Natural-looking images are making a comeback. If you look at recent issues of big magazines, you will see that makeup is often a nude with some shine to it, retouching is less "doll like," and even simple 1-light setups seem to be the standard. Some people will argue that it has been like this for quite some time. It is true, but I find that retouching is more flagrant than before. Even well known high-end retouchers seem to leave more imperfections in their images than a year ago.
Recently, a fellow photographer (who shall remain nameless) posted a rather beautiful image on his social media, and added "Shot a little bit of boudoir this weekend..." as the caption. This made me take pause and ponder about what boudoir is, or rather is supposed to be, and how it could very well be the most misunderstood labels in portraiture.
Posing is one of those things that people constantly struggle with when getting into photography. Poses that feel comfortable in real life don’t always look good on camera. Check out these four videos from Lexia Frank to help give you a solid base on how to pose your clients in the most flattering way.
Watch as photographer/retoucher Simon Plant walks us through one of Lightroom's coolest new features, RAW panoramic stitching. In this video Simon takes us step by step as he stitches two images together to make a panoramic image, which can then be processed with all that benefits of a RAW file. We now, no longer, need to process our images prior to stitching them in Photoshop thanks to this easy and convenient new feature.
I personally have never used a Wacom tablet or stylus in my life. They always seemed like the most useful post-processing tool ever, but I never bit the bullet and tested the waters. However, after filming Elia Locardi edit over 40 images for his "Photographing the World" landscape series, I am confident enough to finally give it a try myself. Luckily my good friends over at Phlearn have laid out five of the most useful tips for making your Wacom tablet easy to use.
In this article we will take a closer look at the Mola Setti Soft Light reflector and compare it to a few images taken with a Silver Deep Parabolic Reflector. The goal of this article isn’t to choose a winner, it is more of a comparison of different types of light modifiers that are available to you. I will leave it up to you to decide which one of these light modifiers best fits your style of photography.
Almost every photographer has found one of their images reproduced online without their permission. The first question you might ask yourself is "how much money can I get for this infringement?" However, copyright law can be extremely difficult to understand and there are many common or case law rulings that factor in on how an image can be used fairly or commercially. In this fascinating video, the guys at PRO EDU sit down with Joe Naylor with Image Rights and fine art photographer Peter Coulson to discuss how photographers can protect their art.
Last week, we asked the community to submit their landscape photographs to be critiqued by Elia Locardi and Fstoppers. Thank you everyone for all for posting your pictures! Since we only had time to critique a limited number of submissions, we selected a range which covers different skill levels and types of landscape scenes. Check out the images we've selected.
Photographing The World Behind The Scenes Episode 5 is here. In last weeks episode (episode 4) we spent our last day in Iceland, and our photography guide went on a rant about photographers that is so hilarious, his rant has more views than the entire episode. In episode 5 we leave Siggy behind and fly to the opposite side of the world, New Zealand.
If you hadn't heard of it before, the Stand Out! Photographic Forums is a huge photography industry event (taking place in New York City, Toronto, and Los Angeles) loaded with affordable workshops taught by some of the biggest and most successful names in the industry. You can learn directly from legends like Mark Seliger, Pratik Naik, and Michael Muller. Phase One was even nice enough to ask me to come and teach classes on digital teching and shoot pre-production. You should read below to learn more about all of the classes and offerings.
This weeks episode of Seeker Stories features San Francisco photographer Jack Simon and his particular style of street photography. In particular, the way in which the observer can create (or be led to create) a narrative around an image, even when one may not exist. Or as Jack puts it, "I'm attracted to moments that are humorous and strange or surreal. And ideally I like to find scenes that capture the essence of an imagined story".
Amongst this years Broncolor Gen NEXT line up (a pioneering group of young professional photographers lighting up the future of photography) Gonzaga Manso throws in with his beautiful concept shoot, "The Pond". This photograph is meant to express the calm, sincere and deep love that comes from getting old alongside the person you love. But what maybe more interesting, for us inquisitive shooters, is the release of this behind-the-scenes video which details Gonzaga's elaborate and meticulous set-up.
When using Photoshop, I find myself zooming in and out very often. While this might not be a massive loss of time, it still is one, especially when doing some local dodge & burn. I recently found a technique that doesn't require me to zoom anymore. I can now work on my file with multiple views at once in Photoshop. How is this possible? It is only a very simple option in Photoshop, nothing as crazy as Inception.