The news is filled with stories about people who use drones in ways that endanger lives. It wasn't long ago that drones kept firefighters from fighting life-threatening blazes in California. But firefighters battling an Alberta firestorm that could prove Canada's "costliest natural disaster," according to Business Insider, are looking to drones to help answer the question of how it started — something that is still unknown for this fire that is estimated to take months to extinguish.
Watch YouTube star Julien Solomita follow behind-the-scenes as fellow YouTuber Keaton Keller of Tech Smart reviews the new DJI Phantom 4 Quadcopter obstacle avoidance feature. As a review, it isn't to be taken too seriously with Keller attempting to fly the drone into a tree, branches, a tripod, and finally himself.
Tim Sessler of Brooklyn Aerials and Brandon Bray of Decade have teamed up to create a dizzying drone video. Using extreme rolls and the "Vertigo" effect they have successfully created footage of New York City unlike anything we have seen before. In a video titled "Balance" they hope to explore the feeling of imbalance that is more in tune with the real world rather than the perfectionist and steady footage we usually see. Queesy stomachs beware!
Documentary Filmmaker Janssen Powers makes me want to go to the mountains immediately. The beautiful Pacific Northwest is on amazing display in "Muir Song," an ode to naturalist and conservationist John Muir. Fittingly released on what would have been his 178th birthday, Powers takes us on a beautiful journey through the mountains and sea. If after watching this video you haven't booked your tickets (or if you're lucky to live there and don't go outside immediately), there is truly something wrong with you.
I've been feeling pretty cool lately. I've been making some time-lapses and doing a lot of aerial work. It's hard not to feel cool when you're taking shots from 300 feet in the air. Then, NASA came along and made a time-lapse 250 miles up in space. I no longer feel cool.
They say necessity is the mother of invention, and when you want to film incredibly smooth footage of fighter jets at over 300 knots and pulling 2.5G's, you can't exactly get an off the shelf gimbal for that. Aerial film company Blue Sky wanted to do exactly that so they commissioned Gyro-Stabilized Systems to built them a custom 5 axis gimbal capable of such feats. Boy did they deliver!
I recently purchased a drone, and I've caught the aerial bug. The new perspective afforded by it has been wildly addicting. However, I'm still very much an amateur in my newfound abilities. Films like Wild Scotland, in their beauty and seamless sense of evolving wonder, give me something to aspire toward.
Vincent Laforet is a name that has recently become synonymous with world-class aerial photography. His incredible images from above gives us a new artistic perspective of the cities we love and the world we live in. In this five-minute video from the B&H “Prospectives” series, Laforet gives us a great overview of his body of work shot from the sky as well as some practical takeaways from what he’s learned along the way.
It seems like at least once a week I find myself having a conversation with a filmmaker or photographer who is struggling to understand the current state of rules, with regard to the commercial use of drones. And who can blame them? Digging through the FAA's website to get clear information is a painful exercise, and things continue to change every few months. This video features Chris Newman, a professional drone pilot, to break the current policies down in a clear language, and he tells us what to expect next from the FAA.
I'll be the first to say it, smoke bombs are usually too Tumblr for my taste. Generally you see them with a moody girl looking off into the distance in some backyard forest. I never got the point of those images. But I found myself mesmerized by "Chromaticity"; the smoke bombs were alive, more like wayward spirits hovering above the big blue. I was so entranced it took me half of the video to realize they were attached to drones, and the drones were nowhere to be seen.
I'm not a landscape photographer, but I am a photographer. At the heart of all us 'togs is a deep-seated yearning to capture the rare and the beautiful. Another concept I find overly enticing about photography is that of being a nomad; a wandering explorer with only a camera as a companion. Or, in the case of this video, three cameras, a DJI Inspire 1, and presumably a helicopter. Whatever, stop watering down my poetic vision.
Reportage seems to be a genre where feminine qualities are seen as an obstacle rather then as an asset. I sat down with French photographer Audray Saulem who proved them wrong and listened to her experience shooting an epic race of 210 kilometers in the Sahara over 6 grueling days.