As we all know, even the most stunning visuals require an equally amazing and unique soundtrack to bring the audience's emotions to their full potential. Supervising Sound Editor and Sound Designer Christopher Boyles from Skywalker Sound discusses his work and the burden of creating original sounds for "Avengers: Age of Ultron" that will stand the test of time.
In this episode of National Geographic’s fantastic series "Exposure," you go behind the scenes with street and portrait photographer Wayne Lawrence who describes photographing the “real Detroit.” Lawrence describes the challenge of shooting such a diverse city, one that includes familiar, comfortable suburbs and rundown, abandoned spaces.
This ingenious video has gone viral as the true level of photoshopping to manufactures 'beauty' is exposed. In this clip, we see 6 hours of photoshopping sped up to fit into a 90 second clip. All of these hours of work has gone into creating just one perfected image of a model.
As a fairly established photographer, many beginners ask me what camera to buy to get started. What’s more important: body or lenses? Or is it the brand? My standard advice has always been to buy a cheap, used body and save your money for quality lenses. A beginner just doesn't need a high-end camera. That’s easy to say, of course, when you shoot on a Nikon D800 with some pretty nice glass. Perhaps it was time to do a little experimenting of my own to see what, if any, difference there was between a top end camera and something cheap.
With May 4 behind us, it brings us one day closer to the release of the upcoming "Star Wars" sequels later this year. Whether you are a fan of the series or not, it's going to be one of the biggest releases in history. In preparation for the launch, Annie Leibovitz had the chance to fly out to the set to photograph some of the original cast as well as the new members joining the franchise for Vanity Fair. Here is a behind-the-scenes look.
Photographer Joe McNally is out in the desert again. This time he is in a dry lake bed outside of Las Vegas with Cirque du Soleil performers Daria Shemiakina and Anna Melnikova. It’s a little unclear whether he is shooting this concept for a Gitzo campaign or for the artists but if you can take your eyes off the beautiful and amazingly talented athletes for a moment you’ll be able to gleam some of Joe’s desert setup. If you're like me and prefer simple kits and small intimate teams over large crews and trailers full of gear then you’ll find it comforting to see that a master like Joe keeps it pretty basic.
Behind The Glass recently spoke with Andy Baker, SVP/Group Creative Director at the National Geographic Channels, and he dispensed some incredibly valuable information on how to make sure clients see the work you are putting out. Andy is in charge of hiring many freelancers for National Geographics creative projects so this is the best inside scoop you can get.
The creation of a successful fashion image is often a team effort. Aside from the model and the photographer, the contributions of a talented creative team can elevate your fashion photography from good to great. In this article, we will review the key members of a creative team, and how you can cultivate a reliable crew.
The natural beauty contained within Enrique Pacheco’s latest time-lapse video “Reflections from Uyuni” is striking and remarkable. During South America’s rainy season, Pacheco journeyed through the Salar de Uyuni, the largest salt flat in the world, down to the Bolivian desert capturing surreal landscapes of these flooded lands. Fstoppers is happy to share the Spanish cinematographer’s insight as to what the experience was like shooting in such surreal locations.
The guys over at Resource Magazine really outdid themselves with this one. Their spring 2015 issue featured a really awesome shoot by photographer Natalie Brasington and two of the stars from Brooklyn Nine-Nine, Melissa Fumero and Stephanie Beatriz. In this video we see the photographer work with these two exceptional actresses / comedians to come up with some genuinely funny work.
The battle between Floyd Mayweather and Manny Pacquiao coming up on May 2nd is of epic proportions. Alexis Cuarezma had the opportunity to photograph both of these welterweight icons for an HBO press conference back in March. Cuarezma told me he only had roughly 30 seconds with each fighter, and he sure made the most of it!
Shooting in harsh sunlight is always a challenge. Recently I shot a test while out on a trip in Los Angeles. Due to scheduling we had to start shooting around 4 p.m., so we were dealing with hard sunlight. In this post we will look at five different setups you can use to shoot in and manipulate these less than ideal lighting conditions. In a previous post, I showed how to quickly scrim hard lighting. In this quick tutorial we will look five different ways to light while in the same environment and conditions in order to alter the look of our image.
Vincent Laforet's latest AIR series blankets the City of Angels with a farewell series of shots before the project will head to Europe for the first time starting mid-May. As Laforet continues shifting cities (from the previously covered New York City, Las Vegas, and San Francisco projects), his aesthetic slowly changes in response to the varying challenges and differences between shooting each city. Fstoppers caught up with Laforet to discuss the ever-present surprises in shooting AIR and its transformation as it grows into a larger project supported by G-Technology and pre-orders for Laforet's "AIR" book.
With budget options for aerial video becoming more affordable, while the quality and abilities of the cameras they host getting better, I knew it was only a matter or time until I got my hands on such a system. Even though I was a little skeptical from the onset, I’m pleased to say that the DJI Inspire is a phenomenal drone/quadcopter unit for adding dramatic footage to video or still projects, even for first time users.