With all the incredible new 4K cameras — BlackMagic’s new pocket cinema, Sony’s mirrorless line — anyone remember last year’s excitement when Magic Lantern shipped 4K raw for the 5D Mark III on April Fool’s Day? Only it wasn’t a prank.
Stock video marketplaces are handy little operations. They provide a smorgasbord of top-quality footage and graphics all in one convenient place and all for one very reasonable price. But earlier this month, one marketplace took things to a whole new level.
When diving into the photography world, one of the first things you come across is deciding whether to shoot raw or JPEG. Typically, the answer to that is very simple: shoot in raw every time you can, only shoot JPEG for specific reasons. What about when you start shooting video? Codecs were basically magic to me before I finally understood how they functioned.
Transforming one image look into a LUT can be a daunting process for people who don’t know much about LUTs (Lookup Tables). According to this video, Picture Instruments came up with something easy to help you give any of your pictures or footage the look of another image.
Color grading is a technique we usually relate solely to the video post-production process. This course teaches color directing which is way more than just software manipulation of the hues of a video footage. It will tell you how to color grade both in-camera and in post.
This video covers a wide range of tips and tricks to make your set runs smoothly, things occur as you planned, and small items don’t go missing. I’ve seen some of these used by YouTubers mostly, but there are a hundred of them, so use what you think is best suited to your shooting style.
Editing, trimming, and moving around clips on your timeline can require more time than it should, especially if you don’t use the ripple delete tools. In this short tutorial, Nathaniel Dodson from Tutvid shows you how them to save some valuable time.
When getting into videography, the most challenging part tends to be the sound, especially for us photographers. With the latest Adobe Premiere Pro update, auto-ducking has been brought from Audition to make transitions between audio clips smoother and easier than ever before.
Fstoppers is bringing you our first ever tutorial that deals with video rather than photos: "Intro to Premiere: A Video Editing Tutorial."
Less than a month after Insta360 announced their last partnership, an extremely important deal will allow for virtual reality video in an easy and time-conscious workflow.
If you're just getting into video, you're likely discovering it's an entirely new world full of its own rules and good practices. This helpful video will get you off on the right foot with five mistakes to avoid when working as a filmmaker.
Announced at NAB 2018, AMD’s Radeon Pro SSG is setting its sights on 4K and 8K video with a monster GPU.
You can make it look like two people are sitting with their backs to opposite sides of the same wall. It allows you to transport your audience to a different place in a fun way. This video from Mango Street shows how they did it and shares a tutorial on how you can too.
If you use Final Cut Pro to edit video and share those videos to Vimeo, you might be interested in checking out this new app. Vimeo just released a native app client for MacOS, and it looks like it could be pretty handy.
Have you used black bars or a so called "envelope" when editing your videos to make them look "more cinematic?" Just stop doing that. This tutorial shows you how to achieve the same effect but in a proper manner.
Adobe’s latest update to Adobe Premiere CC has made it more accessible than ever for beginners to start editing video, but if your processing power is limited, playback lag can make the editing process frustrating. Here are six ways to reduce playback lag when editing your timeline.
For the past few years, I have been getting more and more into video work. When I first started, I had an idea of what frame rate was and I knew how to use it to get the looks I wanted but by no means was I doing anything correctly until probably late last year. In this video, Matt goes over frame rates and a few reasons why you should shoot in different ones.
What makes it different this time is that it looks like he will be collaborating with other creators in a massive three-story building he took a lease out on in New York. He's not sure what the business model is going to be, but he's excited to launch the first episode on April 6.
Camera robots are what you see in movies and think it's computer generated. These robots link up to the camera you're working on, focus your lens during the movement, and make for great videos. Marques Brownlee from MKBHD shows us the capabilities.
The NAB conference is always primetime for Adobe's video and audio editing application updates. This year, the time savings could be impressive with some great features that save time for beginners and professionals alike.
A-roll and b-roll are the main and the supporting footage. In this video, you will learn where these names came from and in which cases we can use b-roll to make our videos more pleasing to the viewers.
Fujifilm's brand new X-H1 mirrorless camera is the company's first serious attempt at making a body that is capable as both a stills and video camera. It has been causing quite a stir in the photography community recently. Just who is it for? What is it capable of? Would it be a good addition to your kit? This video will show you what it can accomplish.
Though the free version has some limitations, it’s one of the few free nonlinear video editors out there. Let’s take a look at DaVinci Resolve.
NVMe drives are the new generation of SSD based on the NVMe interface. The classic 2.5” SATA SSD is limited by the SATA standard to 550 MB/s. On the other end, the best NVMe SSD are reaching up to 3,500 MB/s (read) and 2,100 MB/s (write) speed, and they offer much better latency. In short, they are much faster, smaller, and pricier than regular SSDs.
As we all know, in the photography world, things change and they change quickly. The thing that's been tremendously on the rise is the use of video. Here's how to get started editing video in Adobe Premiere.
Apple's latest ad campaigns give an idea of what it is trying to achieve and who it is trying to talk to. Check out these behind-the-scenes videos that show how Apple shot these iMac Pro ads to help it re-align its focus on the creative.
Making videos on Premiere Pro using just my mouse has been getting really old really fast. Keyboard shortcuts are a way to make the whole process a little less monotonous, but it's still not perfect. Recently, however, I've been testing the Sensel Morph tablet and I think I've found the best thing for Premiere Pro.
For months, I’ve been looking for presets that would work in most apps I use to edit my videos and photos but couldn’t find one. That was until I discovered Lutify.me and its LUTs made compatible with Capture One and Lightroom.
I often struggle to give my videos the same energy and flow that Peter Mckinnon or Casey Neistat have in theirs. I would blame the fact that I might not have the gear or budget they have. But, those days are over.
The process of color correcting and color grading in filmmaking is an art of its own. Even if you do not work with video, such techniques can bring your photographs to the next level. The goal of this short tutorial is not creating an orange and teal look, but rather teaching you how ambient light affects highlights, midtones, and shadows of the skin. Knowing this technique you can color grade visuals the way you see them in many films.
