When I was young, I first fell in love with photography as a kid in summer camp. I then went home and started pouring over the Time Life Photography books from the local library. All through grade school and high school I stayed up countless nights studying, reading, and learning everything I could about great photographers and their amazing photographs.
In this episode of Smarter Every Day, host Destin Sandlin takes a closer look at the construction of one of the most exclusive photography locations that humans have ever created: the International Space Station’s Cupola module. This seven-windowed observation module has allowed astronauts such as Dr. Don Pettit and others access to shoot some of the most incredible photographs and time-lapse videos made to date.
Austin Reza is back at it with Bentley Motors for the second in the Intelligent Details series titled, “The Bespoke Driving Jacket.” We previously wrote about him last year in this article. This time he's back utilizing the iPhone 6 and 6 Plus cameras, and along with an assortment of professional lighting equipment and rigs, Reza has created another exceptional looking piece of film.
Joey Shanks, better known by his YouTube handle Shanks FX, has released another YouTube video based around the idea that Hollywood effects can be achieved by anyone and with only household items. This time he attempts to recreate the legendary Aurora Borealis (or Northern Lights), one of the seven wonders of the world, with just some sheets of fabric and a handful of fans. Combining those few fans, fabric, and just a little bit of precise lighting with just a touch of videography editing magic, he suddenly has one of the world wonders in his garage. Check it out!
I'm not someone who is big into drones and flying cameras -- mostly because they take a lot of effort to learn how to fly. More importantly, there are typically many more things I'd rather spend my money on. Then I received an email from Antoine Balaresque, CEO of Lily Robotics, introducing me to Lily, and I threw all those reasons out the window.
There are few things that can boost your video production more than adding a smooth camera movement. One tool that every filmmaker needs to utilize from time to time is a camera crane. Recently we had the chance to test and use the Kessler Crane Pocket Jib Traveler, and I am convinced that it is one of the most portable and easy to use camera cranes on the market today.
I baby my external hard drives. I always wrap them in bubble wrap when taking them from home to the coffee shop, and I even have a little mini-pelican case for longer trips. I couldn't imagine how bad it would be if it happened to get even a quick salt water splash, let alone get stuck in the sand. In this video, watch what happens when this G-Tech hard drive is thrown right into the surf of the ocean.
Documentary photographers, fashion photographers, businessmen, housewives, househusbands, you, the world – everyone should know the name and works of Sebastião Salgado. His work has moved millions of social workers, doctors, politicians, economists, and photographers alike. His work moves humans because it is human. This might mark the second or third film review on Fstoppers, but it’s rare and extremely fortunate that we should have the ability to engulf the pleasures of what can easily be called the most soul-entrancing art documentary in the world that is “Salt of the Earth.”
Tony Northrup and Chelsea Northrup continue to offer up informative videos to help photographers understand and Learn the Art and Science of Photography. This latest video has Tony breaking down: the pros and cons of using teleconverters, how using one effects your focal range, image quality, aperture, and autofocus capabilities. So if you've been thinking about buying a teleconverter, this video may help you make a more informed decision before picking one up.
Hollywood's latest A.I. thriller, "Ex Machina," promised to take viewers on a fascinating and thrilling philosophical, ethical, and human journey. The Turing test, man's domination over machine, artifically intelligent machines' potential and perhaps inevitable self-awareness and domination over man, and an eccentric Silicon Valley-like billionaire-type leading the helm... how could this not be a great film? More on that later, but to make all of this happen, director Alex Garland and VFX supervisor Andrew Whitehurst had to create a robot that would connect so well with audiences that we would treat it as any other human character.
A few months ago I got an email from Rhino Camera Gear asking if I would like to beta test their new slider. I didn't really know anything about this product and I quickly forgot about it until it showed up at our office a few days ago. I had no idea that this would be one of the most impressive products I've tested in years.
As we all know, even the most stunning visuals require an equally amazing and unique soundtrack to bring the audience's emotions to their full potential. Supervising Sound Editor and Sound Designer Christopher Boyles from Skywalker Sound discusses his work and the burden of creating original sounds for "Avengers: Age of Ultron" that will stand the test of time.
The guys over at Alpine Labs have announced a new Kickstarter campaign to fund their follow-up time-lapse motion control system, the Radian 2. Packed with the same features as the Radian, this new version adds a wireless preview of your time-lapse and complete control of your camera via USB allowing you to change camera settings like aperture, shutter speed, and ISO while shooting. But one of the most welcomed features is the ability to pair the Radian 2 with select sliders adding motorized slide movements to your time-lapse making Radian a complete motion control time-lapse platform.
In this episode of National Geographic’s fantastic series "Exposure," you go behind the scenes with street and portrait photographer Wayne Lawrence who describes photographing the “real Detroit.” Lawrence describes the challenge of shooting such a diverse city, one that includes familiar, comfortable suburbs and rundown, abandoned spaces.
This month I'll be traveling to 5 European cities with Vincent Laforet to shoot and edit video for him as part of Project AIR, his new night aerial stills project. We have been working hard to offer something pretty unique – a totally free, direct first hand social event open to anyone who is interested in photography, video or the creative process, where we can share skills, technique and project support for your own projects as a result of what we’ve learnt with AIR. If you live in London, Barcelona, Berlin, Paris or Venice, we are throwing the doors open to you all.