Getting color consistency from your eye, to your camera, to your computer can be a real pain in the butt. Especially if you still haven't settled into a reliable, regular workflow. Color calibrating your monitor once a month and taking reference images with a gray card are invaluable when it comes to getting consistent color. If you are still struggling with getting your image colors to look right, then Freelance Photographer Gavin Hoey has the video for you. Watch as Gavin walks through a step-by-step process on how to achieve consistent color.
Vincent Laforet is a name that has recently become synonymous with world-class aerial photography. His incredible images from above gives us a new artistic perspective of the cities we love and the world we live in. In this five-minute video from the B&H “Prospectives” series, Laforet gives us a great overview of his body of work shot from the sky as well as some practical takeaways from what he’s learned along the way.
Artists struggle with many emotions throughout their day. One of the most typical emotions is a sense of inadequacy, both in business and creativity. How many times has budget, fear, and challenge stopped you from getting things done? Whatever your excuse is, it’s just that: an excuse. Here are three thoughts that are holding you back as a photographer and how to overcome them.
Continuous light sources used to be preferred by videographers more than photographers. However, in the last few years, it has become common to replace strobes with LED, HMI, or tungsten equipment. Unlike flash, with continuous lighting, what you see is what you get. It makes it much easier to set up and thus a great alternative for fast-paced work environments. Even more useful is that no recharging time is needed between each shot. The only issue remaining is often either the lack of power or the portability. Find out how to overcome both with this DIY powerful dimmable LED light.
“Who am I to tell people what they ought to do?” I taunted myself as I wrote my first article for Fstoppers. I wanted to convey how much of an impact that asking for what I wanted had had on me. Nevertheless, I was acutely aware of being condescending as I don’t consider myself old enough, wise enough, or successful enough to warrant people’s ear. As the post went up, I read and reread my work, even though I had proofread it several times before it was published. I tried to assume different characters to gain new perspectives and understand ways in which people might react badly to my advice.
Adventure, outdoor, and eco-sports photography has had a surge in popularity over the last decade. Rapidly growing social media outlets like Instagram have narrowed a spotlight across specific arenas of interest. Many photographers are making a living on the outskirts of the grid creating mesmerizing imagery of U.S. National Parks, remote foreign territory, and backcountry destinations only accessible by highly technical off-road transportation or arduous hiking. With the flux of imagery and surge of outdoor brands promoting a simpler lifestyle more closely connected to nature, more photographers are taking to the outdoors to create imagery that communicates a love for nature.
It's been said that Prague-based Photographer and Retoucher Erik Johansson doesn't capture moments, he captures ideas. To him, photography is a way to actualize complex, surreal concepts that are in his head. So, when you think about it, it wouldn't be a stretch to say that Johansson is kind of like our generation's Ansel Adams, as they both heavily employed previsualization techniques while pioneering unique solutions to achieve their visions. The end results are images that match the exact ideas they had in their minds' eyes.
As the technology inside our cameras continues to advance, understanding and controlling all its new capabilities becomes a little more complicated. Between autofocus modes, points, zones, calibration, and the material components making it all function, there’s a lot going on that can potentially make you miss your shot. In this easy to follow video, Steve Perry from Backwoods Gallery shows us eight (sorry, not 99) common autofocus problems and solutions to make them work the way they should.
While researching and deciding on what camera or lens to buy next, there can be a lot of banter, back and forth, and noise on opinions on what camera or lens is right for you. It is possible that some websites, influencers, or average Joe’s can hold slanted biases that may play a role in your purchasing decision, and we don’t want that. So what if I told you that there was a more objective resource to help aid your purchasing decisions? Well, I have a site to share with you: DxOMark.
A few weeks ago, I had the pleasure of reviewing Syrp's awesome, affordable, perfectly executed Genie Mini time-lapse device. However, time-lapse photography and videography barely covers the beginning of what can be done with the New Zealand company's awesome devices. The Slanted Lens' Jay P. Morgan not only shares his entire lighting setup for a classic food shot, but also proposes some clever and welcomed case studies for how to use Syrp's devices to create better shots, not only around stars, but also around close-range subjects.
Anamorphic lenses are mostly used by cinematographers to get a ratio of 2.40:1. The cinematic look these lenses offer has become popular amongst photographers lately. While such a wide ratio is not very practical for most genres, the squeezed bokeh and the unique flare these optics create is a way to stand out amongst the competition.