Famed Magnum photographer Elliott Erwitt, known for his powerful black and white work and mastery of Bresson's "decisive moment," sits down with Gaia Squarci and Edoardo Mari for a rare brief interview. In it he discusses his immigration to NYC in 1939, his alter ego (André S. Solidor), and life as one of the most impactful photographers of the 20th century.
We’ve heard plenty about the death of the humble photo as video proliferates. But photography is still far more accessible than video, often because video editing is still so time intensive. Instagram introduced video more than a year ago yet it is still predominantly a platform for sharing still photographs. But all that could be about to change. Last month I shot video as Flixel partnered with Lindsay Adler and saw something very interesting take place that got me thinking - could we be about to usher in a completely new era for photography?
House of Cards, in my opinion, is one of the best shows available to stream on Netflix - if not anywhere. Their breakout drama series exploded on the scene just a few short years ago well before their original content became synonymous with high quality shows, movies and documentaries currently on the network. House of Cards' true appeal (outside of the hilariously twisted Frank Underwood) is the way it's artistically shot. This video demonstrates just how powerful two colors can make a show about corrupt American government that much more beautiful.
"I'm really starting to get tired of how blurry and pixellated my 4k image looks," said no one ever. But in the never ending quest to squeeze the most resolute, highest quality image possible out of our (relatively) inexpensive cameras, Art Sanchez was able to get 8k video from a $2,000 Nikon D800.
Black and White conversions programs are a dime a dozen. You have the ability to do black and white conversions in Adobe Lightroom and Photoshop and also in third party software like Silver Efex Pro and Perfect B&W, but if you're just learning how to edit, I always recommend sticking with Adobe Lightroom because of the easy user interface.
I have spent the last 6 years cultivating a photography service brand and working to hone my image making skills on a daily basis, but the fact remains that photography is a relatively new endeavor for me. I was a graphics designer from 1990 or so until arguably 2012 (or today), with the occasional design job popping up that I cannot say no to. However, there was also this era in the 1990's where I was a videographer and video editor, shooting everything from local TV spots to interactive media clips to weddings. The embryonic days of digital video are mercifully long gone, but what happens when an old dog jumps into the modern world of video? I aimed to find out.
How do you move beyond using someone else's actions and presets to tone your images? It’s a lot simpler than you’d think. There are so many different ways to achieve similar results in post-production, and having so many options can be extremely intimidating when you’re just learning how to edit. This is the reason that many photographers will rely on actions and presets to “color grade” and tone their images when they are first starting off.
YouTubers The Slow Mo Guys have produced some really fun and lovely footage over the past couple years. Whether they're filming paint on a speaker, a fire breather, or firing a pistol underwater at 27,000 FPS, these guys know how to create some beautiful and beautifully hilarious videos. This time they've shot ink being dropped in water at 1,000 FPS, in luscious 4K, and have ended up with some pretty amazing results.
No stranger to putting cameras in dangerous places, filmmaker and explorer Sam Cossman recently published a video that reveals a heart-pounding perspective into a firey abyss– the active volcano of Vanuatu. Not all gear survived the conditions, but the footage proves that it was worth it.
Aaron Eveland, the videographer of the wedding duo in Hawaii known as Makai Creative, set out to recreate the classic look of The Endless Summer movie poster – gigantic sunsets behind surfers on the beach – and that he did with the help of a Canon 800mm f/5.6 lens, a 2x Extender, and a lot of trial and error. It’s all worth it as you can see in his short film, Sunchasers.
Last night's episode of "Modern Family" was both hilarious and very well filmed. Using nothing more than iPhones, iPads, and MacBooks, each character used FaceTime to interact with one another in a first-person selfie view. We are all familiar with various movies and television shows using iPhones to snap quick scenes here and there, but this episode went even further by using it as the basis of the entire episode; with genius I might add.
Last year I interviewed Stijn Verlinde, probably the best dance music festival filmmaker in the world right now. Last week, RED, makers of the camera equipment Stijn uses, recognized this and released a gorgeous 4K mini-profile that takes us deep into Stijn’s life, philosophy, shooting style and creative vision. If you're in need of a little inspiration today, take 4 minutes to check out this beautiful mini doc on one of the world's best.
Making generous use carbon fiber throughout the 4K cube that will be released as the Arri Alexa Mini, Arri's newest camera takes a direct stab at RED's Dragon, as both feature incredibly similar specifications — even their 2.3 kilogram weight. Of course, Arri isn't new to the game; they know enough to bring some game with the Mini.
Belgian photographer and filmmaker Matthew Vandeputte has taken his obsession of the sky Down Under and created a time-lapse film that was over a year in the making. From sunrises and stormy skies over the metropolis of Sydney, to the Milky Way dancing over the sleepy town of Mudgee, Vandeputte has traveled far and wide across his new home to capture Australian skies at their most vibrant and dramatic.