It's always a treat to find a Photoshop feature that you didn't know existed. I was recently introduced to the "render flame" filter in Photoshop CC 2014. Using fire in images or composites isn't anything new, but creating fire elements from scratch is. With this awesome feature, anyone can now create custom flames to be used alone or in coordination with other real fire elements and photographs.
In many cases the difference between the first and last frame of a film can be the evolution of a great adventure, while other times it can be the bridge of similarity between a characters development. Like bookends to a journey through cinematic storytelling, the beginning and end of a film can tell so much by their side-by-side comparison. In this short video, first and last frames of a handful of films are compiled together to showcase the evolution of storytelling in cinema.
One of the most powerful, but often misused tools in Photoshop is the liquify filter. The liquify filter can help you restructure a subject’s shape, hair, or attire. In this introduction to using the liquify tool, I’ll cover ways to enhance your subject’s features so that they maintain natural body proportions.
It goes without saying, Photoshop is one of the most complex and difficult programs in Adobe's arsenal. I have been a designer professionally for over six years and used it for almost ten. I am far from a master and find myself constantly searching for foreign features that I can use within the software. It comes with great pleasure to bring you this hilarious video of eight legit Photoshop masters attempting to use Version 1.0 in all its glory.
Remember watching the trailer for "Fast and Furious 7" and chuckling to yourself about how unrealistic, improbable, and over-the-top it was to be air-dropping sports cars from a cargo aircraft thousands of feet above the ground? Me too. Just 24 hours after the release of the trailer, the filmmakers put out this featurette to prove us wrong.
Famed Magnum photographer Elliott Erwitt, known for his powerful black and white work and mastery of Bresson's "decisive moment," sits down with Gaia Squarci and Edoardo Mari for a rare brief interview. In it he discusses his immigration to NYC in 1939, his alter ego (André S. Solidor), and life as one of the most impactful photographers of the 20th century.
We’ve heard plenty about the death of the humble photo as video proliferates. But photography is still far more accessible than video, often because video editing is still so time intensive. Instagram introduced video more than a year ago yet it is still predominantly a platform for sharing still photographs. But all that could be about to change. Last month I shot video as Flixel partnered with Lindsay Adler and saw something very interesting take place that got me thinking - could we be about to usher in a completely new era for photography?
House of Cards, in my opinion, is one of the best shows available to stream on Netflix - if not anywhere. Their breakout drama series exploded on the scene just a few short years ago well before their original content became synonymous with high quality shows, movies and documentaries currently on the network. House of Cards' true appeal (outside of the hilariously twisted Frank Underwood) is the way it's artistically shot. This video demonstrates just how powerful two colors can make a show about corrupt American government that much more beautiful.
"I'm really starting to get tired of how blurry and pixellated my 4k image looks," said no one ever. But in the never ending quest to squeeze the most resolute, highest quality image possible out of our (relatively) inexpensive cameras, Art Sanchez was able to get 8k video from a $2,000 Nikon D800.
Black and White conversions programs are a dime a dozen. You have the ability to do black and white conversions in Adobe Lightroom and Photoshop and also in third party software like Silver Efex Pro and Perfect B&W, but if you're just learning how to edit, I always recommend sticking with Adobe Lightroom because of the easy user interface.
I have spent the last 6 years cultivating a photography service brand and working to hone my image making skills on a daily basis, but the fact remains that photography is a relatively new endeavor for me. I was a graphics designer from 1990 or so until arguably 2012 (or today), with the occasional design job popping up that I cannot say no to. However, there was also this era in the 1990's where I was a videographer and video editor, shooting everything from local TV spots to interactive media clips to weddings. The embryonic days of digital video are mercifully long gone, but what happens when an old dog jumps into the modern world of video? I aimed to find out.
How do you move beyond using someone else's actions and presets to tone your images? It’s a lot simpler than you’d think. There are so many different ways to achieve similar results in post-production, and having so many options can be extremely intimidating when you’re just learning how to edit. This is the reason that many photographers will rely on actions and presets to “color grade” and tone their images when they are first starting off.
YouTubers The Slow Mo Guys have produced some really fun and lovely footage over the past couple years. Whether they're filming paint on a speaker, a fire breather, or firing a pistol underwater at 27,000 FPS, these guys know how to create some beautiful and beautifully hilarious videos. This time they've shot ink being dropped in water at 1,000 FPS, in luscious 4K, and have ended up with some pretty amazing results.