Supertelephoto lenses are a love/hate relationship for a lot of photographers: they showcase some of the best optical engineering companies have to offer, but carrying them around is quite a workout. Canon is seeking to cut that weight with its supertelephoto lenses in development.
Does the idea of finding clients and networking fill you with dread? I know most of us would much prefer to stay behind the camera, taking pictures all day long, but that's really only part of being a professional. If you lack the confidence or game plan to gain new clients, then these strategies could really make a difference.
Award-winning Wedding Photographer Susan Stripling recently shared an open letter she wrote dealing with sexism in the photography industry. In the letter, she shares her experiences with male peers, wedding guests, employees at camera stores, and everyone in between who makes gender an issue in a field where sex shouldn't matter.
It's quite common to shoot photo sessions in unimpressive locations; it goes with the territory when shooting on-the-go and outside of a studio. Fortunately, we have options to help us transform boring locations into beautiful backdrops, and it’s easier than you think. Making simple light modifications and quick edits in post can mean the difference between creating average imagery versus creating imagery that impresses your clients.
Over the past few years, we’ve seen digital medium-format photography go from something of a hulking utilitarian beast into something a little more elegant in terms of usability. The Phase One and Hasselblad flagships, although coveted by many, were only attainable by a select few and really only intended for methodical work. The latest additions to the medium format realm have flipped this market on its head and put digital medium format into the hands of the masses. The Hasselblad X1D-50c and the Fujifilm GFX 50S are more in line with the everyday consumer's needs in terms of both price and features. I have had the chance to spend the last six weeks shooting with the Fujifilm while traveling through northeast India and today I’ll share my thoughts on it as a travel camera.
As into the aerials as I am over here, Instagram has, believe it or not, changed the way I shoot. On my drone, it is only possible to capture landscape-oriented photos, which take up less space on a phone's display compared to a portrait-oriented image. It wasn't until yesterday that a buddy of mine showed me this little trick where I can spin the camera on my Mavic into portrait mode and shoot that way. How to do this, along with four other tips, is covered in this helpful video by iProDan.
If you don't already follow Gary Randall, I don't think it will take you very long at all to understand why you should be following him. I first ran across Randall's work on 500px back in 2012 when I first joined that site and was looking up landscape photographers to follow. He quickly became one of my all-time favorite landscape photographers and I have been inspired by his work time and time again. I feel lucky that I was able to spend well over an hour on the phone chatting with him, getting to know him a little better, and to learn about his approach to photography.
Alien Skin, creator of the award-winning photo editing software Exposure, recently announced the upcoming release of the newest version of its popular product, Exposure X3. If you are unfamiliar with Exposure, it is a non-destructive raw photo editor designed to be an all-in-one software for editing and organizing your photos. It is probably most well known for the hundreds of presets included in the software that can emulate analog film, as well as dozens of other modern styles.
There are several debates over which type of lighting is better between natural light and off-camera flash lighting. Some photographers build their style on one over the other, while some find themselves using both. I believe that it comes down to your personal preference in which you like over the other.
In the last decade, cell phones have made huge leaps forward in technology and capability. It's simply incredible what they are capable of these days, and the amount of processing power and features they have would have been unimaginable not so long ago. The latest iPhones are capable of shooting beautiful images and video up to 4K at 60p. Further, still, the iPhone 8 and X are capable of filming at 240 fps when shot at 1080p, which is very impressive indeed. Both of these features are currently not available in any other similarly priced phone, DSLR, or even most mirrorless cameras. Even popular DSLRs like the Canon 5D Mark IV and Nikon D850 aren't able to shoot at the same frame rates as the iPhone. The question that many people ask is, why?
There are tons of different ways and several products on the market that people buy to reduce the appearance of bags under their eyes. So it shouldn't be a shock when a client asks you to help them out and reduce or remove the bags under their eyes in the photo. Just as there are many ways to reduce the appearance in real life, there are many ways to do it in Photoshop as well.
When what seemed like half the photographers in the United States posted a photo to the #SolarEclipse2017 hashtag, it gave me an idea. Instagram, Twitter, and Facebook all allow for fairly organic public searching of hashtags and a lot of our Fstoppers readers are active on one, if not all of these sites. Our article featuring an Instagram hashtag guide was one of the most popular of the year. Now on a regular basis, Fstoppers readers have a chance to get their work featured based on what is produced instead of likes on a photo, or how many followers they might have. Let's do this.
Most photographers use their cameras on a daily basis with little or no thought to how it functions under the hood. For the most part, this makes sense, mastering a tool doesn't require understanding exactly how it functions on the most intimate technical level. There are, however, aspects of camera operation that a cursory knowledge of can aid in being better equipped to address unexpected technical or mechanical issues. Given that autofocus can be finicky, it quickly becomes one of the critical aspects of your camera that you should take the time to learn about.
We have all come across a beautiful or interesting building in our life, it’s another subject of art. There are many architects that spend a lot of their time designing these amazing structures, and there’s even a whole genre of photography to capture and share the beauty in these buildings.
This past weekend, Stephen King's "IT" opened in theaters and totally crushed things at the box office. The movie adaptation of Stephen King's classic horror novel looks to be both visually impressive and completely terrifying. Take two minutes and watch the official trailer if you haven't already. Take notice of the genius use of vibrant color pops woven into the otherwise muted color tones.
Has anyone ever told you that you're cheating when you apply any post-processing to your image after the initial capture of that image? Well, the reality is that what you were told is completely true. You see, for decades, cameras have had the innate ability to perceive what the scene should look like. In fact, all cameras have always been built with special recognition and reproduction capabilities that quite literally take all the hard work away from the photographer. This leaves you, the photographer, with a much easier job. The advent of the Edit Photo button within Photoshop is simply another way that technology has made our job, as photographers, much easier.
Working as a video editor can be a hectic and tedious experience. Spending some time to think about organizational tools and methods can help you out significantly when working with a lot of files, or in a large group of colleagues. Renaming files, creating proper folder structure, logging metadata, backing up files, and developing a workflow can make your life much, much easier. While some of the advice listed below is geared for Premiere Pro users, any video editor can take advantage of these tips.
Last week I was asked to shoot some model polaroids and create a comp card for my friend and a fantastic model, Mallory Mims, for her to take with her when meeting with agencies in LA. Before starting I did some research and gathered some examples so that I could give Mallory the best results and ensure she’d make a great first impression when meeting with potential agents. I got a little nervous during my Google search because I wasn't finding consistent standards or templates very quickly. Since I had such a hard time in my own research I am sharing what I found and a template to make this easier on you guys than it was for me.
Drone manufacturers and legislators are constantly working to adapt to each other and to create a framework in which operators can work safely alongside everything else in the air. As part of that, the insurance industry is trying to tackle the new landscape. Should drone insurance be mandatory?
It looks like there’s a “new” kid on the block, and it happens to be our old friend Polaroid (Or is it "old guy on the new block," or "new old kid on the old new block," or something else entirely? I don't know...). There are a number of instant-print cameras on the market, but to me, they’re all missing at least one of two things: the brand recognition of the Polaroid name and the classic form factor of the camera that made it famous decades ago. The Fujifilm Instax camera is missing both. Even the current Polaroid offerings, such as the Polaroid Snap or the PIC-300, probably don’t have what it takes to rule the market. So, here it is. The Polaroid OneStep 2.
There are many ways to go about your video. You can just go at it, shoot away, and edit quick shots together, or you can think about what you want to shoot and use psychological composition to bring your story across in the best way possible. You can have progression of your hero moving from left to right throughout the film, or you can keep your villain to the left and your hero to the right to have them compete in your viewer’s mind. This video shares some smart ways to approach your next film or photography project, even if your project isn’t narrative based.
Adobe is updating its video applications and adding new features across the board. Many of these features include improvements for editing virtual reality content, smarter automated tasks, and some other features modeled after Final Cut 7, which Apple announced will not be supported in its upcoming MacOS High Sierra update.