Last May, Adobe gave the world a sneak peek of their forthcoming mobile retouching platform. While the video only showed off modest implementations of the liquifiy, paint, and vignette tools, it's clear that Adobe and their army of software engineers have been hard at work beefing up their iPhone and iPad apps.
Early in the month we brought you a video that showed how Gonzaga Manso had created an in-studio pond to get the exact shot he wanted. This week we came across "The Unseen" series where photographer Lara Zankoul creates a water-tight room to capture beautiful and surreal images in-camera. A lot of work goes into a shoot like this but this behind-the-scenes teaser video makes it look fun and well worth the effort.
To say that time-lapse video and drone footage is everywhere would be an understatement. YouTube is chalk full of amateur aerial video with the recent abundance of inexpensive drones, and time-lapse clips are everywhere. If they are a fad remains to be seen but sometimes we get to see some really innovative videos showcasing some true creativity.
Hyperlapse has been around for a while now, and you can even film some pretty sweet stuff on your smartphone, but you have got to check this beautiful video out. Using a simple camera setup, Vadim Tereshchenko wants everyone to know if you want to do hyperlapse, you can!
If you're into video effects (and are half the Calvin and Hobbes fan that I am) then you're really going to dig this fun, lighthearted, imagination fueled video created by Dreamworks animator Daniel Hashimoto. As part of Daniel's absolutely amazing personal project, "Action Movie Kid", son James repels the vicious advances of a great white shark, in an effort to save younger sister Sophia. Daniel promises us a proper behind-the-scenes video in the future but in the mean time offers up a great side-by-side video showing the before-and-after.
Here in 2015, everyone and their grandmother has a smartphone with a camera. Subsequently, almost every interesting second of life on Earth is, for the most part, captured digitally on said devices, or so it would seem. Every now and then, it takes more than dumb luck to catch a one-in-a-million snap of something seldom seen close up. In the case of professional stormchaser Hank Schyma, this lightning strike near downtown Houston was a project 20 years in the making.
Kai and the crew over at DigitalRev are at their goofy antics again. This time their latest video has them running through ten easy photography hacks you can do using common thing you can find around your home. I have little doubt that most of these won't be new to you but even if you gleam one little helpful nugget from this list, it will be ten minutes well spent.
Earlier in the week, we shared Michael Dyrlands, HAZMAT Surfing photo series. To recap, HAZMAT Surfing is a photo series that gives a futuristic look at what surfing could be like twenty to twenty-five years down the road and spreads awareness of our oceans contamination. Dyrland came up with the idea after he was unable to enter the water on a trip to LA because of ten billion gallons of run off that had polluted the ocean after an evening of heavy rain. Dyrland has now released a video version of HAZMAT Surfing, which continues to spread awareness of the contamination of our oceans.
Watch as photographer/retoucher Simon Plant walks us through one of Lightroom's coolest new features, RAW panoramic stitching. In this video Simon takes us step by step as he stitches two images together to make a panoramic image, which can then be processed with all that benefits of a RAW file. We now, no longer, need to process our images prior to stitching them in Photoshop thanks to this easy and convenient new feature.
Check out this video by Monica Herndon which features Florida-based, Tampa Bay Times, photojournalist Dirk Shadd as he sets up to shoot a hockey game. When talking about the his use of remotes Dirks says, "… they’re kind of two purposes. One is that it’s a really graphic really clean angle and that’s what I like most about it but it also kind of a back up. If I get blocked on a shot or if I miss a shot or I don’t have a shot there is a chance I will have it from the remote. So you kind of do it a little bit out of creative artistic excitement and a little bit out of photos self defense".