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The first one must have three layers of glass??? The second one is from inside a small museum.
this little fella did not like to be photographed, and when hunting the bird, trying to manually focus it (because AF was impossible because of the branches) I forgot my shutterspeed was way to hig
I've been AWOL for most of the last two weeks due to a day-long stint in the Paoli Hospital. It was an intense day.
Just walking around keeping my eyes open. I'm sure it's not great photography but it's not bad!
Just got this Sigma 150-600 C, went out testing it in a local zoo. Got some shots I kinda like .. what do y'all think ?
Are you aware the added benefit (?) of using a pinhole body cap is the ability to judge if it is time to clean your sensor?
I photographed these as I was driving through the farmlands of Alberta last weekend, looking for good composition (no sunrise colors that day).
This was my first time trying anything like this. I was hoping for one of those incredible outer banks sunsets but it wasn't to be. I shot for about an hour and a half.
I decided to get up early for sunrise during a recent trip to the Outer Banks. There were supposed to be storms later in the day so I was hoping for an interesting sky in the morning.
Just got this Sigma 150-600 C, went out testing it in a local zoo. Got some shots I kinda like .. what do y'all think ?
This post is intended merely to illustrate the "floating" issue mentioned previously. Image #1 is a downscaled JPG of one of the source NEF (Nikon's RAW) images in #2.
The weather just hasn't be nice making the outdoors non-photogenic, so I decided to visit Dean's Art Museum (Non-Existent) and admire the artistic Steampunk endeavors (snicker).
The sunrise was beautiful, and I did not find any compelling subject to my right to go with the pink sky. But I was lucky enough to find this spot on my left-hand side.
My photography club is having an abstract photography competition. This is a genre I really struggle with. I know what abstract is, it's just tough for me to come up with compositions.
Not to bore everybody with more talk about colorization, but here we are again.
My wife sent me a link to an article about Orotone Photography, so I thought I would try to mimic the Orotone look by changing a Color Photo.
Following Charles' "Douro River reflection" discussion I feel that the subject of reflections might be a good challenge this month.
The results of previous experiments having been inconsistent, I thought of another way to test Photoshop's Neural Colorization tool. This is a picture of my parents on Christmas, 1970.
Model: Lisa van Stokkum Photographer: Bram van Dal
1/250 F/2.0 3200 Canon 5DmkII Sigma 85mm
The yellow car in the previous post really bothered me. I just didn't believe the color and did not know what to do about it. So I grabbed a few other old images and experimented.
Thanks god for giving me this gift to my eyes and my lenses. I love the place where I live and I love sharing with you.
There are very few rules in art. There is one I have attempted to follow assiduously.
After shooting some images during a snowstorm last week I realized I had some good examples of how the speed of camera movement can have a great effect on ICM images.
We've lived in Montgomery County since 1980. The Perkiomen Creek is about half a mile behind my house on the other side of Central Perkiomen Park, which is all protected wetlands.
What was a bright sunny afternoon suddenly turned dramatic as a fog bank rapidly moved on shore.
