We all know that Nikon and Canon are fueling up for a big battle for the mirrorless wars, with Nikon firing the first salvo in the form of the Z6 and Z7. But it just does not interest me.
It's no secret that I'm a big fan of Fujifilm cameras, and their Instax cameras are part of the reason why. I've owned several Instax cameras over the last few years, and now the SQ6 might just be the best one yet.
As with any first-generation product, there's good and bad when it comes to Nikon's new mirrorless cameras, lenses, and accessories. Here's a little more information about some of the features of the Z6 and Z7 cameras and the system as a whole so you can decide if it's right for you.
[Update]: This is not necessarily Nikon's answer to a completely pro-line mirrorless body (scroll down for update).
The new Nikon mirrorless cameras have been announced and with that comes all the opinions on who these cameras are for. Should professionals use these cameras?
Ever since its release in 2016, the DJI Mavic Pro has been one of the most popular, portable drones on the market. It's camera quality, size, and ease of use helped it become one of the best selling drones ever.
Pre-orders are now open for all of today's announced Z-System bodies, lenses, and accessories. Order now to get in line before everyone else.
Following up Nikon's big mirrorless announcement, Nikon also announced a much-anticipated F-mount lens: the AF-S 500mm f/5.6E PF ED VR super-telephoto lens.
UPDATE: Pre-orders now available.
Nikon is finally here with its first professional, full-frame mirrorless cameras: the Z6 and the higher-megapixel Z7.
UPDATE: Pre-orders now open. Order now to get in line before everyone else.
While there’s much abuzz about Nikon’s upcoming full-frame mirrorless cameras, it’s easy to forget that Nikon has been in the “full frame” business for a long time. Here to remind us of that is YouTuber Matt Granger, who reviews that Nikon F6, Nikon’s 2004-era 35mm film flagship, which he calls the “DSLR killer.”
When you're first starting out in photography, you might hear about "crop" and "full-frame" cameras and wonder what the differences and advantages and disadvantages of each are. This quick and helpful video will tell you what you need to know in just two minutes.
Gimbals can elevate even the most basic videos to a cinematic level. But, while using them is easy, setting them up can be another story altogether.
With just a little over a day to go before the official announcement, images of the upcoming Nikon mirrorless cameras and lenses have leaked. There's a lot to see!
As more and more photographers are starting to dabble into video, the need for versatile yet affordable constant lighting gear is ever changing. Today I test the new Boling BL-50 lights to see if they could be the best bang for the buck.
The Leica M10 is the company's flagship full-frame rangefinder, and today it gets an upgrade with P-model styling and a new shutter that Leica says makes the M10-P the quietest analog camera it has ever made.
We all know that we should photograph portraits using an 85mm or 105mm lens. A 70-200mm will also work. But Tony and Chelsea Northrup are telling us to shake it up and go wide. However, how wide should you go?
Insta360 have announced their latest and greatest. We got some hands-on time to see if it's worth the wait.
When photographing interiors, flash is your friend, but a friend who needs some management. While flash brightens rooms, reduces glare, and brings out true colors, it can also produce the frustrating issue of ugly shadows.
Most photographers are familiar with using a neutral density filter to create dreamy, long exposure photographs, but should you use a neutral density filter when shooting time-lapses too? In today's video, I explore why using a 10-stop ND filter might be perfect for more than just still photography.
Over the years, I’ve acquired an interesting array of “tools” that I use for setting up and maintaining my underwater camera housing. I wish I had known earlier about some of the items I travel with, as they have made my life quite a bit easier. Most of what I carry with me has been a result of trial and error, and I’d like to pass along that information to any budding underwater photographers out there.
Long telephoto glass can quickly get very expensive, but luckily, in the past few years, we've seen an influx of 150-600mm lenses at affordable prices. Today only, you can get a great deal on the Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary Lens in Nikon F or Canon EF mounts.
The latest Nikon teaser video is here, and it's less silhouettes and vague talk and more direct than the previous videos. Here are our thoughts.
Although the Sony a9 takes direct aim at the flagship bodies of both Canon and Nikon, one of the most prominent issues has been the lack of wide-aperture super-telephoto lenses. The Sony FE 400mm f/2.8 GM OSS directly addresses that need, and this great video offers a first look at it.
Sony has become one of the camera brands that have given the industry something new. Are they creating conflict in our industry, as well as in ourselves and our decision-making processes?
With all the excitement in recent weeks about the release of the new Nikon mirrorless camera and its homage to the history of a great camera company, I thought I would take a moment to look back at the evolution of the Fujifilm X100 series into its current form and talk about why it still isn’t truly a mature camera.
I’ve had the fortune of being let loose with a high-end Phase One medium format full frame digital camera; here is what I learned.
All I’ll say, is that I owned the original a7 and it kinda sucked. Is Nikon going to get it right the “first” time? Or will next week's supposed announcement of the Z-series cameras begin a long cycle of trying to one up themselves while trying to keep up with the major mirrorless players?
When it comes to portrait lenses, the Nikon 105mm f/1.4 is possibly one of the best choices. At the time of its release, it was the first of its kind and was met with much praise. Since then, however, Sigma released their own version of this lens and many, including myself, wanted to know which lens is actually better.
Mirrorless cameras may well be the future, but I'm not buying the hype that they're revolutionary. Not yet anyway.
Nikon will officially announce its new Z mount full frame mirrorless system in a few days while Canon and Sony are expected to follow with major product release. Meanwhile, DJI should unveil a new version of the Mavic Pro.
I think most would agree that we're near the day of a major shift in the photo industry, and after that change, there will be some winners and losers. This great video takes a comprehensive look at the future of the industry beyond just the biggest brands.
