning for retouching skin using Photoshop.
