Retouching and Post Production

Jay P Morgan is a commercial photographer out of California who has a history of creating some of the best most educational behind the scenes videos out on the internet (click here to watch tons of them). In this video Jay explains how you can shoot athletes in a studio environment and composite them into any scene easily and effectively. I want you guys to take note of how Jay breaks down his photography approach and offers concise and detailed information about his shoot. If you are interested in winning our Behind The Scenes Contest (and instantly having a studio of your own), you are going to need to explain your process thoroughly and in an interesting manner. Also be sure to check out the full retouching video on Facebook to see how everything was pieced together in post.

The amount of effort that went into Sony's 3D commercial Two Worlds is pretty unbelievable. I've watched this video twice now and still don't know if I know what I'm seeing. The creative team filmed the actors at 2500 FPS which required more than half a million watts of lighting and some of the largest fabric grids I've ever seen. Then using green screen, they filmed tons of slow motion projectiles to help their CGI team in the rendering of the background and moving elements. Because super slow motion video often looks fake even if it's real, making sense of what is real and what isn't real in this video is what makes it so interesting to me. Check out the video below and click the full post to see how they created this commercial inspired by the legendary Leonard Cohen.

A new photoshop algorithm featured at the Adobe Max 2011 is almost too good to believe. Somehow engineers have figured out a way to take extremely blurry images (by photographers' standards at least) and render them sharp and usable with the click of a few buttons. The goal behind this software is not to fix improperly focused images but rather to fix motion blur caused by a shaky camera or a slower shutter. The crowd's reaction at 1:18 is worth watching this video alone but if this technology ever makes it to future copies of Photoshop then this will no doubt rock the digital world in a way we've not seen before.

Eric Curry is a photographer who specializes in painting with light. Unlike using strobes to exposure your photos, painting with light requires you to use long exposures and constant light sources to effectively "paint" over your subject and capture it on your sensor. The newest image in Eric's American Pride and Passion series is one of the most complex light painting images I've ever seen and the behind the scenes video shows just how much work goes into such a big project. Click the full post to see the final image and be sure to click on Eric's website to see many more examples of his layered light painting photographs.

This video by Trey Ratcliff is a pretty cool idea. Trey traveled across the world in 80 days and documented his adventures with over 8,000 photographs. I hardly ever travel with a camera when I'm on vacation and even if I did, I'm not sure if I could ever force myself to take so many images in the moment. But then again I probably won't ever have anything this cool. Click the the full post to watch how Trey made this video.

Now this video may be over many of your heads (it is definitely over mine) because most of us are still photographers who may only dabble in video but this is still worth posting. In the video below Video Copilot shows us how they filmed a car chase scene in the studio with a green screen. I've never shot anything on a green screen before but after seeing how easy this is, I may have to give it a try.

Strobist has an interesting article by architectural photographer Mike Kelley. Usually exterior shots of homes and buildings are simply too large to effectively light with speedlights or big power packs. The tried and true method of capturing a great looking exterior shot is to turn all the lights on in the building and wait for the ambient sky light to match the build's artificial light. In the behind the scenes video below, Kelley shares his "selective lighting" technique and how it can be combined with multiple exposures from a small Canon 430EX to produce a sort of hero shot for publication. Click the full post for the final images.

Part of the appeal of doing something the long way is exactly that: proving you have the guts to reinvent the wheel. When Stephen Doyle was asked to help with the New York Times story What If The Secret To Success Is Failure? he decided to try something that would have been rather easy to produce in post production. Instead of relying on Photoshop, Stephen used forced perspective to physically write out words within different scenes. The final images appear to have words written on top of the images but infact they are embedded into each photograph directly. Click the full post to check out a second video and see a few examples of the final published images.

A big part of what makes commercial photography so interesting is it often requires photographers to incorporate the latest graphic trends into their work. In other words, in order to cut the mustard in commercial photography, you not only have to be at the top of your game but you also have to produce something eye catching in a market full of interesting media. That's exactly what photographer Gary Land did with his latest Adidas ad featuring soccer superstar Lionel Messi. However, his arsenal of Profoto lights and heavy photoshop has caused a bit of controversy over on the Strobist website where many photographers are claiming the final image is a bit overkill. I personally love the final image and think the direction Gary went is exactly what separates the boys from the men. However, I can appreciate the purists point of view who think great advertising photos should remain true to real life and capture a more realistic vision. Check out this great behind the scenes video of the latest Adidas shoe ad and let us know what you think in the comments. Check out Gary's interesting website as well for more inspiration.

When it comes to giving great tutorials on DSLR video, the guys at Stillmotion are full of helpful tips and tricks. This latest video discusses some of the advantages you have in setting your camera's white balance and color profiles. Since DSLR cameras still do not allow you to record in a RAW format, you must make many decisions in camera much like you would if you were shooting jpeg (which is great for events like weddings). Lee and I are big fans of getting it right in camera which is crucial when filming video because a compressed video has so much less room for error than a large 12+ megapixel photograph. Seeing real time comparisons of how white balance, sharpness, contrast, and color shifts can change the look of your final video is really helpful and should become a part of your workflow everytime you start filming video. Hopefully many of you can use this info when filming your BTS contest videos. We've featured Stillmotion a lot here on Fstoppers so be sure to check out their older videos as well.

Douglas Sonders has always created some pretty interesting behind the scenes videos of his photo projects. Recently he shot the band Blink 182 for the cover of Alt Press Magazine. The behind the scenes video below doesn't show much mainly because Douglas only had about 30 minutes with the band and had to shoot 3 separate covers with each band member individually as well as 1 complete band photo. The lighting is pretty straight forward though with a few rim lights, a soft over head key light, and a ring flash. Check out the full post to see a detailed video on how Douglas photoshopped the final images for print and how he uses the Nik Software Viveza in his workflow.

If you have seen Peter Lik's work in person then you understand that it's impossible to put into words the look and quality of his prints. Peter's photography (and his post production) is fantastic, but what really makes his work stand out is his printing and presentation. If his images were printed on standard photo paper at a standard size, his work would not have the same "wow" factor.

Patrick and I were invited to shoot a behind the scenes video with beauty photography Sam Yocum in NYC a few months ago. I've always been struck by the lighting and flawless models, makeup, and retouching that can be seen in high end Beauty work and so I couldn't wait to see a real professional work...Check out the video below to see a little on how Sam works as well as a very detailed tutorial on how he approaches his post production. Click the full post to see a bunch of Sam's beauty images.

Hurricane Irene is battering the East Coast of the US right now which has left many stuck in their homes browsing the internet for storm updates. One particular story that has filled my facebook news feed and was tweeted by CNN involves a shark swimming in the streets of Puerto Rico. Apparently the shark was swept up by Hurricane Irene and trapped inland on flooded streets of the Caribbean island. But something about the photo seems very suspecious. A few weeks ago Fstoppers correspondent Reese Moore interviewed photographer Thomas Peschak and one of his most famous images features the same shark making headlines today. Coincidence or is this shark just hungry for more media attention? Click the full post to see the two photos and you be the judge.

If you are a fan of iphone photo apps, huge CGI production movies, and sexy girls fighting with mystical powers then you will probably love this behind the scenes video. The Demon Cam is an iphone app that allows you to turn your face into a demon zombie. In order to promote the release of the Demon Cam, the guys over at Video Copilot created an unbelievably complex promo video that showcases how the application works. The behind the scenes video has a lot of CGI and chromakey trickery but it also has a bunch of clever ideas any photographer could use in their own productions. After reading the reviews of this app and seeing the amount of work that went into the opening video, I'm kind of curious to see what a Patrick Hall demon would look like. Click the full post to see how everything came together in the final video and head over to the app store to pick up the $.99 iphone cam.

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. This week we have part three of my Beauty Retouching Workflow mini-series. We will be enhancing the eyes and I will walk you through how I work with Imagenomic's Portraiture plugin. As always, thank you for your continued support and encouragement! Be sure to drop by my Prep To Post workshop website at www.preptopost.com for even more information on photography, lighting, and retouching. I have a Beauty Editorial Workshop coming up in Washington, DC on August 26th, one in Hawaii in mid-October, and another event planned for the Philippines in late November.

We are two weeks into our 2011 BTS contest and the entries are starting to trickle in. I just watched Robert Simpson's video called "Small World" and I was really impressed with the results. Robert used a D70 and kit lens in conjunction with some pretty interesting Photoshop techniques to create a very unique looking image. To keep an eye on all of the contest entries as they come in you can check out the the contest section on our forum.

One of the unfortunate problems with running a website is you are inevitably going to send traffic to a misdirected URL or even worse a page that flat out doesn't exist. You are probably used to seeing pages that look something like this. Well the guys over at Nosh.me came up with a funny little way to track down their own 404 pages and fix the issue or flat out take them down. Check out the final video below and hit the full post to see some BTS on how the guys conceptualized the scenes. If you really enjoy this sort of thing then you will find some really helpful tips about color grading, after effects, and detailed production notes over at the 404 process page. Who knew it was so violent behind each of our websites?

Nosh: 404 from Firespotter Labs on Vimeo.

This week over on the Fstoppers Forum there has been some pretty interesting posts. One that grabbed my attention was made by user Evolize Photog who showed how he photographs luxury cars in motion. In this video Evolize shows how he photoshopped his suction cupped boom arm out of a Lamborghini Gallardo hero shot. This should be great inspiration for our behind the scenes contest we are running the rest of this year. I'm sure a lot of you are like me and have questions about mounting a boom arm, triggering the camera, and positioning the camera for the best angle. These are some of the topics you should consider when making your own BTS video in the future. Do we have any other automotive photographers here on Fstoppers?

Within 24 hours of announcing the Fstoppers 2011 Behind The Scenes Video Contest, we were shocked to already have our first submission. Marc Kuyer from Holland had an idea to have small model cars battling each other like they were straight out of Rock and Roll Racing (super cult classic). Marc does a good job outlining his plans and showing you all the photoshopping that went into this final image. Of course we'd love to see everyone on camera but sometimes with language barriers you may have to stick with subtitles and text. So I guess it's safe to say right now Marc has taken the lead in our contest. If no one else steps up to the plate he will be moving on from small speed lights to a full studio worth of equipment!

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. This week we have part two of my Beauty Retouching Workflow mini-series. We will be dealing with those pesky stray hairs while preserving the natural look of the hairstyle. We put to use some of the tools and techniques from my previous PPT videos, such as the Clone Stamp set to lighten, using the Healing Brush or Clone Stamp within a selection, and using the Pen Tool to make selections. Many thanks once more for your continued support and encouragement! Be sure to drop by my Prep To Post workshop website at www.preptopost.com for even more information on photography, lighting, and retouching. I have a Beauty Editorial Workshop coming up in Washington, DC on August 26th, and a Twitter contest on how to attend the workshop as a VIP guest.

We have featured a lot of Dave Hill's unbelievable photoshoots here on Fstoppers. So when I saw his Adventure Series posted over at Strobist I thought it was an older video. Oh how I was wrong....way wrong! In his latest video, Dave Hill places his composite images into an After Effects type environment and lets you see every layer and all it's photoshopped glory. The video outlines all 11 images so it's a bit long but you will probably still find yourself watching all of them in wonder. This video was also a great reminder that Dave is to work making behind the scenes videos so you will probably see a lot more of him in the near future. What do you guys think? What is your favorite image from this series?

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. This week I am excited to showcase my beauty retouching workflow for you from start to finish. I have divided it into a mini-series, and the first part will deal with skin cleanup utilizing the three tools (Healing Brush, Clone Stamp, and Patch Tool) that we went over in a previous FS PPT. I showed you the techniques, now I will show you how I put them into use. I hope to provide insight as to why I use certain techniques and tools, when I use them, and how I use them. I will also be going over how I use Imagenomic's Portraiture in the following episodes of this mini-series, which I have been getting numerous requests for. Many thanks once more for your continued support and encouragement! Be sure to drop by my Prep To Post workshop website at www.preptopost.com for even more information on photography, lighting, and retouching.

If you went to see a movie over the weekend, chances are you went to see the new Michael Bay movie Transformers: Dark of the Moon. You may not be a big fan of Michael Bay and his over use of (and often reused) CGI effects, but you have to admit the creative artists responsible for carrying out Mr. Bay's vision are pretty remarkable. SoundWorks has profiled the incredible work sound designers Ethan Van der Ryn and Erik Aadahl went through to create the soundtrack required to make the visual effects on the screen believable. For the photographer or videographer just getting into video, you will soon realize how important the audio element is in maintaining a high production value in your films. If you enjoyed our post on The Sound of Inception then you are sure to enjoy this one as well.

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. Today I demonstrate how to use a curves adjustment layer to introduce a vignette to your photograph in order to give more separation between your subject and background. Because you will be using an adjustment layer that has a mask attached to it, you will have a great amount of flexibility with the amount of vignetting. I also do photography and retouching workshops over at www.preptopost.com. On June 25th, we have a retouching workshop aimed just for photographers who want to develop a more efficient post production workflow.

Have you ever seen a car ad in a magazine and wondered "how did they do that?" The car itself seems to be glowing and the location is always perfect. I've always known that tons of photoshop is involved by I didn't know if the car was actually shot in that location or if it was shot in the studio and dropped into the scene in post. In the case below, the car was shot on location and lit with a very simple rig (umbrella on a stick). The magic happens in Photoshop afterwards.

Every now and then I toy around with the idea of calibrating my monitor. I know how important color is for a photographer, but as a Jpeg shooter I've always felt that if I can capture an image to my liking in camera then I should be good to go. In the past I have tried a few products to calibrate my monitors and the results have never been very pleasing to my eye. After a few hours of letting my eyes adjust, menu bars and icons I've seen for years start having a pink or yellow tone that I simply can't get used to viewing. Well today I decided to test the calibration waters again on my laptop (since it's not used as much as my main workstation). Many of our Twitter followers recommended the ColorMunki by X-Rite which lead me to the following video on their system. It all seems pretty straightforward on video but I want to see what you guys think. Have you had a good experience with calibrating your monitor and feel confident people on normal laptops are seeing your work in the best possible representation?

Lomo Photography or Lomography has gained quite the cult following in recent years. And it’s no wonder. These little Lo-Fi cameras, such as the Lomo LC-A, produce some really cool and compelling images. Aside from the Lo-Fi look of the Lomo, the other main feature of Lomography is the cross processing of the Color Slide Film. Check out the video below by SLR Lounge and then view the full post to see the Photoshop tutorial.

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. I also do photography and retouching workshops over at www.preptopost.com. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. This time around I share a very simple and easy way to achieve facial symmetry in a straight-on beauty shot by cutting and pasting within the image. It's in our human nature to want to improve ourselves and seek perfection. you only need to peruse the front pages of women's magazines to see the ads for cosmetics, hair care, and skin care to see how these companies feed into this pursuit of the "ideal beauty." For the most part it is out imperfections that make us human, and also what makes us beautiful and unique individuals. There are times however, when for the sake of the client's request, or for your own work, we aim for the supernatural, and retouching helps us get there. I hope you enjoy watching this episode. On June 25th, I will be offering a retouching workshop geared towards photographers. We will be discussing beauty and fashion post production techniques in an easy to follow, non-technical manner. If you would like more info and to register, please visit www.preptopost.com.

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. I also do photography and retouching workshops over at www.preptopost.com. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. In this episode I demonstrate how to do a quick and easy skin tone correction using a curves adjustment layer. Often times we run into pesky situations where we have to retouch things like visible tan lines or other skin discoloration issues. Sometimes no matter how much prep work we do in the capture stage, we always have to do a final tweak in post. Well here's a perfectly simple little operation that will work for those instances.

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. I also do photography and retouching workshops over at www.preptopost.com. Feel free to connect with me on the right side bar and I'll be happy to answer any questions you might have about retouching. This time around I demonstrate how I use Photoshop's Liquify Filter. In putting this video together, I realized just how often I use liquify, whether it be to reshape clothing, hair, facial features, or even sometimes shadows. For now, we'll cover the basics to get you started and revisit this tool in a future episode.

When the iPad was announced I laughed. I thought "this is just an over-sized iPhone that can't even make calls." I then figured out how to tether my DSLR to it and now I bring it on every shoot. Don't get me wrong, it does have some annoying quirks but when it does something well... it does it very well. Adobe may take the iPad to the next level and make this "toy" an even more powerful tool for photographers. In the video below Shawn Welch shows us a quick run through of his new iPad app that will work directly with Photoshop on your computer. Hit the full post to see 2 videos of Adobe's work in progress. Maybe one day the iPad can will be able to compete with this.

I know a couple of Fstoppers that go by the names of Tiffany and Gianna that are going to love this one... Jay P. Morgan is back again with a really unique concept. In this video Jay explains how he created a super hero concept from nothing and then shows us every minuscule detail that goes into making that image come to life. As always, Jay does an incredible job of packing his video with priceless information that every photographer can use, even if you don't ever plan to shoot Wonder Woman.

One of the first things you learn as a photographer is to get a proper model release when considering to sell your work commercially. However, simply having a model release still might not prevent you from litigation. A law firm recently published an ad looking to represent firefighters who were affected by the federal James Zadroga Act. The advertising agency used by the law firm photoshopped a stock image of Robert Keiley who was modeling as a firefighter. They then created a scene where it appeared as if he had been at Ground Zero on 9/11. The argument is how much can a stock image be altered before it becomes false advertising (the ad did clearly state that the image was a depiction of a 9/11 firefighter)? In this Fox News story, two attorneys give two different sides of the argument. I think the law might fall in favor of the law firm who hired the ad agency; what do you guys think?

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. In this episode, we put the last two tutorials into practice, and I share how I do a basic cleanup of skin using only three tools: The Healing Brush, The Patch Tool, and The Clone Stamp. The image you will see at the very beginning of the tutorial is the shot I did with One Beauty Light and without the use of any other tools or plugins. If you haven't watched the previous two installations on the Healing Brush and Clone Stamp, I suggest you watch those first, and you can find them on the Fstoppers PPT Youtube Channel. You can find me on FACEBOOK, follow me on TWITTER, and keep up with me on my BLOG. I also do photography and retouching workshops, and you can find more info at www.preptopost.com.

As creative professionals, we always take extra care to notice the details in our work and to make sure that everything we do is as perfect as possible. In the video world, sound engineering and production can actually make a huge difference in the overall success of the visual elements on the screen. If you enjoyed seeing how Oscar winning editors produced the sound of Inception a few months ago, you are going to enjoy listening to Craig Henighan as he explains some of the effects used in the blockbuster hit Black Swan.

When I shoot video I like keeping things simple but after watching this tutorial, I feel like I may have to use this technique in my next production. Instead of lighting a stationary background to perfection, why not take a few RAW images and create the perfect setting in Photoshop.

Ben Von Wong just sent over a quick video explaining his latest band photoshoot. Their isn't any actual video footage of the shoot (feel free to scold him for that) but Von Wong does a great job of explaining his process without it.

If you've followed Fstoppers for any length of time then you know we are huge fans of Freddie Wong and his crazy hilarious Youtube Channel. What's so great about Freddie's work is that it's not big budget at all and he mixes his great sense of humor with relatively simple After Effects to create one of the most watched channels on the internet. Last Call With Carson Daily premiered this video, Gun Size Matters, back in the Fall and I just now came across this behind the scenes video showing how they filmed it with green screen. Click the full post to watch the final short video of Freddie's dream date with Shenae Grimes come to a not so happy end :)

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. In this episode, I discuss one of my most used Photoshop tools - the Clone Stamp. You may think there is no longer a use for this old school instrument what with the availability of the more sophisticated healing brush and its content aware amazingness, but it is still quite relevant for beauty retouching. For those of you interested, I have a 2-day workshop coming up at the end of this month, where I will be discussing my experience when executing a fashion editorial from start to finish. Everything from conceptualization to post production will be explained. I will also be donating $10 towards Earthquake and Tsunami Relief for Japan for each person that attends For more info, please visit http://preptopost.com.

Fstoppers was created in part to help show the faces of the photographers behind the lens and also to give insight on how they approach their photography. But have you ever wondered who the people are behind some of tools and software we use day in an day out? Well Adobe recently released this video featuring many of the names behind their industry standard software Photoshop CS5 as they explained some of the difficulties they faced in the newest update. I've always wondered why it often takes longer for the mac version to appear on store shelves than it does the PC version and now I know why. via PetaPixel

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. This time around, we will talk about how I use the healing brush and patch tool in Photoshop. They are definitely staples of any retouching job and while they are pretty straightforward to use, I would like to share a couple of tweaks I discovered to make them work even better.

Many of the posts we have seen here lately on Fstoppers have been heavily influenced by Freddy Wong and the amazing special effects videos on his YouTube channel. Now Freddy has tackled something very sacred to us all: something that might still keep some die hards up late in to the morning. Anyone giving homage to Wario or Donkey Kong, the two best characters in the game, will always get two big thumps up from me. If you want to see the final Real Life Mario, click on the full post after watching this great BTS video.

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. This time around, we will talk about how to use the Photoshop Pen Tool. Granted, it's not as flashy and exciting as other aspects of retouching, but the Pen Tool is definitely something everyone should learn. To be honest, the Pen Tool is something I use quite often, especially when a client requests a color change on an object or background, or even when retouching hair. Stay tuned for more videos coming up soon and feel free to leave me any comments below with questions on this video or about suggestions for future videos.

I'm not a huge fan their style of movies but I can totally appreciate the talent that Pixar puts into each of their projects. If you are at all interested in 3D animation, movie production, or incredible offices, this video is for you.

If you are not already subscribed to Freddie Wong's YouTube channel, you should go there right now and watch one of Youtube's most popular animators. Well this week he has created a really simple video called The Freeze Shootout and has provided a quick behind the scenes video on how he did it. Watch the full video here and click on the full post to watch how he created it.

My name is Sean Armenta and I am a professional fashion photographer based in Southern California. You may have seen a few of my videos posted on Fstoppers in the past but this will be the first video in a series called Fstoppers PPT (post production tutorials) that I will be producing exclusively for Fstoppers. If you have a Youtube account you may want to subscribe to the new FstoppersPPT channel. They say the eyes are the windows to the soul, and I believe the eyes are one of the most important parts of a portrait. In this tutorial, I will share with you the techniques I use to retouch eyes and eyelashes.

Kevin Reed is a fantastic fashion photographer based out in LA and also NYC. He also has an excellent blog called Exposing Fashion where he has posted lots of tips, BTS, and bits of inspiration. Each year Kevin creates a new image to include in his holiday newsletter and this year he even filmed a fast behind the scenes video outlining the entire shoot. The lighting is pretty straightforward but it's always interesting to see how much work goes into the details. Usually it's these details that help separate the typical fashion or beauty images from the really great ones. Hope you guys enjoy this as much as I did.

If you were an Fstoppers reader back when we launched then you probably saw Lee Morris's humble attempt at how to photograph a Rolex watch. It wasn't perfect but I think it was helpful in shedding some light on how meticulous product photography can be. Well now Alex Koloskov has made an extremely detailed video on how he created his latest hero shot of a men's Marine Star Bulova watch. The video is very long and it might take you a second to cut through his Ukrainian accent but this video is well worth it. The quick(er) post production video is shown below so you can see how much time and effort goes into touching up a macro shot like this but you can also find the full length lighting video in the full post. Also be sure to head over to Alex's blog post if you have further questions about his workflow. Take your time on this and enjoy!