In recent years Photoshop has garnered more negative attention than any other platform that is utilized for image manipulation. Photoshop can be used to create unnatural product resulting in unrealistic expectations. As photographers and retouchers, we have the power to control what the media perceives as attractive.
Mike Kelley is an amazing architectural photographer and guest contributor at Fstoppers. Recently, Mike published an article on B&H's Explora blog about the science and magic that went into the featured image above. In his article, Mike takes you behind the scenes in a rare look at the process behind his photographs.
When we first start out on any sort of endeavor, be it creative or otherwise, we all most likely begin same way: a head full of ideas, but a distinct lack of understanding and experience of how to achieve them. Over time, through the benevolence of others, and many hours of Youtube tutorials, our ability catches up and we reach the place where creativity meets experience .
Here at Fstoppers, our goal is to hire some of the very best photographers and educators in the industry to provide some insight on how they work, and what they've learned within the industry they're a part of. Recent Fstoppers Writer and Lifestyle Photographer John Schell recently met with Framed Network to show them, and us, what it's like to work on one of his photo shoots.
Rain on your wedding day can be quite a downer for most brides even though many cultures see rain as good fortune, cleansing and fertility. Often brides wonder how they are going to still get good photos if it's raining. Here are some tips for photographers that I've picked up over the years having shot numerous weddings in the rain.
A few weeks ago Pat, Lee, Lauren and myself went to the Bahamas to get ready for the upcoming Fstoppers Workshop. While we were there, we wanted to film some kind of architectural photography tutorial video, and we're happy to share that it's finally ready.
With the release of the next installment of Marvel's Captain America series "The Winter Soldier" less than two weeks away it's great to see a full sixteen minute behind the scenes video (b-roll) to prepare us for what's to be an action-packed, movie-going experience. The movie was shot with both the ARRI Alexa and RED Epic cameras with Panavision lenses.
We live in a time where photographers and filmmakers must combine powers to be competitive in todays advertising market. Recently a huge fashion client approached our production company to capture concurrent motion and still ad campaigns with supermodel Lily Aldridge, but we had to do it all in under 10 hours with 2 complete hair and makeup changes and 12+ outfits.
In today's post, I'm going to walk you through how I build an architectural photograph from square one. We'll discuss composition, lighting, staging, styling, and posing models in an architectural interior in order to create the image that the client has in mind.
Erik Almås is at it again creating etherial images for clients on location in exotic places with a color palette noticeably familiar. I must say too that this location is just about as exotic as you can get without becoming flat out dangerous. This week Erik gives us a glimpse into a campaign he shot on location in Namibia, Africa. Read more about Erik's mission statement below.
In 2007, world-famous portrait photographer, Platon shot what he later described as one of the scariest assignments of his life. He was to photograph Time Magazine's person of the year: Russian president, Vladimir Putin. Recently, CNN shared the story behind the image in a rare interview with the photographer.
I'm always fascinated by what makes the best photographers think they way they do. What shapes their ways of seeing? In the current climate of photography, it's easy to get lost in everything technical. We can often lose sight of the most important thing about photography...why we photograph.
Bokehliscious photos. That is the ultimate goal for any photographer no matter the experience level. When "bokeh" is mentioned, the first thing that comes to mind is the lens and the aperture. Although both play vital roles in bokeh, there are a few key elements that play an even more important role in achieving the finest milkyness in a photo.
Some days, as we plod through our respective news feeds, it seems as though the Internet was invented for one thing and one thing only; to share photos.
The camera movements in modern timelapses are impressive enough to me. However for some, like Piotr Wancerz, it's just not good enough without these movements being matched over the course of fourteen months. Using tripod timelapses, hyperlapses and a motorized slider, Piotr was able to capture the passage of time over all four seasons.
I've been there, standing in the middle of a field on a hot day with a scorching sun, mulling back and forth on how to capture a quality shot. In the back of my mind, I'm wishing for some cloud cover or an overcast sky to magically move in. A commercial client or art director doesn't care what time it is, they just want the right image.
By now, we’ve all seen the gigapixel landscape shots over the years, but I’m pretty sure never seen anything like the 900 gigapixel portrait series Swiss photographer Daniel Borschung has undertaken. I’m not much of a numbers guy, but when you have a robot arm taking 600 pictures of your subject with a macro lens, the results are a tiny bit mind blowing.
We all know that it's not the gear that takes the photo, but rather the photographer, however when we get a chance to peek into Chase Jarvis' bag, I can't help but get excited. Jarvis is probably the photographer with the most successful social media presence out there. Between his blog and Creative Live, Jarvis' reach is enormous.
Last year Dustin Farrell released a video that gave a quick walkthrough of his time-lapse workflow, we covered it here. He briefly introduced his workflow for shooting and processing his images from camera to export. Last week he released another video which takes a much closer look at the process behind his images.
About 5 years ago, when I was still in my Photography college in Australia, our teachers would regularly introduce us to the new and noteworthy Australian photographers' and digital artists' work. Among others there was one artist, whose work really grabbed my attention and I have been watching her growth and success ever since.
You want to know what's better than Erik Almås shooting Sports Illustrated Swimsuit models for Dodge Ram trucks? Me too cause I can't seem to find or think of anything that could possibly be better than this. The 2014 SI swimsuit edition is on news stands now and should be at the top of your reading list for the month. Erik has shot the inside cover for this magazine the last 2 years in a row.
Pepper Yandell is a talented young photographer out of Texas who shoots some of the coolest cars in the world. He recently was given an awesome opportunity to photograph a couple of supercars in a hanger with really expensive jets - the kind of shoot car photographers dream about. Pepper was nice enough to share with me about how he put this shoot together.
When retouching in Photoshop, there are many different ways to achieve the same thing. Personally, I've always struggled to find the best method to remove shadows under the eyes.
There is an old quote that says, “If you want to shoot fashion, shoot in color, but if you want to shoot emotion, shoot in black and white.” I don’t know who said it, but I tend to agree. I do love myself a good black and white portrait.
Red Giant, the plugin supergroup that is responsible for filter packs like Magic Bullet Looks, Trapcode, and PluralEyes, has recently announced a new plugin model, Universe, where new and updated filters will be provided to members at low to no cost.
I'm going to be honest with you right off the bat. As far as behind the scenes videos go, this one leaves a lot to be desired. However, as always there is still some information to be gained from it. The first and most important being that this entire series appears to be lit with one Profoto Acute2-D4 head nestled snugly in a Softlighter.
Over the last 12-months there has been a surge of photographers wanting to learn off-camera flash. Regularly I receive emails or Facebook messages from other photographers asking for tips. Over the years I have tried to remember what made learning off-camera flash so easy for me and time and time again it comes down to one simple tip.
Online education through video tutorials has become one of the most economical and convenient ways to learn almost any topic, especially if it's photography. Joey L recently launched a new website that takes you on-location and in the studio to see the workflow, thought process, lighting design, post processing, and on-set dialogue that takes place in one of his commercial photo shoots.
A few months ago, I was involved in a shoot that seemed to do everything right. Managing ever larger shoots, photo or video, is not rocket science but does require planning and thought. Here are some basic pointers of what I saw first hand that we can all apply to increase the chances of successful outcomes on our shoots.
Matt Davey, a music photographer based in Essex, and iPhonographer Dilshad Corleone take to the streets of London and go on a fun journey of self-discovery and in the process create a collaborative project of creative individuals using the power of photography.
Eric Kress, an accomplished cinematographer whose credits include "The Girl With A Dragon Tattoo," (2009) recently led a lighting class at Gokinema, an annual film workshop in Sweden. This video is the first in a series that captured Eric's demonstrations. Grab a coffee, sit back, and watch as he masterfully crafts a cinematic look for a mock scene.
In this fantastic video from National Geographic Live!, documentary photography Chris Rainier talks about his adventures around the world, the myriad cultures he's encountered and the power of photography to translate an emotional response to the art that exists all around us.
Red Bull has yet again set the bar higher for motion capture capabilities combined with sheer awesomeness. And to answer your question, yes it involves more flying. In this epic behind the scenes footage we see the workflow for creating high speed footage while flying through the air with the subject on skis. If this sounds dangerous it's because it absolutely is.
Months of planning, 567 images stitched into a single panorama and a 14.6 gigabyte image results in a breathtaking view of New York City from the top of the Freedom Tower. Deemed as one the tallest skyscrapers in the US, the new Freedom Tower is about one year out from completion.
Imagine someone were to ask you to count the number of photographs you see from the moment you open your eyes in the morning until the moment you close them again that night. Between looking through your own work, as well as the various social media and news sites, the number of images we expose ourselves to is probably well over a thousand.
The first time I saw a levitation shot, I stared at it for 15 minutes in astonishment. I could not conceive how the image was captured; I was captivated by the story it conveyed, it was surreal, magical and awe-inspiring. Conceptualizing the image and executing it can prove to be rather difficult and meticulous.
The world's largest stock photography service has recently taken off the majority of watermarks on their photos online. Getty images has millions upon millions of photos in their stock library and will now allow anyone to use eligible images from their library for business or personal use, but it comes with one stipulation that could be a deal breaker for some.
Prime Focus World’s Richard Baker and Matthew Bristowe breakdown a scene from Gravity, explaining how they converted the movie from 2D to 3D formats using View-D™ and how the special effects were fully integrated in the process. The videos below show the full breakdown of the special effects used in the film with interviews from director Alfonso Cuarón and more.
Creative clients and photographers love shooting on white. Whether it be seamless paper, foam core board or a cyclorama wall. I’m not sure if it’s the simplicity and absence of color or it just creates such clear contrast for eye popping subject matter. Yes, it's versatile and can go dark with less fall off but frankly, I've always found white somewhat boring.
Garry Winogrand is considered by some to be one of the top American photographers of his, or any generation. His books "The Animals" and "Public Relations" are classics, and the number of rolls of film he took over his short life are staggering. When he died he left behind 9,000 rolls of developed and undeveloped film.
Please - do yourself a favor. Stop whatever you’re doing and go and watch the scene from True Detective I’ve linked in this article right now. It is not only possibly the greatest one shot I’ve ever seen, but it’s one of the most stunning pieces of cinema I've seen in recent memory.
Tom Guilmette and Jon Connor got together at Kessler HQ to have some fun with a FasTec High Speed Camera mounted to a Kessler CineDrive. The CineDrive is able to perform programmable camera moves at high speed, and in this behind the scenes video Tom shows us their setups for various shots, which revolve around food.
You know the old saying, "When it rains, it pours"? Then you probably also know how fitting that expression is for photographers. We can see long stretches between jobs but more often than not, when work is coming in, it comes in heavy. So sometimes it's hard to find the time to get your Sunday Fstoppers' post done. Which brings me to another old saying, "It pays to have friends".
Eric Paré is back with another breathtaking timelapse project known simply as "Windscale". Eric is best known for his amazing light-painting and bullet-time project, "Lightspin". While on a vacation journey from Montréal to Nevada for the popular Burning Man festival Eric and friend Marie-Line Migneault stopped to film this breathtaking short film.
Last summer, my friend Andy and I, and his six year-old son, were out location scouting. As we drove around, the three of us were playing a very intense game of word association. One of us would say a word, and the others would quickly say the first word that came to mind.
Knowing the importance of color matching strobes indoors is crucial when combining strobes and ambient lighting. Fixing mismatched lighting temperatures can be extremely difficult in post process. Ian Christmann, a commercial and lifestyle photographer discovered a method which will change your life.
Profoto just released the first of 20 videos highlighting different aspects of a wedding as shot by wedding photographers Justin & Mary as they set out to capture a young couple's most special day. Each video reveals the story and the lighting setup behind a certain image.
I don't think there is anything sexier in the lens world than the Zeiss 28-80 T2.9 Compact Zoom Lens. Its robust cine-style housing and calibrated focus scales make pulling tack sharp focus a joy. What is lacks in affordability it drastically makes up for in the most epic of lens performances you can find. If you have the option to rent this on your next shoot, don't think twice.
Some may say it’s quite the phenomenon. I only shoot commercial and editorial fashion and I seem to make a living out of it without shooting weddings, families, babies or seniors.
Polish photographer Emil Stankiewicz’s has created a unique, handmade Talbotype camera nicknamed Idlozi, which means “window to your heritage soul.” Each unique image captured by the wooden camera starts as a paper negative which is then rephotographed with the same box camera to yield a positive print.