Photographer Mark Thorpe has made a major course change with his move to Japan, replacing wide open spaces, wildlife, and amazing scenes for the bright lights and sometimes claustrophobic life of mega cities. He's replaced his award-winning images of mass migrations and underwater beauty with his new challenge to document vibrant cityscapes through time-lapse photography and shares his knowledge with other photographers in this new video tutorial.
We've covered photographer Ty Foster's "Lick" series before, but his latest creation, "Lick Puppies," takes this a step further by using only puppies and their particularly tiny tongues. Every puppy in this series is busy licking its nose, just coming up from licking some organic peanut butter — the choice lick-inducing food of the viral animal photographer.
Whether you're a photographer, videographer, or a retoucher, you've probably been asked for free work once in your life. Recently, I've noticed an enormous increase of job postings from companies or individuals who are seeking free photography or videography work, or in their own words, "volunteer work." In the past, free work ads were a relatively rare occurrence, but recently they have become quite commonplace. It is possibly related to the increase of photographers in the market as well as the increase in the number of photographers or videographers who want to dive into the market. It's not difficult to offer an explanation for the growing trend of free digital imaging work, and it is even easier to find a solution that might overcome the problems caused by it: Never ever work for free in any circumstances.
For most of us living in the Northern Hemisphere, the wedding season has begun, and the first images are being sent out to brides and grooms. Delivering pictures to clients is more important than most photographers would like to think, especially for weddings. It is an opportunity to surprise customers, get referrals, and sell more prints or albums. The smallest details will help you separate your business from the crowd.
Paris-based Photojournalist Maya Vidon-White on Saturday called it "good news for photojournalism." But in a New York Times article, she is quoted as saying: "I don't feel a total sense of relief." Vidon-White was facing criminal charges in France for a photo she took of a victim of the November 2015 terror attacks in Paris, which was then sold to United Press International (UPI), a news agency, which in turn sold it to a French news agency. The image was ultimately published in a French magazine. The victim's family pressed charges under the nation's privacy laws, which are much stricter than U.S. laws.
When traveling (flying, to be specific) for a photo or video job, there’s a lot more planning and logistics that go into being prepared for not only the job, but living out of a suitcase, sometimes without the support of people available to help you. I’ve put together a checklist of things that I often need to consider when traveling for a gig.
Russian President Vladimir Putin was named Time Magazine's Person of the Year in 2007. Photographer Platon was selected to take his portrait for the cover, an image which has now gained far more reach and notoriety than just the magazine's cover. Here, he talks about his experience photographing one of the most powerful people in the world.
Oh, what's that? I'm using flashes to take a portrait? Well let's turn those bad boys up to 11 and make that subject pop! When you're first learning to light with flashes, the temptation can be overpowering to drown out all the ambient light in your scene to make your subject stand out. I'd argue that, at least for environmental portraiture, sometimes subtlety with flash is a more compelling way to go.
Chase Jarvis is always putting out content that aims to push the boundaries of your thought process. Whether he is showing you how to creatively tackle projects with inspirational behind-the-scenes footage, or he is interviewing top creative minds to gain their insight on a variety of matters, Jarvis wants to make sure we have access to the information you don't even know you need. In this new video entry he explores a topic that struck a chord with me: the idea of drawing inspiration from outside sources.
Last weekend, my wife and I enjoyed a wonderful spaghetti dinner at the house of wedding photographer, and fellow survivor of the Australian music industry, Col Hockey. As the night drew on and we sat around the warm glow of his Spotify account, taking turns picking dinner party background music, we set our minds to solving all of the problems inherent in the modern wedding photography world. We discussed gear, marketing, and the mountain that must be climbed: the post-wedding cull and edit. We’re both musicians, so the thought of spending days editing in secluded silence seemed completely alien, but it got me wondering if we were making the right choice.