Each year Patrick and I work on one extremely large project. Two years ago we created The Art Behind The Headshot with Peter Hurley. Last year we finished our 14 hour tutorial on how to become a wedding photographer. In 2013 we teamed up with Mike Kelley to produce what I believe is the best resource available on How To Photograph Real Estate, Architecture, and Interiors.
I’m calling it. It’s nearly impossible to skim through your newfeed without being barraged by stories about Toronto Mayor Rob Ford’s latest antics or Volvo Truck’s commercial featuring Jean Claude Van Damme. So, what is the logical step? Combining the two in a perfectly executed parody entitled #VANFORD.
I’m calling it. This commercial for Volvo Trucks that came out today is the best commercial of 2013. What makes it – or other commercial shoots - so successful? Beautiful, simple ideas, a great concept, seamless execution, a bit of good old nostalgia and a pinch of the unexpected all mix beautifully to give us 70 seconds of pure brilliance. With four eight twelve twenty four thirty million views and counting, let's take a look and see why this ad has been so successful.
In this video Canon Australia challenges singer-songwriter Guy Sebastian and Canon Master photographer Graham Monro to change the story of three different scenes simply by changing between lenses. Specifically the macro Canon EF-S 60mm f/2.8 Macro USM Lens, the portrait Canon EF 50mm f/1.4 USM Lens , the landscape Canon EF-S 10-22mm f/3.5-4.5 USM Lens and the sports Canon EF 70-300mm f/4-5.6L IS USM Lens.
Erik Almas creates scenes that make you stop and stare and wonder how it was created. His imagery evokes emotion, tells a story, and makes photographers wonder how he pulled it off. On this campaign for Don Julio Tequila, Erik takes us behind the scenes on multiple locations to show us the production that goes into one of his shoots.
It's been a while since we've released an Fstoppers original video, so today we want to take you behind the scenes with Mike Kelley. If you've been following Fstoppers then you know he's been a writer with us for a while and is also one of the most talented architectural photographers in the country. Mike's workflow and style is truly incredible and the amount of hours he spends on creating just one image is - as cheesy as it sounds - a work of art.
In my filmmaking career, I’ve had the opportunity to film some pretty unique events. While shooting I often come across other event shooters and realize that we’re a unique breed. Essentially, we're people willing to sacrifice food, rest and comfort to tell an amazing story. Even though we accept the stresses that comes with event shooting, there are a number of ways we can plan ahead and minimize headaches.
This is it. By now, You will have been inspired, honed your ideas, found the perfect location and booked your talent. You will have taken that little bit of inspiration and nurtured it into a full fledged shoot. If you are anything like me, you will have tossed out far more ideas than you kept and you will have spent hours upon hours solidifying the few that stuck with you. It is safe to say that the hard part is over.
How would you feel if you were given a paid commission to wander around and shoot whatever you fancied for one of the world’s leading whisky companies? Most of us would probably agree that this wouldn't be such a terrible gig. Unfortunately this sort of dream commission will probably remain little more than a dream for most of us. For Elliott Erwitt, on the other hand, this was just another day on the job.
After 2 years of planning we are extremely excited to announce Fstoppers Workshop Atlantis, our first ever live workshop event. We have 10 incredible instructors and we will be limiting the size of the event to around 200 students. The best part is the location; we are throwing this event at Atlantis Resort in the Bahamas.
What type of photography do you do? Portraits? Still life? Macro? Aerial? Fine art? Fashion? Commercial? Advertising and editorial photographer Joseph Ford does many of these – sometimes simultaneously. His latest project of beautiful diptychs proves unequivocally that your creativity and innovation are what will set you apart and win you top tier commercial clients. Read his exclusive interview to find out how his latest project came about, and what you can learn and apply for you and your business.
In the last segment of our commercial pricing guide we will tackle the least talked about and most misunderstood portion of your invoice; the licensing fees. I will go over what they are, why you should be using them, and my preferred method for calculating them no matter who my client is!
Max Riché, a commercial photographer based out of Paris recently shot a huge project for the Red Bull Media House using the same concept as his "Becoming and Athlete in One Photo" series. Shooting trail-biker Petr Kraus against a black backdrop and using light painting techniques, some strobes and then later bringing all of the images into Photoshop he created these awesome fluid-movement series of photos.
Whether you’re a photographer or you focus on video, this article highlights the high octane visual set piece created by Slaughterhouse Pictures, who successfully combined principles of both stills and motion work to create high impact visual media with zero budget and very limited resources. Read the exclusive FStoppers article and watch the BTS video to get some simple and highly effective little tips that you will be able to apply to all aspects of your own work.