Last week saw the release of ‘Anomaly’, a film that is redefining the approach and model for independent, narrative film making. Co-Director Salomon Ligthelm outlines how he managed the project as it grew from “a 2 minute art film” into the astonishing 38 minute-long final masterpiece, and provides key takeaways for all of us that we can apply to our own stills or motion projects. If you have any interest in what's coming over the horizon for cutting edge, independent, visual media production, this is for you.
With 2014 nearly behind us and the list of this year's summer blockbusters almost forgotten, we have a treat from the incredibly talented team at Industrial Light & Magic that takes us back in the form of this behind-the-scenes video of the CG that went into "Captain America: The Winter Soldier." What never gets old about these badass behind-the-scenes videos are how they blow away the background of big-budget movies, essentially revealing the digitally constructed landscapes surrounding our beloved actors in films.
This video reminds me of my college days– spending time working with a friend while having next to no budget, but coming up with a fun idea for a short video that would allow us to flex some creative muscle. Corridor Digital may have a (small) budget for these, but what I enjoy about them is that the fun and creativity feels authentic, which you often only get when no agency or corporate sponsor is pushing creative decisions. In this video, you'll see the final clip, with the behind-the-scenes video inside the full post.
One of the most noticeable differences between portraits taken outside using natural light as opposed to artificial light is the background. Images using artificial light tend to have darker backgrounds. This is crucial in catching the eye of the viewer and allows him or her to focus on the subject. This article is a guide in achieving this look using natural light only.
In the beautiful meadows of the Sierra Mountains, Corey Rich takes you behind the scenes for some key tips to improve your sports photography. Documenting sports comes with a certain amount of challenges, especially while shooting in an uncontrollable environment. From working with major clients such as Nikon, The North Face, and Patagonia, Rich has plenty of experience and insights to share when it comes to demanding adventure and sports photography.
Pressure, fear, joy, excitement – these are not uncommon emotions on any shoot. A few weeks ago, I spent a few hours in a helicopter above New York City with Vincent Laforet where we experienced all of these emotions. This exclusive interview and BTS video highlights not only what’s involved to produce aerial stills of this nature, but provides 5 key insights we can all apply to our own shoots.
We've posted about commercial photographer Eric Doggett on here before. You may recall his popular post about how he put together his family's Back to the Future Christmas card. He goes out of his way to create some of the most creative holiday cards I've ever seen. Eric uses a creative arsenal including set-building, 3D modeling, Photoshop, photography, and graphic design to create unique one-off pieces for his clients. Read below to learn how he used ALL of these tools to create a fantastic Star Wars Christmas card.
A great portion of my business is spent on architectural photography. My technique involves using a mixture of ambient light, flash, and tungsten hot lights blended and masked together in post to create well lit images that are time consuming to shoot and often frustrating to edit. I'm always looking for other techniques and resources to incorporate that will allow me to work more efficiently and/or improve my images. This week I found such a technique right under my nose.
"Mayokero" may be the best music video that came out in 2014, yet you probably never heard of it before. In the video, famous vinyl album covers come to life and they all lip-sync to Roy Kafri's singing. Michael Jackson, Abba, Madonna, The Beatles, Elton John and Bob Dylan are only few of the "collaborators" in the video. Check out the BTS video below and also the amazing final result.
Nikon takes us behind the scenes of their recent "I Am Different" documentary series with Clark Little, a professional shorebreak photographer. Clark gives a little insight on how he uses his Nikon gear in what could be arguably be the most challenging and dangerous environments. Outfitted with Aquatech housing, Clark uses his Nikon D4S for its lightning-fast focusing and high frame rate to capture that perfect moment each time a wave breaks.
Justin Bettman is a talented New York based photographer who shoots mostly for his own personal fulfillment. His ideas are raw, quirky and will make you feel like you're sitting front row in an old cinema. Recently he teamed up with Gözde Eker who is a set designer in NYC to bring his newest, crazy idea to life. That's where #SETINTHESTREET was born.
The holidays are just around the corner and if you’re anything like me, you’re most likely short on cash and haven’t started gift shopping for friends and family yet. Fear not, for the lovely people over at The Cooperative of Photography have put together a how-to video of six different DIY photography gifts that you can make with just a few low-cost items and some images.
I guess I’ve always been different; I’ve never really yearned for a big studio space. As a freelance photographer, the majority of my clients require that I come to their location and shoot on-site. I have a strict organizational-mobile system to transport all my equipment which includes over 8 strobes, 2 scrims and a plethora of staging props and modifiers. I’m asked quite often about my studio and where I shoot all these incredible portraits and dramatic fashion editorials. The answer is easy; my living room.