Retouching and Post Production

When looking at portraits, we have a tendency to look at the eyes first. We can't help it, it's part of human nature. This is why I personally believe it is extremely important to capture and refine the eyes in your photos to create more engaging portraits. Retoucher Michael Woloszynowicz created an awesome 4 part video series about how to make your eyes look amazing in post production. See the rest of the post below to watch video parts 2 through 4.

In the last article I shared, "The Most Important Setting in Lightroom is Set To Off By Default", I believe there was a misunderstanding because while talking about auto-saving your edits, I didn't also discuss backing up your Lightroom Catalogs. It is important to back up your catalog and as you will see in this video I'd even highly recommend changing the Lightroom default location for a more secure backup.

"Trevor, I have been editing this wedding for the last few days and now my Lightroom catalog says it is corrupted! When I opened a new catalog and reimported the photos from my hard disk I can't find any of my previous edits I worked so hard on. I am so frustrated! What did I do wrong?" Keep this from happening to you by having Lightroom automatically save your changes, but this setting is off by default. I'll show you where to turn it on.

Gravity was one of those movies I went to watch by myself this year. I wasn't sure what to expect and none of my family members were interested in seeing it so I grabbed my popcorn, a large orange soda and sat down for a movie experience I won't soon forget. But, watching this recently released BTS of how the movie was put together made the movie even better!

We talked about SmartAlbums a few weeks ago with their black friday launch and there was an overwhelming majority that agreed it was a complete game changer. I've been on the beta for about two months and have had the chance to do a review for you guys. The program is so simple to use but if you're too lazy to read there is a screen-share video at the end. It's a quick walkthrough of me building a personal album, it's silent though, so you should probably suck it up and read it, oh and then buy it.

Long gone are the days of being pro- or anti-Photoshop. Today, it's use is ubiquitous in advertising and fashion. Rather, the discussion is now centered around how much Photoshop is appropriate, and at what point is it that something becomes "over 'shop'ed". Ad agency Victors and Spoils aptly demonstrates in this video how marketeers will stop at nothing to get the perfect message across when using Photoshop.

This powerful timelapse video called "Wyoming Wildscapes II" was put together by photographer Nicolaus Wegner. Taking 14 months, this video covers the cycle of the seasons, the shifting of the landscape, and the ever-changing weather. To find out more about this project, I interviewed Nicolaus and asked about his gear, workflow, and experiences.

After a recent trip abroad, I was excited to go through and process my images. I came across an image that I felt looked great in both color and black and white. Unsure of what to do, I started questioning the criteria that I use to determine if a photo should be left in color or converted to black and white. In the process, I decided to ask my colleagues and came up with a guide.

There are lots of presets out there for sale emulating the look of film. Enough so that when I heard that Mastin Labs released one I didn't pay too much attention. Fortunately, because of the nudge of a friend, I decided to look into it a little further and I am glad I did. This is the first time I have seen a Lightroom preset designed by a film shooter for film shooters to help them match their digital images from a wedding with those shot on their film. Fortunately for those only shooting digital, you can benefit as well.

I've been using Wacom tablets for almost ten years now to the date. I picked one up on a whim during the holiday season and have become hooked ever since. For these past few years, I've never considered changing the stylus that came with every tablet I've used. The stock stylus always felt great to me. Recently, I decided to give the Wacom classic pen stylus a try.

I have been teaching retouching and photography for a couple of years, and I found that even my advanced students often didn't know some basic tools or techniques. Those gaps in knowledge are to be expected among self-taught photographers and retouchers, of course. However, I have just returned from my trip to Italy where the amazing Italian Photoshop guru and Wacom evangelist Marianna Santoni organized a series of educational events, in which I taught Beauty photography and retouching.

Recently, I started working with a new steadicam operator for my video productions in the New York City area, Kyle. Aside from his upbeat positive demeanor, I noticed that every piece of equipment seemed to be customized with velcro for maximized efficiency. Little did I know, he had started a youtube series called "The Efficiency Machine" showcasing his different velcro-inspired inventions such as his "Super Desk." See below for more examples of his velcro madness/genius.

Phlearn has something ridiculous like 500 free photoshop tutorials to help you polish your images. This tutorial series, so far, has been one of my favorites. Aaron Nace, the founder of Phlearn, shows us a new technique with custom brushes for giving your subjects a unique corporate head shot look. This tutorial is a 4 part video series, enjoy.

I am always on the search for how to make my editing more productive, because honestly, it isn't my favorite part of being a photographer. We have posted in the past about culling your images using a game-pad. However by adding VSCO Keys to your workflow you can map almost any Lightroom slider on your remote. I have included program links and configuration files for an easy setup with an Xbox Remote.

What does it take to be innovative? What can happen when you put your work out there and others see as innovative, or inspiring? Matthew Vandeputte, a photographer and film editor based in Sydney helps answer some of these questions. Yesterday he put out a fantastically well shot and edited motion lapse piece that I think raises the bar, and with 250,000 300,000 views in less than a day, also suggests others feel similarly. What does over 100,000 images look like over the course of 90 seconds? How did he put the piece together? Read on and find out with this exclusive Fstoppers interview.

It's been a while since we've released an Fstoppers original video, so today we want to take you behind the scenes with Mike Kelley. If you've been following Fstoppers then you know he's been a writer with us for a while and is also one of the most talented architectural photographers in the country. Mike's workflow and style is truly incredible and the amount of hours he spends on creating just one image is - as cheesy as it sounds - a work of art.

Aside from techniques, I have noticed that there isn't much information out there on retouching and the industry. I have been asked great questions over time that I thought people would love to know the answer to. Accordingly, I wanted to make a series to showcase them for the purpose of education and knowledge.

For a long time I've held firm to the belief that in my compositing work, the "refine edge" is worthless. Why? Maybe I'm just stuck in my ways but it just never seemed to work as well as I thought it should. However, Glyn Dewis may have convinced me to give it another shot. In this very straightforward tutorial he shows a fairly simple series of techniques to create a precise mask using this tool.

About seven months ago, we posted an article about an application called 'Paddy' that connects a MIDI controller desk to Lightroom. Unfortunately for me, that application is Windows only, so I set out to find a solution for this gadget that I needed in and around my life. The solution is something called 'Knobroom.'

My buddy and talented retoucher and photographer Glyn Dewis has done it again. He's created another awesome post production tutorial for those of you interested in improving your composite skills. He shows easy and effective tools to create dents and damage effects in your images. In this case, he adds battle damage to an otherwise pristine Iron Man character he photographed.

The team at Red Giant Films, working with special effects guru Stu Maschwitz, have yet again released another compelling short video. Unlike other shorts such as Spy vs. Guy and Plot Device, this is actually a pitch trailer for a film based on a video game that they hope to create. Check the full post for the behind the scenes video too!

You may already be familiar with Dustin Farrell. If you're not, you should be. His time-lapses are incredible. Dustin's shoots all over the world, but some of his most epic are from the American West. In this video, we get to follow Dustin on location in Utah and the step-by-step process that follows.

Chances are you have already learned what Frequency Separation (FS) technique is, as it became mainstream in the past few years. However, many FS technique users actually know very little theory behind it, thus have little control over its implementation. I've set out to research and collect all the important and useful information about it, so we can together learn how to become better at it.

As filmmakers, we often find ourselves in less-than-perfect circumstances; we may be losing sunlight at the end of a shoot or trying to capture a fleeting moment before it disappears. Often times you’ll find that you've captured great moments with an undesirable camera shake. I've found myself in this situation countless times and I want to share something that has changed the way I deal with shaky footage.

Whether you’re a photographer or you focus on video, this article highlights the high octane visual set piece created by Slaughterhouse Pictures, who successfully combined principles of both stills and motion work to create high impact visual media with zero budget and very limited resources. Read the exclusive FStoppers article and watch the BTS video to get some simple and highly effective little tips that you will be able to apply to all aspects of your own work.

Verily magazine is doing something completely different than all of the other magazines out there. They have decided to use no Photoshop at all for the models in the magazine. Celebrating a person's flaws rather than taking them away is their intention. They believe this is what society wants to see and they may be correct. Even more impressive is their stance on using real women as models.