For years I found myself making excuses as to why I wasn't creating the type of images that I so desperately wanted to make. I didn't have the gear, I didn't have a model, I didn't have access to a studio. At the end of the day, it came down to one simple thing, I never tried.

With film photography once again becoming popular, photographers who wish to take it up must wonder where the current film stock is coming from. Is it from the remnants of film stock that was made years ago? Well, you'll be happy to know that Kodak still has production lines running at its factory and even happier to watch this deep dive into how they make the film that you shoot today.

One of the best climbing photographs that I’ve ever taken came out of my recent trip to Switzerland. Here’s how I edited it using Lightroom, deploying a few subtle techniques using adjustment brushes to make the most of the colors and dramatic conditions.

When looking at portraits, we have a tendency to look at the eyes first. We can't help it, it's part of human nature. This is why I personally believe it is extremely important to capture and refine the eyes in your photos to create more engaging portraits. Retoucher Michael Woloszynowicz created an awesome 4 part video series about how to make your eyes look amazing in post production. See the rest of the post below to watch video parts 2 through 4.

When I first picked up a DSLR and got a taste of artificial lighting, I loved shooting in darkness. I felt like I could control light a lot easier without having to fight the ambiance of a location or sun. Using an array of speedlights, I would light the location and subject how I wanted. Sometimes, that included putting speedlights in lamps or mounting them in the background. Eventually, that style took a sharp 180 degree turn, now I love using natural light in my favor to create a dramatic portrait.

As a fairly established photographer, many beginners ask me what camera to buy to get started. What’s more important: body or lenses? Or is it the brand? My standard advice has always been to buy a cheap, used body and save your money for quality lenses. A beginner just doesn't need a high-end camera. That’s easy to say, of course, when you shoot on a Nikon D800 with some pretty nice glass. Perhaps it was time to do a little experimenting of my own to see what, if any, difference there was between a top end camera and something cheap.

Every well-known movie has specific scenes it is famous for. This is the case with the bike fight scene in John Wick: Chapter 3 Parabellum, where we take a glimpse behind the scenes to see how the production team made that action choreography.

Many people go out every year to set a Guinness World Record, and for those who can succeed comes fame, money and the ultimate bragging rights. Mike Newman should know, he's already set four... but now he wants three more to hold the triple crown for land, water, and air speeds. In this video, photographer Nathan D'Amour heads out to capture Mike's attempt at driving over 200mph unaccompanied in the Noble M600, a British super car. You may be thinking 200mph is far below the current land speed record, and you're right... but this isn't just about driving fast. What makes this feat so impressive is that Mike is completely blind.

Naomi and I just celebrated our 40th month of being on the road full-time and living a 100% location independent lifestyle. Looking back, it seems like a lifetime ago when we made that crazy decision to sell nearly everything we owned and adopt a life filled with travel photography. In a way, it really was a lifetime ago because we were completely different people back then living very different lives; two people with a dream of what could be, teeming with optimism, but with no real idea of how it would all work out in the end.

So you have a priceless Porsche race car to photograph for an ad campaign and you have to make it look like it's driving really fast, but space is tight and you left your stunt driver at home. So how do you get the shot of this car driving fast while parked? This is exactly the challenge car photographer Frederic Schlosser faced for this project. Watch the video and read below to learn how he executed this shoot perfectly.

The unveiling of the Pirelli calendar is due... well, it just happened... and it's going to blow your socks off. Or not. Check out the behind-the-scenes video below.

Shooting out on location in a busy environment like New York City can be extremely difficult. When dealing with police, public safety, traffic, and pedestrians, it can often be near impossible to create the look you want without sacrificing your lighting. The way videographer David Geffin tackled these issues in his latest project, "Let's Dance," is pretty brilliant.

There was a time early in my photography career that I bought into the idea of becoming a natural-light photographer. In secret this idea manifested because using off-camera lighting to help shape my images meant learning about all of this crazy lighting technology. I’d rather just stick to what I was comfortable with forever and just not use it. Sound familiar?

Whenever I am working with models on a shoot, I always have their best interests at heart. You may say I care too much about my models, but I am alright with that. No one badmouths a caring photographer. I have seen firsthand how some models are treated badly on set and it saddens me to see how bad attitude from photographers can ruin the photographer-model relationship and also lead to bad photos. Knowing how to build a relationship upon meeting your model and engaging in a photoshoot with the latter is a must and I asked a couple of models for advice to write this article.

As a photographer, I'm always looking to capture something in a unique way. This is the craziest landscape photoshoot I have ever done. By taping a tiny Nikon Flash to my DJI Phantom II Drone, I was able to fly my remote helicopter up the side of a lighthouse and light the entire thing with flash. Creating this photograph was one of the trickest shoots I've ever done, and this is how I made it happen.

Virtually all photographers' portfolios have some form of studio work in it. The clean white background has been used the world over, from high-fashion shoots to everyday e-commerce. Here's an effective way to give your model or product shoots a touch more class for little to no cost.

In the growing wake of low-budget, special effect action minis whose audience has become larger and larger on YouTube, Sam and Niko's "Real GTA" steps the game up once more with a perfect assimilation of the popular "Grand Theft Auto" video game into real, Los Angeles life. Complete with sound effects recreated as similarly as possible within the actual game, the same Los Angeles street scenes, and smashing special effects (like the famous wads of cash exploding out of recently killed bystanders), "Real GTA" reminds us both how ridiculous and subsequently fun it is.

For years I have had the internal and professional battle to go through the motion of building a portfolio website to show off my absolute best and most recent work while also being able to allow clients to easily contact me. In today's day and age there has never been an easier way to do all of these things all in one place, for me that's Instagram and it should be for you as well. Here is why I think it's the best portfolio website on the web.

Red Bull has yet again set the bar higher for motion capture capabilities combined with sheer awesomeness. And to answer your question, yes it involves more flying. In this epic behind the scenes footage we see the workflow for creating high speed footage while flying through the air with the subject on skis. If this sounds dangerous it's because it absolutely is. Check out the full video spot below.

What is it like to see a larger-than-life bird made up of a record-setting 1,218 individual drones fly seamlessly over a full stadium? What did it take to plan for that number of drones to come together to create the shapes of snowboarders and skiers and the five Olympic rings? While that was the plan, that didn't quite happen as expected, possibly due to hacking. But take a look behind the scenes of Intel's Olympic drone team as they prepared for this year's winter Olympics ceremonies and completed the record-setting flight that made NBC's delayed U.S. broadcasting of the opening ceremony.

The majority of successful filmmakers tend to have very similar stories about their humble beginnings. Cheap cameras were often strapped to skateboards or car hoods to emulate the high budget movies or commercials. Professional jibs or sliders were considered a waste of money when there was a perfectly good painter's pole in the garage.

Readers have enjoyed my past blogs on editing from home, making a better demo reel, and other video-editing articles, so now I’m sharing with you my favorite editing tricks that I find make for better cuts and ultimately make videos easier to watch.

Golden hour is the holiest of times for photographers of many genres, however, it takes some technical understanding if you want to get the most out of it in your portraiture. In this video, Irene Rudnyk takes you behind-the-scenes of her beach portraiture shoot at golden hour to give you some tips.

This is Part 1 in what will be an 8 part series for a dramatic beauty portrait. In the series of tutorials, we will go through everything from the gear used, to the lighting setups, and all the way through the complete retouching process. In Part 1, I will breakdown my gear list used for the shoot and I will thoroughly go through my lighting setup. In this video tutorial not only will you see the gear and setup, but also a behind the scenes look as me and my team go through hair, makeup, and shooting. The complete series of videos will be available here on Fstoppers and on my YouTube Channel.

Many of us know what it feels like to have or want to do a strobed on-location portrait without the benefit of an assistant. In fact, many of the portraits that I believe to be my best were done without an assistant and only with one strobe. It's all about good strategy and proper planning gear/creative-wise. This video by the Slanted Lens does an excellent job preparing you on how to do this kind of shoot effectively. Read below to learn more.

Flying a drone indoors is always a challenge. You have to remain absolutely calm and collected, and generally, I highly recommend not flying a drone indoors, especially if you're new to them in general. That's also the warning that Filmmakers Guillaume Juin and Joris Favraud give anyone wanting to recreate this feat. They are a pair of rather brazen drone operators if I've ever seen any, coming together to form their company BigFly. Normally, the risk of flying a drone inside of a structure is already high, but usually, the highest risk is to the safety of your equipment, as the ease with which your drone could come into contact with any number of disastrous endings is increased exponentially.

About six months ago, I wrote a piece comparing flash techniques to HDR and ambient-only techniques when shooting for architecture and interiors clients. There was some great discussion involved and many valid points raised, and I'd like to take a few minutes to bring up another scenario that really shows the benefits of using flash whenever possible when dealing with interior or architectural situations.

After the honeymoon period, where we obsess over every new technological innovation the camera market has provided, what matters when we get to set?

We all know Red Bull photographers capture some amazing extreme sports photos, and Dan Vojtech is no exception. He recently photographed Extreme Pilot Martin Sonka, using a set up of 30 Fomei S600 DC strobe flashes. Watch the video for a quick behind the scenes look at how he got some amazing shots.

Patrick and I created Fstoppers.com about eight years ago and it's been a wild ride. We never planned any of this, we simply tried to steer this ship that seemed to be moving on its own.

Product photography is a great way to experiment with lighting and editing techniques. For me, it’s a chance to shoot in a relaxed environment where I have complete control over the subject, lighting, and camera. I can set up something small in the living room and find solutions that can be applied to my portrait work or professional product photography. It also requires a lot of creativity. Homemade items or DIY solutions are abundant on sets. From light-shaping tools to methods of creating parts of a composite, a lot can be created simply and at a low cost. You may be surprised to see how minimal of a setup can create some stunning photos.

It's a photo so ubiquitous that if you type "iceberg photo" into Google, it's the first two image results. And the sixth. And the tenth. Ralph Clevenger's iconic photo of an iceberg's tip peeking out from the water while the substantial body of it remains below has graced countless publications, from full-page magazine advertisements commissioned by major corporations to the ever-famous "Imagination" motivational poster. It's a photo that is so famous that it's been copied, stolen, manipulated, parodied, and imitated an innumerable number of times over its nearly twenty-year existence. It's even made rounds on the internet as a hoax that Snopes picked up.

High-speed sync is a hot topic in the world of portrait photographers today and Francisco Hernandez is someone who has this technique dialed in.

Shooting events is like running a marathon, it often feels like it's never ending. At the end of the day you are sore, dirty, and you may have blacked out for a portion of it from dehydration. Using an ergonomic camera sling for one or both cameras is a great solution for saving your neck and back and also keeping your cameras secure on your body. This is a no-brainer investment if you are an event shooter and may change your life if you haven't been using one.

Last summer, Conceptual Photographer Erik Johansson spent a calm, pleasant evening shooting his charming photo project “Full Moon Service.” Almost instantly going viral as soon as it touched the Internet today, here’s a behind-the-scenes look of how it all came together from hand drawn sketch to fine art print.

While it certainly wasn't my first time using one, a recent shoot I did for TEDx at the Ohio State University made me realize how much easier life is with a light meter. For almost all the time I've spent behind cameras, I've been creating portraits. And for most of that time, I've been using flash. Starting out, I would just shoot and tweak power settings and my aperture and the light placement until I got what I wanted. As an amateur, it worked. But once I decided that photography was a career for me and as I began picking up client work, this method became quite ineffective, forcing me to get the one tool I never realized I needed.

One photographer has set out to prove you don’t need a beautiful location to take amazing snaps by holding a photoshoot inside a Lowe's store.

I thought this was a cool retrospective video that DigitalRev put together using clips from their old episodes of Cheap Camera Challenge. This piece essentially shows how some veteran shooters keep composed when faced with on-set challenges. Everything from face-planting onto concrete while trying to take a photo to dealing with deadly snakes just inches away

Canon's RF lens range has been expanding but some of their earlier lenses are closing in on early classics for Canon mirrorless. One that has been particularly well-received, is the 50mm f/1.2.