AhhhYUkin! Here is a great "blast from the past" set of Street Fighter photos from photographer Alexander Nerozya. He and his friends came together to create a pretty impressive collection of images that any gamer would be proud of. Open the post to see his full description of how he made the images, complete with BTS shots and video. Enjoy!
If you are like me then you might not always get caught up in some of the super technical aspects of photography. One aspect of photography I recently investigated was the loss of sharpness caused by Diffraction. Last night while playing with the new Nikon D800 camera I examined lens diffraction and how diffraction can seriously affect the sharpness of your photography.
Quite often, aspiring photographers of the world turn to the almighty interwebs to find answers to "How to take photos of __________". Sometimes, the better question is "How NOT to take photos of __________". Here are some examples of how NOT to take portraits of families while you're in your basement home studio.
Ready to drop your jaw? Richard Kendall doesn't really care if you're ready or not, and he's decided that it's going to drop. This is seriously cool. He took the bullet-camera idea from The Matrix/X-Games (think the whole "40 cameras in a ring shooting simultaneously" thing that we've all seen a hundred times),
A user on the popular social website Reddit was the first to bring our attention to this enormous Photoshop fail. A recent Target advertisement left one of the models sporting a little something extra. You won't believe your eyes when you see this, nor will you believe that somehow, nobody caught the mistake.
As far as I'm concerned, Emily Shur can do know wrong. I've been following her work and blog for a few years now for a couple of reasons. First, I appreciate that she talks about her dog almost as much as I do. Secondly, she's got a strong portfolio of celebrity portraits - many of them taken in a blank studio without the use of props. In this particular shoot she used props of the canine variety, and faced the humans toward the backdrop.
Here's a fun Saturday morning activity for you - try your hand at lighting a virtual model in this Virtual Lighting Studio. It's pretty simple, and very addicting. For each light, you'll choose the source - a bare strobe, softbox, or ringlight. Then just decide the power, gel colors, placement and distance.
You may remember R.J. Kern and Amanda Tipton from a shoot we featured on here before - well they're at it again and this one is pretty awesome too. Using the PhaseOne 645Df camera and the Capture Pilot w/Camera Control photo app they got some really cool images. They had the models lay flat on a white seamless background while they shot a typical wedding day in a 2D approach. To see more images click...
My buddy Paul Mckelvie in the UK just showed me this music video for Benga that he worked on a while back as a runner for the video's directors, Us. The concept is fantastic and the execution turned out great. Once Us had the idea for the video, the next problem was trying to figure out how to actually do it. There was a lot of math homework, calculating the number of records per second against the frame rate. It worked out to be that 960 records would be the equivalent of 1 minute and 20 seconds worth of wave form.
Most of you know Mark Wallace as the face behind Adorama TV. He's a very accomplished photographer based out of Phoenix, Arizona and we recently were able to share some drinks with him when we filmed Blair Bunting's Aventador video. Mark gave us a little glimpse about his 2012 Workshop Tour and now the details are finally able to be revealed. If you are a fan of Mark, which we hope you are, click the full post to hear about his new 7 city tour!
National Geographic recently released this video of the creation of one of their cover shots. While there is no exact date on it, I'd bet that it was shot sometime in the early 2000s or late 1990s guessing from technology being used. Some real ingenuity was at work here, as evidenced by the custom-built pneumatic jaw, the hand-cast Tyrannosaurus skull, and not to mention what appears to be at least ten cameras all triggered at the same time via laser in an effort to capture the decisive moment.
This is a pretty cool time lapse of the production of the Wade Brothers shoot "House Of Fly 53". It's a pretty interesting concept that incorporates both a 10 minute video and a series of images used for print and web advertising. The incredible part of all of this was that both the video and stills were shot at exactly the same time, which saved production and talent costs.
As photographers, we are always in search of that new unique lighting modifier to add to our bag of tricks. I recently saw this video on Strobist where Amber Gray claims her Broncolor Para FB could actually reduce the amount of post production on her models. That statement seemed a bit bold when I first heard it; usually I credit a great makeup artist for awesome skin texture rather than a specific light. I've never used a ring flash
We get asked to show our lighting for our Fstoppers Original interviews all the time but it seems like we always forget to shoot our lighting schemes. StillMotion just released a killer video that shows how they light interviews with key, fill, hair, and background lights. By using Profoto's new HMI lights with Air remotes, you can easily change the output of each...