First announced back in September, Pixelmator Pro is an upcoming photo editing app for Mac that introduces an improved workflow and utilizes macOS High Sierra’s Core ML (machine learning) framework and Metal 2. Today in a new blog post, the release date and pricing has been revealed.
When you get in the video world, you soon realize that editing can go pretty far, but it’s not as easy as Photoshop. It tends to take more time to get to a decent result, and a tremendous patience to achieve perfection. In this short tutorial, Steve from MiesnerMedia shows us how to smooth out skin in our videos using DaVinci Resolve 14.
For many photographers, particularly hobbyists, making an image black and white is almost arbitrary. I remember in the early days of my photography, I was the same. I would mutter: "I wonder if this would look good in black and white," and then, I'd try it. Sometimes, it would look better, but usually, it would not. I presumed it was all just down to taste, but that's not true. After years of reading around the subject and experimenting, I began to understand why it worked when it did and conversely, why it often didn't. Here are some key elements that ought to be present in black and white images, and why.
In a previous article, we discovered how we could transition from Lightroom to ACDSee Photo Studio Ultimate 2018 by importing old catalogs. We also discovered the different files management options and tools ACDSee Ultimate 2018 has to offer. With this second and last part, we are going to go through the main photo editing tools you’d use in Lightroom and see their counterpart in ACDSee. If you are making the switch from the Adobe solution to ACDSee Ultimate 2018, be sure to read this article.
Gradient maps are a powerful tool in Photoshop and when utilized correctly, make for a quick and easy way to effectively tone your images. Travel Photographer and Videographer Travis Transient has a quick tutorial on how to best utilize gradient maps to color grade your images.
Reproducible photography started with forms that would produce a monochromatic image. For a large portion of the history of the medium, this was all we had. Color photography brought about a choice as to which you would like to use, and over time it became the dominant choice of consumers and professionals alike. Even so, in the art world it persisted for much longer as the choice of the artist and right up to the overwhelming force of digital, dozens of different black and white films were still in production. As digital photographers, we have the choice, most of us after the fact, to make a black and white conversion of our files. Today, I’d like to talk about my thought process when it comes to making the decision to go black and white.
For the past few years, the popular Nik Collection has had an interesting journey starting back in 2012 when Google originally acquired the photo editing plugin. Over the course, the collection has gone through a price drop and ultimately landed as a free download which made several photographers happy. Who doesn't like free stuff, and for free it was a pretty solid collection of plugins.
You may have had the same reaction I did when I first started loading up the Develop module in Adobe's new Lightroom Classic CC update: oh no, why did Lightroom change all of my photos to an old process version!? First things first: don't worry. The process version did not change. Instead, Lightroom Classic CC introduces the fourth iteration of these so-called process versions, but this one (the first in half a decade) is different for a number of reasons.
Phase One has already released multiple Styles Pack since the beginning of the summer. Today, they announced their brand new Film Styles Pack and I had the chance to play around for a few days before it was officially announced. Rather than offering you a simple release article, I thought a review would be more useful. After four weddings and a couple of portrait sessions edited with it, here are my thoughts and why this might just be the perfect pack for VSCO lovers who rely on Capture One for their professional photo editing work.
Being that I’m primarily a wedding and documentary photographer, it’s not every day that I get the chance to take a portrait of a celebrity. Add to this that I live in Northwest Arkansas, which isn't really a hub for celebrities, makes it even less likely for me — especially one as well known as William H. Macy. So I thought it would be interesting to line out how I pulled it off and got the final image.
While the general public may be less focused on the technical details associated with an image used for an album cover on Pop Singer Ariana Grande’s “My Everything” album, the Internet’s Photoshop police are suddenly calling Photoshop fail. What do you think?
Landscape photographer Thomas Heaton has been releasing one hit after another on his Youtube channel lately and his newest video is one of my favorites. Focus stacking is a great and relatively simple trick any photographer can use to add a unique look to your images.
It’s obvious that color is important in our work; Hand selecting that perfect blend can take our images from decent to legendary. And it's not just photographers that notice the color mishaps. Everyone is influenced by colors. Our eyes are always naturally observing and comparing them. Color is so impactful on the masses that they are meticulously chosen for ads that reach millions of faces a day, there's no reason why you shouldn't start using the same tactics in your work.
Adding a rainbow to your images can be done in many different ways. However, not every technique is easily put into practice or can offer a remarkably consistent result. For example, the prism method is very efficient to get the effect on your files straight out of camera, but it can make focusing and composition a bit difficult. In this tutorial, Jessica Kobeissi will show you a couple of simple techniques using only Photoshop.
Photographers and digital artists alike have been using image editing software like Photoshop to enhance their work for years. There are several ways to add creative enhancements and filters to your work within Photoshop, but there are ways to add them without using the program or even in conjunction via other software and plugins. Auto FX Software has been around for more than 20 years with their customized creative photo software solutions which work as a stand-alone program or as a plugin for Photoshop or Lightroom. Right now you can get two of their modules for FREE along with support from Auto FX Software.
Capture One has recently published an article on The Image Quality Professor's Blog on how to create your own Styles and Presets written by Alexander Flemming. Styles are a great timesaver and can help accelerate your postproduction workflow with beautiful color corrections.
Do you know what keywords are and the best way to add them to your photos? What about what options to select when you are exporting your images? Have you ever heard of the painter tool? In this final part of my three-part series on Lightroom for beginners, I will cover the final steps to take after applying your final edits to your images.
Love them or hate them, Lightroom presets have become a staple in the world of editing. A lot of users use them to emulate their favorite photographers or in an effort to recreate certain film looks. The problem with these presets is that everyone that uses them ends up releasing work that looks the same as everyone else who has the same preset. This was apparent with the very popular VSCO presets. What DVLOP aims to do is give you the ability to not only emulate your favorite photographers, but also the tools to create your own style.
Time-lapse photography isn’t anything new, but it is a process that takes a lot of time to produce a cinematography effect showing subtle motion speed up to make it pronounced. Many motion films and television shows use it to show when a storm is forming, day shifts into night and vice versa, or even showing a busy street or freeway over time. Not only is it used there, many photographers produce their own clips for various projects. So how do you shoot and process a day to night time-lapse?
A couple of weeks ago, I reviewed ACDSee's latest photo editing software release and even said it could replace Adobe products in many ways for Windows users. It was only wise to back that statement up with two complementary articles, this one being the first, showing to Adobe users how they could switch from Lightroom to ACDSee. In today’s write-up, I’ll concentrate on bringing files from previous Lightroom catalogs into ACDSee and also on how to manage your pictures in ACDSee Ultimate 2018.
The current trend for color grading videos is the orange and teal look. It’s not rocket science to understand why it works so well and why everyone uses it. Complementary colors are an easy choice when it comes to color grading and using orange for brighter tones allows keeping the skin tones look quite natural. In this nine-minute-long tutorial, Theo from MiesnerMedia shows us how we can achieve that trendy look using DaVinci Resolve 14.
Color has always been an Achilles' heel for me. When I first started in this industry, I was always looking for the magic answer: a specific Photoshop action, or a Lightroom preset, or a plug-in that did some kind of magic that created the color that I had wanted. Boy was I barking up the wrong tree.
Sometimes our creations behind the camera simply cannot be taken with just one frame, or perhaps you cannot travel to the destinations that would work perfectly with your concept. This is why some photographers choose to composite their images. Antti Karppinen shows off his most used composite image technique from his latest project "Kuopio Inspiration is a Force of Nature."
We have all been guilty of watching someone’s Instagram account and wonder how the hell the pictures are edited. Sebastian from TechGenie has recently been creating videos to demonstrate how to mimic some famous Instagramers editing style. The latest one on the list is named Sam Kolder and his desatured teal and orange look.
In Part 1 of this series, I explained the basics of how Lightroom works, the best way to import your photos, and the different options you have when culling your images. In Part 2, I want to show you the essentials of the Develop module. This module is the area of Lightroom where you can color correct, crop, straighten, sharpen, and perform several other adjustments as well.
The Clone Stamp tool is without the shadow of a doubt one tool that everyone who works with Photoshop uses on a regular basis. It’s quite an incredible tool, and it can help save some tiny mistakes without too much work. Despite being easy to use, there are times where it doesn’t do exactly what we’d like it to. For example, in the case of recreating a pattern or texture that needs perspective correction, the tool won’t match your image vanishing point to the T. At least that’s what we are usually taught when learning Photoshop. However, there is a way to make the clone stamp tool smarter and correct the perspective for us.
As previously reported on Fstoppers, Capture One's new "Spectrum" Styles Pack is designed as a finishing tool for cinematic color grading applied to your photographs, providing a wide range of toning options for stunning yet subtle results that make no impact on exposure or contrast to keep the dynamic range in tact. Phase One offers a number of Styles as workflow-enhancing enhancements and time savers; Spectrum is the latest and at $49, the least expensive in their lineup. Here's what I found after putting the new style to the test.
Today's tip is a more basic tip aimed at newer retouchers, and is a common quick fix that I feel is necessary when your subject has red in their eyes. This is a 20-second fix which can be made even faster by turning it into an action and assigning a hot key shortcut.
Over the years, I have come across several different ways to give your photo a dreamy look. When I first started my journey into photography I came across a lens filter with the sole purpose of creating the dreamy look, but I found that too much detail was lost so I never used it again. So what is a good way to add the dreamy look to your photos?
Do you have a great shot but wish you were able to get a little more depth of field background blur in the photo? It is always better to get it naturally in camera with a fast lens, but what if you are not able to? Well, if you want to spend the extra time post-processing your photos, you can add some extra background blur to your shot. Colin Smith from PhotoshopCAFE demonstrates how he added background blur to simulate the lovely blur without adding halos to your photo.
I am excited to announce the release of one of the most epic projects Lee and I have been working on this year. As many of you know, Fstoppers teamed up with Landscape Photographer Elia Locardi back in 2014 to produce two separate tutorials on landscape and cityscape photography. This year we caught back up with Elia and followed him around his favorite country and some of our favorite mega cities for "Photographing the World 3." If you have been anxiously waiting for the next installment of PTW, the wait is finally over!
There are so many different ways to process your photographs. Some people will spend hours on a single image, others will spend a few seconds, and the rest of us fall somewhere in between those ranges. For the most part I think we all strive to get as much as we can in-camera through the time we spend metering subjects, dialing in exposure settings, and controlling our lighting whenever possible. Post-processing is just another part of that creative process where we harness the capabilities of the image created in the negative and use our own preferential techniques to create the final image.
It is easy to feel overwhelmed with the many different features of Adobe Lightroom. Lightroom has so many possibilities, that even after years of using it, I still am consistently learning something new. I have found that there are so many new photographers who either feel too overwhelmed to start learning the intensive software, or they still aren’t confident that they have been using it correctly. Because of this, I wanted to create a simple beginner’s guide to using Lightroom. This is the first of what will be a multiple part series of articles on Lightroom basics.
On Tuesday this week Apple released their latest mobile operating system, iOS 11. Now Serif, the creators of photo editing software Affinity Photo, have also updated their iPad app to take advantage of the capabilities introduced in iOS 11 such as drag-and-dropping images to and from the new Files app.
High-end retouching is all about keeping details and texture intact in an image so that it looks as natural as possible. Making sure the picture looks unretouched but polished is a matter of patience and wise choices in retouching techniques. In this video, watch retoucher Pratik Naik editing a photo shot by Andrea Belluso.
