Making selections in Photoshop can be an incredibly tedious and time-consuming task, so it helps to know every possible method for a variety of situations. This helpful video will show you two lesser known but quite powerful procedures.

Dust spots are inevitable, and removing them can sometimes be a burden. While there are many ways to go about removing dust spots, retoucher Chris Lambeth shows us a really quick and easy way to get rid of them. This method for removing them is completely new to me, but I'll be sure to incorporate it into my workflow.

Keeping a fair amount of texture seems to be an issue for a lot of photographers and retouchers. No matter what technique they use to clean the skin of a model, I often hear people trying to find a solution to get a more natural and visible texture. Here is one for you!

Do you find that your cityscape photos lack punch? Check out this tutorial for an easy way to add some pop to your images.

Being able to precisely and accurately select and mask things in Photoshop is one of the most fundamental and essential skills any photographer or retoucher can possess. This helpful video will show you how to cut out just about anything you'd ever want to using Photoshop.

Knowing how to light, pose, and shoot a good portrait is only half the battle; you also need to be able to edit your images to produce a fully finished and compelling final product. If you are new to portraiture and looking to improve your work, check out this fantastic video tutorial that will show you a full image edit, including retouching, dodging and burning, color grading, and more.

Photoshop is an intricate and nuanced program, and as such, you can never have enough tips and tricks to make your work both easier and more efficient. This excellent and comprehensive video will show you 19 such tips and tricks for Photoshop.

It has happened to all of us a million times: After wrapping up a creative photo shoot and go through some of the images in post, we typically find a few photos in there that are "meh" at best and you most likely pass over or discard. Well, photographer and retoucher Glyn Dewis once again shares an awesome Photoshop / Lightroom tutorial on how he turned one of his throwaway photos into a killer shot. Check out the final image and information below.

It might have once been an absurd thing to contemplate, but has the day finally come where landscape photographers do not actually need to use Photoshop?

With this 30-second check, you can ensure your images have the exact right contrast and levels, with it being particularly effective for black and white imagery.

Despite being one of the best jobs in the world, photography and retouching are both technical processes in which you usually deal with some problems and find solutions afterwards. Every shoot is a different problem to be solved, and mostly, this is the fun part of this job. But sometimes, you have to be prepared when dealing with large amounts of photos with a tight deadline. So, here are some tips for fast-paced workflows for a commercial photo shoot.

Something I get asked often is how to add color tones to your images. Often the easiest option is to use filters either in Lightroom or with a plugin software such as Google Nik. However, as you delve deeper into the world of color grading you will eventually become curious how to create your own effects.

When we think about removing something in post-production, more often than not the clone stamp tool and the healing brush come to mind. We have been used to seeing these tools as the ultimate ways to erase an object from images. However, it's not always the best, or even the fastest way to do it. Greg Benz, the creator of Lumenzia, shows us in a quick video how we can erase a shadow in a few clicks using luminosity masks.

Adobe's software bundle is something almost every artist or creative professional in the visual art industries uses. We can't really go without it, and on a personal note, it's like a marriage. Photoshop has done some amazing development with their software, and now, they've teamed up with Cornell University to develop new imaging technology that makes it possible to transfer a photo style from one image to the next, and still make the image look realistic.

Like Levels and Curves, Fill and Opacity in Photoshop can often cause confusion for people. Here, the two are explained so you'll come away with a far greater understanding of how they differ.

Post-Production and Retouching is just as much an integral part of creating a great image or series of images as pre-production and the actual shoot, especially when you are shooting for a client and not just for yourself. Each genre of imagery, advertising, beauty, fashion, etc. has a slightly different set of rules and parameters when it comes to retouching. In this tutorial we will look at the complete start to finish of a fashion editorial image. Last week I posted the complete gear list for this exact shoot. This week we will look at the first part of retouching, including cleaning up our white seamless and correcting distractions in our image.

We love Sports Illustrated Swimsuit Edition and we're going to guess by you clicking on this story that you feel the same. We've gathered up a few hilarious blasts-from-the-past covers and a few more recent covers and it got us thinking about how things have changed in swimsuit photography over the years.

Photoshop has some pretty advanced automated tools for removing distracting objects from your photos, and while they can get the job done a lot of the time, sometimes, you are dealing with such a complex and difficult background that you need to take control of things. If that is the case, check out this helpful video tutorial that will show you how to efficiently and convincingly remove such objects.

The photographer behind Lupita Nyong's new Grazia UK cover feature has been forced to apologize after the actress spoke out upon finding parts of her natural hair had been removed.

As a photographer you are probably confronted every now and then with unacceptably high noise levels. This may occur when using extremely high ISO levels, or perhaps when lifting shadows too much in post processing. You can try to reduce noise by one or two sliders in Photoshop, Lightroom, or similar software, or by stacking a couple of photos.

This week, Adobe released an update to Photoshop CC that features a new selection tool capable of automatically selecting the prominent subjects in an image with only one click. This video does an excellent job of revealing exactly what you get with this new technology and how to use it to its full potential.

Shooting products against a pure white (255,255,255) background, can be achieved using the pen tool in Photoshop, but what if you want to find an alternative way to create the same stunning images, but without the hassle of spending so much time in post-production? Dustin Dolby from Workphlo, has created an insightful online tutorial which shows just how simple it can be to create this effect, with minimal gear and maximum time saved. With the help of a couple of speed lights, strategically placed white and black card and a kit lens, Dustin is able to demonstrate just how easy is can be to control and shape lighting, to achieve the desired effect.

Got a spare minute? Pick one of these videos and learn a new Photoshop technique.

Color banding is a problem we encounter when retouching many of our images or making them ready for print, but in many of the cases we just ignore it hoping no one will notice. In this long and detailed video, photographer / illustrator Lee Varis explains why banding appears in our photos, how we can recognize it, and shows the best methods we can use to fix it.

One of the most useful things you can do in Photoshop is remove an object from a photo, whether that's a building ruining your landscape shot or that person that wandered into a shot of the bride and groom. This great video will show you five techniques for removing anything from a photo using Photoshop.

Have you ever wanted to photograph a location only to have a constant stream of people coming and going? Trying to capture the the front of a busy building can be truly frustrating. Lucky for you Greg Benz knows your pain and he has a quick and easy solution to help you get the shot you've been waiting for.

When it comes to masking hair, the background eraser tool usually does the job. For images with solid backgrounds, it provides a quick solution; however, getting a clean result with this tool requires more work than you think. Luckily, there is a better way to mask hair in Photoshop CC.

A free update to ON1 Photo RAW 2018 made sweeping improvements to performance and image quality and also introduced new features. From importing and cataloging to editing, layer-based compositing, and printing, the new Photo RAW 2018.1 is a powerhouse for every photographer's workflow.

Adobe Photoshop is such a deep and impressive tool, that most things can be done within the software. While you may (and arguably, should) want to get it right in-camera, sometimes you don't have that option. Here is a great tutorial on how to fake the colored gel look.

Last week, we continued our exploration of Puerto Rico with our second shootout challenge. This time, we mixed it up a little bit with a guest photographer, and the results were pretty interesting.

Ever wondered how to create your very own LUTs using only Photoshop? Look no further, Unmesh Dinda at PiXimperfect just released the perfect short and easy to follow tutorial for you.

Last week, we featured an interview with the awesomely talented retoucher and photographer Marina Dean-Francis. This week, she's shared a video with Fstoppers showing her retouching on a hair and beauty image. Although the video has been sped up tremendously, it's not hard to see that there aren't many quick tricks in play here. It's no secret that maybe the greatest skill in retouching is patience.

Pay close enough attention, and there are some very useful tips in this video - my personal favorite comes in around the 2:30 mark and is a great way to add highlights on...

Adobe concentrated its Creative Cloud 2017 updates heavily in newer media areas as it announced an After Effects improvement to render 3D elements up to 20 times faster, a Premier Pro update that automatically detect and create settings for different types of virtual reality content, and a new project, Project Felix, to aid in the creation of photo-realistic images by combining 2D and 3D assets. Meanwhile, cloud-based document collaboration across Creative Cloud, universal search in Photoshop, and other new features improve usability across a number of applications.

You've put in all that hard work to create the photograph you wanted, so don't undo a lot of your efforts by not properly resizing for which ever platform you're going to post it on, including your own portfolio.

Professional-quality photo printers and paper are expensive. It can be difficult to justify the steep price of the machine and upkeep for most photographers who shoot as a hobbyist or even a starting professional. Outsourcing your printing needs to a pro photo lab alleviates the cost, but there are some inherent complications in not being able to print from home. These four helpful steps will minimize the disconnect when sending out your images to the lab.

Lens filters are useful for achieving a variety of photographic effects in camera, such as long exposures of moving subjects. But did you know you can achieve the same great results with Photoshop CC?

I love shooting on location and am passionate about deep blue skies. Usually I would use CPL and ND filters to get the best skies to my taste. A detailed article about how to get dramatic skies is described in my previous article, "The Ultimate Guide to Dramatic Skies in Portrait Photography." After the shot is taken I always play with the luminosity and saturation values of the blue tones. One issue I often face while darkening the skies via luminosity is having a white outline appear around my model. Today I will take you through a short tutorial of how to get rid of that quickly and effectively, without the need to compensate on your luminosity.

Some days, the light just doesn't cooperate to give you that beautiful blue sky in the background of an image. But your subject may be so compelling, you know you have to fix that sky to make elevate your image from mundane to impressive. You could always replace the sky in Photoshop, but there may just be an even easier way to do it using the Black and White Filter.

The latest major Photoshop blunder comes from Vanity Fair, who have unveiled their new issue’s cover complete with Oprah Winfrey having three hands, and Reese Witherspoon sporting three legs.

As Adobe continues to grow its customer base with its easily accessible subscription plans, other companies are looking to capitalize with their own software solutions. Luminar has been around for a while, but their new 2018 version introduces some amazing features. Regardless of how you look at it, at $69 for a perpetual license, it’s a steal. Nevertheless, how does it really compare to industry standards such as Lightroom or Photoshop?

Have you ever been confused about which color space you should use and wondered what the differences are? This video will help you understand, and most importantly, choose the correct one.

Have you ever wondered what that obscure tab called “Channels” in Photoshop does? You know, the one with black and white layers of your photograph that are anything but red, blue, or green? Turns out they do some pretty amazing things and aren’t really that hard to understand once you get familiar with them.

Just like ever camera owner is a photographer, every person who owns an abundance of MAC products is a makeup artist. At least that is how it seems on Instagram these days. There are now more makeup artists on social media than ever, and finding the right ones to follow can be tricky. Following the best makeup artists can make a portrait photographer better. If you follow them closely, you can step up your game.

When learning to retouch skin in Photoshop, most people start with frequency separation. Has Adobe now made skin retouching even easier with Neural Filters?

There are few tasks in Adobe Photoshop that are more irritating to do, and as a beginner, that irritation is increased tenfold when you need to cut a subject out from an image. Well, if you're a beginner who wants to add this skill to their repertoire, start here.

The Orton Effect is a common technique used on landscape photos that can lend your images a soothing, ethereal glow that can be a great choice for projecting a certain mood. This excellent video tutorial will show you how you can use Photoshop to add the effect to your own landscape images.

Anyone who is interested in portrait, fashion or/and beauty retouching knows how wonderful the Dodge & Burn technique is for skin retouching. We have talked about various methods and the fundamental knowledge of light and shadow rendering in 2-dimensional art before, and I would like to offer you yet another important piece of the D&B puzzle - the brush settings in Photoshop, which will help you achieve greater results when using this technique.

Every day, millions of people use filters to stylize an Instagram post, or Gaussian blur to edit a photo. Have you ever wondered what's really going on when you do this? It all comes back to one fundamental process.

Photoshop’s adjustment layers are some of the most powerful tools available for post-processing photographs. With the ever-increasing number of sliders available in Lightroom and Camera Raw, the adjustment layers in Photoshop seem to get less visibility, which is a mistake.

When Unmesh Dinda of PiXimperfect says that this is hands down the best automated skin retouching software ever created, you might want to pay attention.