Photographer Kenneth Cappello is known for his celebrity portraiture, his advertising work for Nike and Puma as well as his flashy editorial work for Nylon, GQ, Fader and Vibe. Cappello shot musician/DJ DeadMau5 this past month for Vibe Magazine, and, lucky for us, also shot a little BTSV to give us a peek at his process.
The Einstein E640 strobe from Paul C. Buff is compact, light weight unit capable of shouldering studio work yet portable enough to take on location. The unit weighs in at four pounds and because it is self contained, it does not require a battery pack which cuts down on gear bulk.
I shot around with the Einstein 640 and the 86 inch PLM (parabolic light) umbrella in studio to test the products and see how they stacked up in my work flow.
Every week Benjamin Von Wong releases a new behind the scenes video for your viewing pleasure and this week is no different. I find that Ben is probably one of the most talented conceptual photographers that likes to use fire in his photographs, but this week he decided to switch it up a bit and the results are stunning, to say the least.
After Bar Refaeli took over the Superbowl with her controversial commercial, Bar found time to do something she never did before: pose nude for a magazine shoot. The magazine that paid her to do that is currently unknown, but somehow the photos leaked earlier today. Check out the BTS and the final results in the post.
Fabian Oefner’s latest series entitled Black Hole shows us a world of paint, drills, and motion, all within 1/40,000th of a second. While high speed photography is nothing new, the art of it is still underground, as its still incredibly expensive. Oefner’s newest work uses high speed photography to show us a world of color that our eyes normally could not process.
If you've seen any movies in the theater recently you've probably seen a preview for the movie Oblivion. A major part of the movie takes place on a science fiction "sky tower" above the clouds. Instead of using green screen the director had a 360 degree set built that allowed the team to project real skyscape video around the glass building. The results not only look incredible but they also gave the actors a more realistic set to work on.
The best part about learning rules is breaking them. For example, most of the time, blur in a photograph is a faux pas. But there are ways you can use blur to add energy and emotion to your images. In this lighting diagram, we will explore how to introduce blurring to your images with the use of an on-camera flash.
Before you start experimenting with this technique, make sure to go to you menu in your camera and set it to "rear curtain sync".
A couple weeks ago I posted a lighting diagram showing how you can emulate Martin Schoeller's lighting by using gaffers tape and foam core. One reader commented that the catch-light makes the subject's eyes look like a cat. This got me thinking about what would happen if I were to change the pattern of the tape into various shapes. Here's what I discovered.
Guest writer, Patrick Gensel is a photographer from Northeast PA with a passion for travel and adventure. He sent us this fun inspiration project on abstract macro photography. Hopefully this very thorough demonstration will spark your imagination for your own abstract macro project.
Adrien Broom, Connecticut based photographer, recently successfully funded her new project "Where did All the Colors Go?" on Kickstarter. The project is a multimedia story for children in the forms of a children's book, a short film and also an integrated platform to be viewed through a tablet. For both the photo and video production, Adrien created amazing sets featuring different colors. The first color Adrien shot was White. Check out how she built the set and of course the final results.
Last week I tried my hand at emulating Martin Schoeller's portrait lighting with a single bare-bulb speedlite. Though the experiment was technically a failure, it still produced a nice portrait. Since then, I have tried two more lighting scenarios before finally nailing it on the fourth (please excuse my OCD tendancies) and final attempt.
Patric Bergkvist is making a strong case as one of the better Swedish liquid photographers with his fantastic handle on the ideal lighting in very humble shooting spaces. We featured his exploding coffee and milk photo tutorial in early February and now he is back showing how to make a perfect shot of Whiskey. Photo that is.
I've always found that photos that capture and freeze rain to be exceedingly interesting. Rain gives the photo depth and a moodier feel, but usually you have to wait for a storm to blow through your area, or invest in a rain machine. No longer. Benjamin Von Wong has figured out a way to create those wonderfully drenched and moody shots without even stepping outdoors.
There's one pet peeve I have above all else in the studio, and any assistant can attest to it. Coiling cables around your elbow is wrong. Really really wrong. Of course I realize that it's how you were taught, I learned the same way. Until the day I was working with an audio engineer and nearly made him cry. You would've thought I set fire to his birthday cake and kicked him in the shins.
The other day Phlearn came up with a way to emulate Martin Schoeller's portrait lighting. I have been wanting to lock down Schoeller's technique for years now, so when I saw Phlearn's post, I was stoked. And they did a fantastic job. I even learned their cool Photoshop technique of adding natural looking highlights and shadows. The problem was that in order for me to try out their lighting technique, I needed two strip soft boxes for my strobes, which I didn't have.