I'm that photographer who watches silently while waiting for the moment to arrive and snap one or two frames, then quickly moves on to the next worth while split second to capture. Yes I'm that girl, the one who shoots on slow shutter. At weddings this style of shooting suites me just fine, however it wasn't until this last year I learned with this skill there is another genre that lights me up even more. Grabbing up a single moment, purely just off gut instinct as a Still Photographer on an Indie film starring Ed Harris called, "A Crooked Somebody," I really harnessed my timing. Rather hunting you could say, for the exact moment when I choose to fire away, just less dramatic.
Think Tank has long been regarded as one of the go-to companies for bags for the working photographer, and their line of Airport and Airport Security bags in particular are considered by many to be the gold standard of rolling photo bags. The newly released Think Tank Photo Airport Security V3.0 adds some small improvements to an already fantastic bag, helping ensure its continued reign as the king of this category.
If you weren't aware, there is quite a market for mobile lenses within the photography community, and sitting atop the pack is a little company called Moment. They came bursting on the scene about two years ago with the plan to bring high quality glass to the mobile photography market. Here are my thoughts on their brand new super fisheye lens, the Superfish.
If you've ever booked an out-of-town photography gig and needed to catch a flight to get there, you might have run into this problem: you get on the plane, lift up your roller bag to put it into the overhead bin, and it just doesn't fit. You push, you squeeze, you try taking out the laptop, but nothing works. You hang your head in shame and walk back up to the front, and ask the flight attendant for help. As always, Think Tank Photo is here to help.
One lens that is a staple in almost all camera bags of professional photographers is a fast, ultra-wide-angle zoom. Being a Canon shooter, the Canon 16-35mm f/2.8 II found a place in my bag when I purchased it back in 2008, and I have been using it constantly for work ever since. However, it also was the weakest lens in my kit from a sharpness standpoint. But if I needed 16mm and f/2.8, it was what I had to grab. Until recently, there simply wasn't a sharper option available.
Modernity has brought increased convenience and comfort to countless lives, but there have been unintended consequences as well. Increasing urbanization has caused more and more people worldwide to lose their primal connection with nature, something that is almost impossible to replace by technology alone. The brilliant river of stars known as the Milky Way that has dominated the night sky and human imaginations since time immemorial is no longer visible to one third of the Earth’s population, and 80 percent of Americans. This is especially tragic for photographers.
The new MacBook Pro's release has stirred the Internet with a mix of positive and negative reactions. We've seen praising and hating. We've seen reviews claiming faulty ports, cables, and adaptors. We've seen the fancy videos. However, there are still few real-life experience reviews from working pros. Here's one of them. It's quite intriguing.
The X-Pro2 and X-T2 are the most recent flagship models from Fujifilm and on paper, they seem very similar. They both have the same sensor, processor, auto focus frame, etc. So it makes sense that a lot of people want to know which one to get. While each camera has its obvious differences, there are also some little things that could have you lean one way or the other.
Take a peak into any photographer's bag and you will find a tightly crammed mass of odds and ends designed to help during virtually any shoot. Most of these extra pieces of gear are directly photography related, but sometimes we encounter a few non-photography gems that are certainly worth making space for.
I wanted to share two things specifically with everyone in respect to my personal experiences with the highly regarded Sigma 50mm Art lens, after using it now extensively over the past two years. I want to address how it has held up for me, as far as a durability stand point, which was one of my biggest concerns. And I would like to let you know if I have any regrets ditching my Canon 50mm f/1.2 L lens for the Sigma glass.
One of the best things about shooting film is that there are so many cameras to choose from! Of course, your wallet may disagree with me. The number of formats, combined with the different brands, form factors, lenses, and options make shooting with film almost impossible to get bored with. If you're at all familiar with my articles on Fstoppers, you know that I tend to focus on film and bringing it to a new audience. To that end, I've created a new video series profiling various film gear, some of it well known, some not so much! In my quest to learn about and use different systems, I hope you'll learn along with me. First up, a medium format rangefinder style camera from Fujifilm: the GF670.