Retouching and Post Production

Gry Garness is a makeup artist turned retoucher/photoshop consultant from Norway. I wasn't familiar with her photoshop tutorials until I came across this video the other day, and I must say I'm pretty impressed with her articulate approach to complicated techniques. In this video, Gry teaches some interesting liquify techniques on an image by Derek Cooper. Instead of simply using the lossy liquify tool, Gry shows you how you can use warp and puppet warp selections which give you the ability to go back and change any transforms down the road. The results are pretty amazing and it's always good to know a few different ways to accomplish the same overall outcome.

Jaren Wilkey is the manager of Brigham Young University's photography department (perhaps he helped on this shoot?). His Behind The Scenes Contest submission idea was to create a photoshoot that played off a news story there at the university. Jaren and his students set out to produce an editorial type image featuring computer hackers. These hackers weren't the malicious type you typically think of but rather the winners of a large computer science hacking competition. Check out what Jaren and his students came up with and they even used the Eye-fi to ipad tethering tip we exposed here. Congrats guys and good luck with the contest!

A few months back I posted a video created by the team at The Underwater Realm showing how they created waterproof hotlights to be used on their feature film that is currently under production. Their entire movie is planned to take place underwater and the shots will be a combination of real underwater footage and studio work. Anyone who has ever shot anything underwater knows that the deeper you go, the bluer the image becomes. With a little bit of color work you can create a much more pleasing looking image. Fast forward to 4:00 for the goods.

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. This time around we have a new post production project to work on - and that is how to create that popular retro/vintage/hipster look using Photoshop. Now we are all familiar with mobile apps such as Hipstamatic and Vignette that easily create cool-looking snapshots, and I'm sure there are tons of actions and plugins that can achieve this look. However, you can create a totally unique look to your photographs with some curves adjustment layers, custom brushes, and a little elbow grease. Let's start with the first in this mini-series - how to add a faux cross-processed, vintagey color palette to your photograph.

My mother always told me that I was a talented painter and I at one point I believed her. After seeing this video of a guy using Photoshop to digitally paint a photograph of a girl I know she was just trying to be nice. Can anyone tell me if this is fake? It went from looking really bad to really good quite quickly. Whatever you do, make sure you mute this video before you start watching it. Update: Ok I'm pretty sure it's fake.

Jay P Morgan is a commercial photographer out of California who has a history of creating some of the best most educational behind the scenes videos out on the internet (click here to watch tons of them). In this video Jay explains how you can shoot athletes in a studio environment and composite them into any scene easily and effectively. I want you guys to take note of how Jay breaks down his photography approach and offers concise and detailed information about his shoot. If you are interested in winning our Behind The Scenes Contest (and instantly having a studio of your own), you are going to need to explain your process thoroughly and in an interesting manner. Also be sure to check out the full retouching video on Facebook to see how everything was pieced together in post.

The amount of effort that went into Sony's 3D commercial Two Worlds is pretty unbelievable. I've watched this video twice now and still don't know if I know what I'm seeing. The creative team filmed the actors at 2500 FPS which required more than half a million watts of lighting and some of the largest fabric grids I've ever seen. Then using green screen, they filmed tons of slow motion projectiles to help their CGI team in the rendering of the background and moving elements. Because super slow motion video often looks fake even if it's real, making sense of what is real and what isn't real in this video is what makes it so interesting to me. Check out the video below and click the full post to see how they created this commercial inspired by the legendary Leonard Cohen.

A new photoshop algorithm featured at the Adobe Max 2011 is almost too good to believe. Somehow engineers have figured out a way to take extremely blurry images (by photographers' standards at least) and render them sharp and usable with the click of a few buttons. The goal behind this software is not to fix improperly focused images but rather to fix motion blur caused by a shaky camera or a slower shutter. The crowd's reaction at 1:18 is worth watching this video alone but if this technology ever makes it to future copies of Photoshop then this will no doubt rock the digital world in a way we've not seen before.

Eric Curry is a photographer who specializes in painting with light. Unlike using strobes to exposure your photos, painting with light requires you to use long exposures and constant light sources to effectively "paint" over your subject and capture it on your sensor. The newest image in Eric's American Pride and Passion series is one of the most complex light painting images I've ever seen and the behind the scenes video shows just how much work goes into such a big project. Click the full post to see the final image and be sure to click on Eric's website to see many more examples of his layered light painting photographs.

This video by Trey Ratcliff is a pretty cool idea. Trey traveled across the world in 80 days and documented his adventures with over 8,000 photographs. I hardly ever travel with a camera when I'm on vacation and even if I did, I'm not sure if I could ever force myself to take so many images in the moment. But then again I probably won't ever have anything this cool. Click the the full post to watch how Trey made this video.

Now this video may be over many of your heads (it is definitely over mine) because most of us are still photographers who may only dabble in video but this is still worth posting. In the video below Video Copilot shows us how they filmed a car chase scene in the studio with a green screen. I've never shot anything on a green screen before but after seeing how easy this is, I may have to give it a try.

Strobist has an interesting article by architectural photographer Mike Kelley. Usually exterior shots of homes and buildings are simply too large to effectively light with speedlights or big power packs. The tried and true method of capturing a great looking exterior shot is to turn all the lights on in the building and wait for the ambient sky light to match the build's artificial light. In the behind the scenes video below, Kelley shares his "selective lighting" technique and how it can be combined with multiple exposures from a small Canon 430EX to produce a sort of hero shot for publication. Click the full post for the final images.

Part of the appeal of doing something the long way is exactly that: proving you have the guts to reinvent the wheel. When Stephen Doyle was asked to help with the New York Times story What If The Secret To Success Is Failure? he decided to try something that would have been rather easy to produce in post production. Instead of relying on Photoshop, Stephen used forced perspective to physically write out words within different scenes. The final images appear to have words written on top of the images but infact they are embedded into each photograph directly. Click the full post to check out a second video and see a few examples of the final published images.

A big part of what makes commercial photography so interesting is it often requires photographers to incorporate the latest graphic trends into their work. In other words, in order to cut the mustard in commercial photography, you not only have to be at the top of your game but you also have to produce something eye catching in a market full of interesting media. That's exactly what photographer Gary Land did with his latest Adidas ad featuring soccer superstar Lionel Messi. However, his arsenal of Profoto lights and heavy photoshop has caused a bit of controversy over on the Strobist website where many photographers are claiming the final image is a bit overkill. I personally love the final image and think the direction Gary went is exactly what separates the boys from the men. However, I can appreciate the purists point of view who think great advertising photos should remain true to real life and capture a more realistic vision. Check out this great behind the scenes video of the latest Adidas shoe ad and let us know what you think in the comments. Check out Gary's interesting website as well for more inspiration.

When it comes to giving great tutorials on DSLR video, the guys at Stillmotion are full of helpful tips and tricks. This latest video discusses some of the advantages you have in setting your camera's white balance and color profiles. Since DSLR cameras still do not allow you to record in a RAW format, you must make many decisions in camera much like you would if you were shooting jpeg (which is great for events like weddings). Lee and I are big fans of getting it right in camera which is crucial when filming video because a compressed video has so much less room for error than a large 12+ megapixel photograph. Seeing real time comparisons of how white balance, sharpness, contrast, and color shifts can change the look of your final video is really helpful and should become a part of your workflow everytime you start filming video. Hopefully many of you can use this info when filming your BTS contest videos. We've featured Stillmotion a lot here on Fstoppers so be sure to check out their older videos as well.

Douglas Sonders has always created some pretty interesting behind the scenes videos of his photo projects. Recently he shot the band Blink 182 for the cover of Alt Press Magazine. The behind the scenes video below doesn't show much mainly because Douglas only had about 30 minutes with the band and had to shoot 3 separate covers with each band member individually as well as 1 complete band photo. The lighting is pretty straight forward though with a few rim lights, a soft over head key light, and a ring flash. Check out the full post to see a detailed video on how Douglas photoshopped the final images for print and how he uses the Nik Software Viveza in his workflow.

If you have seen Peter Lik's work in person then you understand that it's impossible to put into words the look and quality of his prints. Peter's photography (and his post production) is fantastic, but what really makes his work stand out is his printing and presentation. If his images were printed on standard photo paper at a standard size, his work would not have the same "wow" factor.

Hurricane Irene is battering the East Coast of the US right now which has left many stuck in their homes browsing the internet for storm updates. One particular story that has filled my facebook news feed and was tweeted by CNN involves a shark swimming in the streets of Puerto Rico. Apparently the shark was swept up by Hurricane Irene and trapped inland on flooded streets of the Caribbean island. But something about the photo seems very suspecious. A few weeks ago Fstoppers correspondent Reese Moore interviewed photographer Thomas Peschak and one of his most famous images features the same shark making headlines today. Coincidence or is this shark just hungry for more media attention? Click the full post to see the two photos and you be the judge.

If you are a fan of iphone photo apps, huge CGI production movies, and sexy girls fighting with mystical powers then you will probably love this behind the scenes video. The Demon Cam is an iphone app that allows you to turn your face into a demon zombie. In order to promote the release of the Demon Cam, the guys over at Video Copilot created an unbelievably complex promo video that showcases how the application works. The behind the scenes video has a lot of CGI and chromakey trickery but it also has a bunch of clever ideas any photographer could use in their own productions. After reading the reviews of this app and seeing the amount of work that went into the opening video, I'm kind of curious to see what a Patrick Hall demon would look like. Click the full post to see how everything came together in the final video and head over to the app store to pick up the $.99 iphone cam.

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. This week we have part three of my Beauty Retouching Workflow mini-series. We will be enhancing the eyes and I will walk you through how I work with Imagenomic's Portraiture plugin. As always, thank you for your continued support and encouragement! Be sure to drop by my Prep To Post workshop website at www.preptopost.com for even more information on photography, lighting, and retouching. I have a Beauty Editorial Workshop coming up in Washington, DC on August 26th, one in Hawaii in mid-October, and another event planned for the Philippines in late November.

We are two weeks into our 2011 BTS contest and the entries are starting to trickle in. I just watched Robert Simpson's video called "Small World" and I was really impressed with the results. Robert used a D70 and kit lens in conjunction with some pretty interesting Photoshop techniques to create a very unique looking image. To keep an eye on all of the contest entries as they come in you can check out the the contest section on our forum.

One of the unfortunate problems with running a website is you are inevitably going to send traffic to a misdirected URL or even worse a page that flat out doesn't exist. You are probably used to seeing pages that look something like this. Well the guys over at Nosh.me came up with a funny little way to track down their own 404 pages and fix the issue or flat out take them down. Check out the final video below and hit the full post to see some BTS on how the guys conceptualized the scenes. If you really enjoy this sort of thing then you will find some really helpful tips about color grading, after effects, and detailed production notes over at the 404 process page. Who knew it was so violent behind each of our websites?

Nosh: 404 from Firespotter Labs on Vimeo.

This week over on the Fstoppers Forum there has been some pretty interesting posts. One that grabbed my attention was made by user Evolize Photog who showed how he photographs luxury cars in motion. In this video Evolize shows how he photoshopped his suction cupped boom arm out of a Lamborghini Gallardo hero shot. This should be great inspiration for our behind the scenes contest we are running the rest of this year. I'm sure a lot of you are like me and have questions about mounting a boom arm, triggering the camera, and positioning the camera for the best angle. These are some of the topics you should consider when making your own BTS video in the future. Do we have any other automotive photographers here on Fstoppers?

Within 24 hours of announcing the Fstoppers 2011 Behind The Scenes Video Contest, we were shocked to already have our first submission. Marc Kuyer from Holland had an idea to have small model cars battling each other like they were straight out of Rock and Roll Racing (super cult classic). Marc does a good job outlining his plans and showing you all the photoshopping that went into this final image. Of course we'd love to see everyone on camera but sometimes with language barriers you may have to stick with subtitles and text. So I guess it's safe to say right now Marc has taken the lead in our contest. If no one else steps up to the plate he will be moving on from small speed lights to a full studio worth of equipment!

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. This week we have part two of my Beauty Retouching Workflow mini-series. We will be dealing with those pesky stray hairs while preserving the natural look of the hairstyle. We put to use some of the tools and techniques from my previous PPT videos, such as the Clone Stamp set to lighten, using the Healing Brush or Clone Stamp within a selection, and using the Pen Tool to make selections. Many thanks once more for your continued support and encouragement! Be sure to drop by my Prep To Post workshop website at www.preptopost.com for even more information on photography, lighting, and retouching. I have a Beauty Editorial Workshop coming up in Washington, DC on August 26th, and a Twitter contest on how to attend the workshop as a VIP guest.

We have featured a lot of Dave Hill's unbelievable photoshoots here on Fstoppers. So when I saw his Adventure Series posted over at Strobist I thought it was an older video. Oh how I was wrong....way wrong! In his latest video, Dave Hill places his composite images into an After Effects type environment and lets you see every layer and all it's photoshopped glory. The video outlines all 11 images so it's a bit long but you will probably still find yourself watching all of them in wonder. This video was also a great reminder that Dave is to work making behind the scenes videos so you will probably see a lot more of him in the near future. What do you guys think? What is your favorite image from this series?

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. This week I am excited to showcase my beauty retouching workflow for you from start to finish. I have divided it into a mini-series, and the first part will deal with skin cleanup utilizing the three tools (Healing Brush, Clone Stamp, and Patch Tool) that we went over in a previous FS PPT. I showed you the techniques, now I will show you how I put them into use. I hope to provide insight as to why I use certain techniques and tools, when I use them, and how I use them. I will also be going over how I use Imagenomic's Portraiture in the following episodes of this mini-series, which I have been getting numerous requests for. Many thanks once more for your continued support and encouragement! Be sure to drop by my Prep To Post workshop website at www.preptopost.com for even more information on photography, lighting, and retouching.

If you went to see a movie over the weekend, chances are you went to see the new Michael Bay movie Transformers: Dark of the Moon. You may not be a big fan of Michael Bay and his over use of (and often reused) CGI effects, but you have to admit the creative artists responsible for carrying out Mr. Bay's vision are pretty remarkable. SoundWorks has profiled the incredible work sound designers Ethan Van der Ryn and Erik Aadahl went through to create the soundtrack required to make the visual effects on the screen believable. For the photographer or videographer just getting into video, you will soon realize how important the audio element is in maintaining a high production value in your films. If you enjoyed our post on The Sound of Inception then you are sure to enjoy this one as well.

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. Today I demonstrate how to use a curves adjustment layer to introduce a vignette to your photograph in order to give more separation between your subject and background. Because you will be using an adjustment layer that has a mask attached to it, you will have a great amount of flexibility with the amount of vignetting. I also do photography and retouching workshops over at www.preptopost.com. On June 25th, we have a retouching workshop aimed just for photographers who want to develop a more efficient post production workflow.

Have you ever seen a car ad in a magazine and wondered "how did they do that?" The car itself seems to be glowing and the location is always perfect. I've always known that tons of photoshop is involved by I didn't know if the car was actually shot in that location or if it was shot in the studio and dropped into the scene in post. In the case below, the car was shot on location and lit with a very simple rig (umbrella on a stick). The magic happens in Photoshop afterwards.

Every now and then I toy around with the idea of calibrating my monitor. I know how important color is for a photographer, but as a Jpeg shooter I've always felt that if I can capture an image to my liking in camera then I should be good to go. In the past I have tried a few products to calibrate my monitors and the results have never been very pleasing to my eye. After a few hours of letting my eyes adjust, menu bars and icons I've seen for years start having a pink or yellow tone that I simply can't get used to viewing. Well today I decided to test the calibration waters again on my laptop (since it's not used as much as my main workstation). Many of our Twitter followers recommended the ColorMunki by X-Rite which lead me to the following video on their system. It all seems pretty straightforward on video but I want to see what you guys think. Have you had a good experience with calibrating your monitor and feel confident people on normal laptops are seeing your work in the best possible representation?

Lomo Photography or Lomography has gained quite the cult following in recent years. And it’s no wonder. These little Lo-Fi cameras, such as the Lomo LC-A, produce some really cool and compelling images. Aside from the Lo-Fi look of the Lomo, the other main feature of Lomography is the cross processing of the Color Slide Film. Check out the video below by SLR Lounge and then view the full post to see the Photoshop tutorial.

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. I also do photography and retouching workshops over at www.preptopost.com. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. This time around I share a very simple and easy way to achieve facial symmetry in a straight-on beauty shot by cutting and pasting within the image. It's in our human nature to want to improve ourselves and seek perfection. you only need to peruse the front pages of women's magazines to see the ads for cosmetics, hair care, and skin care to see how these companies feed into this pursuit of the "ideal beauty." For the most part it is out imperfections that make us human, and also what makes us beautiful and unique individuals. There are times however, when for the sake of the client's request, or for your own work, we aim for the supernatural, and retouching helps us get there. I hope you enjoy watching this episode. On June 25th, I will be offering a retouching workshop geared towards photographers. We will be discussing beauty and fashion post production techniques in an easy to follow, non-technical manner. If you would like more info and to register, please visit www.preptopost.com.

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. I also do photography and retouching workshops over at www.preptopost.com. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. In this episode I demonstrate how to do a quick and easy skin tone correction using a curves adjustment layer. Often times we run into pesky situations where we have to retouch things like visible tan lines or other skin discoloration issues. Sometimes no matter how much prep work we do in the capture stage, we always have to do a final tweak in post. Well here's a perfectly simple little operation that will work for those instances.