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As Spring finally hits the Northern hemisphere perhaps we should follow the lead of Mother Nature. and look to bring new energy and growth to our talents.

Years ago a dear friend ,who is big time into slot car racing, gave me this slot car as he knows I am a BIG #3 fan.

"Rainbow Valley"

Beautiful enclave in the heart of Galicia (Spain).

These represent my first and second attempts to work with this image.

Great news!

Following discussions, the founder of ICMphotoMag magazine has generously agreed to allow prospective subscribers the opportunity to view a sample of the magazine.

Petit Minou Lighthouse, Brittany, France   Nikon Z7 Nikon Z 24-70mm f/4 S-Line @39mm 10 sec. f/11 ISO 64 Lee 100 Filters Holder Lee Filters ND Grad Medium 2 stops

Working with this little beauty of an image. But I'm a little stuck - not sure to keep it in bw or if I should go silvertone?

Some of you may be aware that I've spent a lot of time photographing in the wetlands (that are not so wet right now) in the county park between my backyard and the Perkiomen Creek.

I travel to Acadia often and one of my favorite spots is Duck Brook. The water flow is different almost every time I visit.

I have never tried a silhouette before, so I thought I would give it a try.

Big congrats to our fellow MAE member Mike Matthews, who's image was selected as the fstoppers April 30 POTD.

Varigotti is a tiny hamlet in northern Italy, in the Liguria region. During the winter is home to strong sea storms that, due to the sea bed morphology, spawn amazing waves.

Boathouse on Lake Ammersee. Bracket of 5 Long Exposures between 1 and 8 Seconds.

*Portrait of my 'Muse' f7.1, ss125, iso200 octabox camera left. Camera ceiling mounted with wide angle lens, triggered from computer.

I consider my big trekking boots an essential part of my photography`equipment. Thanks to them I could get to this beautiful location in Zumaia, Basque Country.

i dont have much to say ... the photos must do the talking

I was explaining to a friend bokeh-effect and you do not need high apertures to achieve this.

EOS R5 w/100-500mm f/7.1 ~ 0.6 sec. ~ ISO 800 ~ 500mm w/extension 11mm & 18mm tubes

Building on my earlier post "Experiments on the iPhone", here is a direct comparison of the same technique using both iPhone and DSLR.

These three images are experiments. Only the first one ended up as I intended when I shot it.

Here's an image built from a scene witnessed on a recent trip to Boston. This turns out to be the Boxer Hotel.

Whilst on vacation in Savannah I wanted to experiment to further test the option of using my iPhone (12) for taking ME images.

I really enjoy visiting places like this, with so many different foregrounds and textures of the silky waters and mossy rocks...it's like a photographer's playground!

A view from the end of the classic "Chicken Corners" off-road route outside of Moab, UT. I arrived mid-day, so lighting was not optimal, but was still was a great location.

I finally decided to give ICM a try after reading the "How-To".

I decided to schedule my swimwear shoots in Spring since Summer pool shoots can be blazing hot. Only problem was... it was too cold to get in the water. We made the best of it.

I decided to schedule my swimwear shoots in Spring since Summer pool shoots can be blazing hot. Only problem was... it was too cold to get in the water. We made the best of it.

I am a photographer and i love to experiment with tones in my images. Like all other photographers, i love what i do. i started out knowing nothing and i am still learning.

As has been said, I've been fooling around with multiple exposures. Mostly I try to remain still (or as still as Harry allows!) and shoot until my Nikon's buffer is full, typically 13 images.

I was hiking along the Oregon Coast when I came across this scene and I thought:

"Oh great ocean Oh great sea Run to the ocean Run to the sea"